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(Bop, Cool) [CD] The Jazz Modes (w/ Julius Watkins, Charlie Rouse) - The Most Happy Fella - 1957 (2013 Japan Edition), FLAC (image+.cue), lossless

(Bop, Cool) [CD] The Jazz Modes (w/ Julius Watkins, Charlie Rouse) - The Most Happy Fella - 1957 (2013 Japan Edition), FLAC (image+.cue), lossless
The Jazz Modes - The Most Happy Fella
Жанр: Bop, Cool
Носитель: CD
Страна-производитель диска: Япония
Год издания: 2013
Издатель (лейбл): Atlantic/WEA/Warner
Номер по каталогу: WPCR-27234
Страна: США
Аудиокодек: FLAC (*.flac)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 33:54
Источник (релизер): диск из моей коллекции
Наличие сканов в содержимом раздачи: да
Треклист:
01. Standing on the Corner (Loesser) - 3:47
02. Joey, Joey, Joey (Loesser) - 3:57
03. Warm All Over (Loesser) - 4:59
04. Happy to Make Your Acquaintance (Loesser) - 4:29
05. My Heart Is So Full of You (Loesser) - 3:29
06. The Most Happy Fella (Loesser) - 3:46
07. Don't Cry (Loesser) - 3:11
08. Like a Woman (Loesser) - 3:01
09. Somebody Somewhere (Loesser) - 3:15
Состав:
Julius Watkins - French horn
Charlie Rouse - tenor saxophone
Gildo Mahones - piano
Martin Rivera - bass
Ron Jefferson - drums
Eileen Gilbert - vocals (#5)
Recorded in New York on November 7-11, 1957.
 
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 1. March 2014, 0:37
The Jazz Modes / The Most Happy Fella
Used drive : ASUS DRW-24B1LT Adapter: 5 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
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Null samples used in CRC calculations : Yes
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Add ID3 tag : No
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TOC of the extracted CD
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3 | 7:44.01 | 4:59.02 | 34801 | 57227
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7 | 24:27.17 | 3:10.54 | 110042 | 124345
8 | 27:37.71 | 3:01.09 | 124346 | 137929
9 | 30:39.05 | 3:14.41 | 137930 | 152520
Range status and errors
Selected range
Filename F:\audio\The Jazz Modes - The Most Happy Fella.wav
Peak level 100.0 %
Extraction speed 5.1 X
Range quality 100.0 %
Test CRC 45733DA7
Copy CRC 45733DA7
Copy OK
No errors occurred
AccurateRip summary
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All tracks accurately ripped
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Содержание индексной карты (.CUE)
REM GENRE Jazz
REM DATE 1957
REM DISCID 7907F109
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "The Jazz Modes"
TITLE "The Most Happy Fella"
FILE "The Jazz Modes - The Most Happy Fella.wav" WAVE
TRACK 01 AUDIO
TITLE "Standing on the Corner"
PERFORMER "The Jazz Modes"
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Joey, Joey, Joey"
PERFORMER "The Jazz Modes"
INDEX 00 03:43:63
INDEX 01 03:46:43
TRACK 03 AUDIO
TITLE "Warm All Over"
PERFORMER "The Jazz Modes"
INDEX 00 07:41:35
INDEX 01 07:44:01
TRACK 04 AUDIO
TITLE "Happy to Make Your Acquaintance"
PERFORMER "The Jazz Modes"
INDEX 00 12:42:01
INDEX 01 12:43:03
TRACK 05 AUDIO
TITLE "My Heart Is So Full of You"
PERFORMER "The Jazz Modes"
INDEX 00 17:11:40
INDEX 01 17:12:39
TRACK 06 AUDIO
TITLE "The Most Happy Fella"
PERFORMER "The Jazz Modes"
INDEX 00 20:38:74
INDEX 01 20:41:47
TRACK 07 AUDIO
TITLE "Don't Cry"
PERFORMER "The Jazz Modes"
INDEX 00 24:24:18
INDEX 01 24:27:17
TRACK 08 AUDIO
TITLE "Like a Woman"
PERFORMER "The Jazz Modes"
INDEX 00 27:35:60
INDEX 01 27:37:71
TRACK 09 AUDIO
TITLE "Somebody Somewhere"
PERFORMER "The Jazz Modes"
INDEX 00 30:36:24
INDEX 01 30:39:05
 
Отчет CUETools
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Review by Al Campbell
Originally released on Atlantic in 1957, the short-lived bop quintet les Jazz Modes performed excerpts from Frank Loesser's third Broadway musical The Most Happy Fella. This tasteful date features Julius Watkins on French horn (and pre-Thelonious Monk) and tenor saxophonist Charlie Rouse, accompanied by pianist Gildo Mahones, bassist, Martin Rivera, drummer Ron Jefferson, and, for this date only, vocalist Eileen Gilbert was added on "My Heart Is So Full of You." Highlights from the nine excerpts of the play include the breezy up-tempo treatments of "Standing on the Corner," "Joey, Joey, Joey," and the contemplative melancholia of "Somebody Somewhere." While it didn't match the huge success of such similarly attempted jazzed-up Broadway hits like Shelly Manne's My Fair Lady or the Miles Davis and Gil Evans collaboration on Porgy and Bess, the complex synchronization of Watkins' fluid mellow tone with the moderately choppy tenor lines of Rouse make for a lyrical bop/cool jazz hybrid that still sounds fresh.
Any questions - projazzclub@gmail.com
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777
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