(Bop, Contemporary) Richie Cole (w. Eddie Jefferson, Ray Mantilla etc) - New York Afternoon (Alto Madness) (1976) {Muse Records MCD 5119, USA} - 1977, APE (image+.cue) lossless
Richie Cole - New York Afternoon (Alto Madness) (Eddie Jefferson)
Жанр: Bop, Contemporary
Страна-производитель диска: USA
Год издания диска: 1977
Издатель (лейбл): Muse Records
Номер по каталогу: MCD 5119
Аудио кодек: APE (*.ape)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 00:34:37
Источник (релизер): barin99
Наличие сканов в содержимом раздачи: да
Треклист:
1. Dorothy's Den
2. Waltz for a Rainy Be-Bop Evening
3. Alto Madness
4. New York Afternoon
5. It's the Same Thing Everywhere
6. Stormy Weather
7. You'll Always Be My Friend
Recorded October, 1976 at Blue Rock Studio, NYC
Richie Cole — Sax (Alto)
Eddie Jefferson — Vocals
Vic Juris — Guitar
Mike Tucker — Piano
Rick Laird — Bass
Eddie Gladden — Drums
Ray Mantilla — Percussion
Лог создания рипа (EAC Log)
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 2. September 2010, 20:29
Richie Cole / New York Afternoon
Used drive : TSSTcorpDVD+-RW TS-U633A Adapter: 0 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 5:38.07 | 0 | 25356
2 | 5:38.07 | 4:05.28 | 25357 | 43759
3 | 9:43.35 | 6:52.40 | 43760 | 74699
4 | 16:36.00 | 4:43.20 | 74700 | 95944
5 | 21:19.20 | 3:11.70 | 95945 | 110339
6 | 24:31.15 | 4:58.70 | 110340 | 132759
7 | 29:30.10 | 5:07.30 | 132760 | 155814
Range status and errors
Selected range
Filename C:\_Arc\EAC_Out\Richie Cole - New York Afternoon\Richie Cole - New York Afternoon.wav
Peak level 99.7 %
Range quality 100.0 %
Copy CRC AE7B47ED
Copy OK
No errors occurred
AccurateRip summary
Track 1 not present in database
Track 2 not present in database
Track 3 not present in database
Track 4 not present in database
Track 5 not present in database
Track 6 not present in database
Track 7 not present in database
None of the tracks are present in the AccurateRip database
End of status report
Содержание индексной карты (.CUE)
REM GENRE Jazz
REM DATE 1977
REM DISCID 61081D07
REM COMMENT "ExactAudioCopy v0.99pb5"
PERFORMER "Richie Cole"
TITLE "New York Afternoon"
FILE "Richie Cole - New York Afternoon.ape" WAVE
TRACK 01 AUDIO
TITLE "Dorothy's Den"
PERFORMER "Richie Cole"
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Waltz For A Rainy Be-Bop Evening"
PERFORMER "Richie Cole"
INDEX 00 05:34:40
INDEX 01 05:38:07
TRACK 03 AUDIO
TITLE "Alto Madness"
PERFORMER "Richie Cole"
INDEX 00 09:40:22
INDEX 01 09:43:35
TRACK 04 AUDIO
TITLE "New York Afternoon"
PERFORMER "Richie Cole"
INDEX 00 16:31:65
INDEX 01 16:36:00
TRACK 05 AUDIO
TITLE "It's The Same Thing Everywhere"
PERFORMER "Richie Cole"
INDEX 00 21:15:22
INDEX 01 21:19:20
TRACK 06 AUDIO
TITLE "Stormy Weather"
PERFORMER "Richie Cole"
INDEX 00 24:28:42
INDEX 01 24:31:15
TRACK 07 AUDIO
TITLE "You'll Always Be My Friend"
PERFORMER "Richie Cole"
INDEX 00 29:26:42
INDEX 01 29:30:10
AMG
"Back in the mid-'70s, when bebop was being greatly overshadowed by fusion, Richie Cole showed that not only was bop not old-fashioned, but it could be quite fun. His Alto Madness was essentially the idea that any tune, no matter how unlikely its source, could be turned into exuberant bop. Through the years, he has successfully recorded such songs as 'The I Love Lucy Theme,' 'Holiday for Strings,' 'Horray for Hollywood,' 'The White Cliffs of Dover,' 'Come Fly With Me,' 'The Star Trek Theme,' and even 'La Bamba.' Influenced by Phil Woods and Charlie Parker, Richie Cole heard jazz from an early age because his father owned a jazz club in New Jersey. He started on alto when he was ten, attended Berklee for two years, and joined Buddy Rich's big band in 1969. After a stint with Lionel Hampton, Cole formed his own group, doing a great deal to popularize bebop in the 1970s. Some of his finest recordings were his early ones for Muse, during a period when he often teamed up with singer Eddie Jefferson. His humor sometimes left critics cold, but Cole was one of the top bop-oriented players of the 1980s, and his Heads Up releases of the '90s (after a few years off the scene) are excellent."
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