(Big Band, Swing, Early Jazz) [CD] Duke Ellington - Hi-Fi Ellington Uptown - 1952 (1992 Japan Edition), FLAC (tracks+.cue), lossless

Duke Ellington - Hi-Fi Ellington Uptown Жанр: Big Band, Swing, Early Jazz Носитель: CD Страна-производитель диска: Япония Год издания: 1992 Издатель (лейбл): Sony Номер по каталогу: SRCS 7057 Страна: США Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 54:01 Источник (релизер): notfake (what) Наличие сканов в содержимом раздачи: нетТреклист: 01. Skin Deep (Bellson) - 6:50 02. The Mooche (Ellington-Mills) - 6:37 03. Take the "A" Train (Strayhorn) - 7:59 [Betty Roche - vocals] 04. Perdido (Drake-Lenk-Tizol) - 8:23 05. The Controversial Suite: Before My Time/Later (Ellington) - 10:25 06. A Tone Parallel to Harlem (The Harlem Suite) (Ellington) - 13:47  Лог создания рипа Exact Audio Copy V1.0 beta 3 from 29. August 2011EAC extraction logfile from 5. November 2012, 21:16Duke Ellington / Hi-Fi Ellington Uptown [1992 Japan]Used drive : TSSTcorpDVD+-RW TS-H653B Adapter: 2 ID: 0Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : NoRead offset correction : 6Overread into Lead-In and Lead-Out : NoFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : YesUsed interface : Installed external ASPI interfaceGap handling : Appended to previous trackUsed output format : User Defined EncoderSelected bitrate : 1024 kBit/sQuality : HighAdd ID3 tag : NoCommand line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exeAdditional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 6:50.35 | 0 | 30784 2 | 6:50.35 | 6:36.50 | 30785 | 60534 3 | 13:27.10 | 7:59.32 | 60535 | 96491 4 | 21:26.42 | 8:23.25 | 96492 | 134241 5 | 29:49.67 | 10:24.68 | 134242 | 181109 6 | 40:14.60 | 13:46.52 | 181110 | 243111Track 1 Filename C:\Duke Ellington - 1952 - Hi-Fi Ellington Uptown [1992 Japan]\01 - Skin Deep.wav Pre-gap length 0:00:02.00 Peak level 57.6 % Extraction speed 4.8 X Track quality 100.0 % Test CRC 81211B31 Copy CRC 81211B31 Cannot be verified as accurate (confidence 1) [5CEE61EA], AccurateRip returned [B01BBD90] (AR v2) Copy OKTrack 2 Filename C:\Duke Ellington - 1952 - Hi-Fi Ellington Uptown [1992 Japan]\02 - The Mooche.wav Pre-gap length 0:00:01.17 Peak level 65.0 % Extraction speed 5.5 X Track quality 100.0 % Test CRC 8EFDE253 Copy CRC 8EFDE253 Cannot be verified as accurate (confidence 1) [3597EF72], AccurateRip returned [D2753D72] (AR v2) Copy OKTrack 3 Filename C:\Duke Ellington - 1952 - Hi-Fi Ellington Uptown [1992 Japan]\03 - Take the ''A'' Train.wav Pre-gap length 0:00:01.33 Peak level 69.9 % Extraction speed 6.3 X Track quality 100.0 % Test CRC E500495B Copy CRC E500495B Cannot be verified as accurate (confidence 1) [4AEE9315], AccurateRip returned [1B8CCEDE] (AR v2) Copy OKTrack 4 Filename C:\Duke Ellington - 1952 - Hi-Fi Ellington Uptown [1992 Japan]\04 - Perdido.wav Pre-gap length 0:00:01.00 Peak level 84.9 % Extraction speed 6.3 X Track quality 99.9 % Test CRC 23BA648F Copy CRC 23BA648F Cannot be verified as accurate (confidence 1) [8649A735], AccurateRip returned [A2C5C234] (AR v2) Copy OKTrack 5 Filename C:\Duke Ellington - 1952 - Hi-Fi Ellington Uptown [1992 Japan]\05 - Controversial Suite - Before My Time - Later.wav Pre-gap length 0:00:01.26 Peak level 100.0 % Extraction speed 7.9 X Track quality 100.0 % Test CRC 3ED700C3 Copy CRC 3ED700C3 Cannot be verified as accurate (confidence 1) [399A3293], AccurateRip returned [2CD5FE01] (AR v2) Copy OKTrack 6 Filename C:\Duke Ellington - 1952 - Hi-Fi Ellington Uptown [1992 Japan]\06 - A Tone Parallel to Harlem (The Harlem Suite).wav Pre-gap length 0:00:01.24 Peak level 96.8 % Extraction speed 8.2 X Track quality 99.9 % Test CRC 707C6756 Copy CRC 707C6756 Cannot be verified as accurate (confidence 1) [436B2E7D], AccurateRip returned [08496EAB] (AR v2) Copy OKNo tracks could be verified as accurateYou may have a different pressing from the one(s) in the databaseNo errors occurredEnd of status report==== Log checksum C38D19A0B192E8135DEA94B044C4C86FE90116ECE03B7749A8418947E9B44D1F ====  Содержание индексной карты (.CUE) REM GENRE JazzREM DATE 1952REM DISCID 4C0CA906REM COMMENT "ExactAudioCopy v1.0b3"PERFORMER "Duke Ellington"TITLE "Hi-Fi Ellington Uptown"FILE "01 - Skin Deep.wav" WAVE TRACK 01 AUDIO TITLE "Skin Deep" PERFORMER "Duke Ellington" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "The Mooche" PERFORMER "Duke Ellington" INDEX 00 06:49:22FILE "02 - The Mooche.wav" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "Take the 'A' Train" PERFORMER "Duke Ellington" INDEX 00 06:35:25FILE "03 - Take the 'A' Train.wav" WAVE INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "Perdido" PERFORMER "Duke Ellington" INDEX 00 07:58:32FILE "04 - Perdido.wav" WAVE INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "The Controversial Suite: Before My Time/Later" PERFORMER "Duke Ellington" INDEX 00 08:22:05FILE "05 - The Controversial Suite- Before My Time-Later.wav" WAVE INDEX 01 00:00:00 TRACK 06 AUDIO TITLE "A Tone Parallel to Harlem (The Harlem Suite)" PERFORMER "Duke Ellington" INDEX 00 10:23:50FILE "06 - A Tone Parallel to Harlem (The Harlem Suite).wav" WAVE INDEX 01 00:00:00  Отчет CUETools [CUETools log; Date: 02.12.2013 23:01:29; Version: 2.1.4][CTDB TOCID: MvVaim8Od7vgy55zsRdUHxoa2nA-] disk not present in database.[AccurateRip ID: 000b6324-003e63de-4c0ca906] found.Track [ CRC | V2 ] Status 01 [f36d25c5|5cee61ea] (0+0/2) No match 02 [30310401|3597ef72] (0+0/2) No match 03 [47585152|4aee9315] (0+0/2) No match 04 [a4fb53c3|8649a735] (0+0/2) No match 05 [458ce960|399a3293] (0+0/2) No match 06 [a87506a2|436b2e7d] (0+0/2) No matchOffsetted by -141: 01 [b01bbd90] (1/2) Accurately ripped 02 [d2753d72] (1/2) Accurately ripped 03 [1b8ccede] (1/2) Accurately ripped 04 [a2c5c234] (1/2) Accurately ripped 05 [2cd5fe01] (1/2) Accurately ripped 06 [08496eab] (1/2) Accurately rippedTrack Peak [ CRC32 ] [W/O NULL] [ LOG ] -- 100,0 [8A66F167] [ECB4B634] 01 57,6 [81211B31] [996948BB] CRC32 02 65,0 [8EFDE253] [5A79DED9] CRC32 03 69,9 [E500495B] [FAC0210A] CRC32 04 84,9 [23BA648F] [AB25884E] CRC32 05 100,0 [3ED700C3] [21247B06] CRC32 06 96,8 [707C6756] [FFFAD699] CRC32  Review by Richard S. GinellEven back in the early '50s, Columbia Records took Duke Ellington seriously enough to place this album on its prestigious Masterworks label, heretofore reserved mostly for highbrow classical music and Broadway shows (later in the decade, though, it was retitled Hi-Fi Ellington Uptown and reissued on the pop series with an additional piece, "The Controversial Suite"). Also, this LP explodes the critical line that the early '50s was a relatively fallow period for the Duke; any of these smoking, concert-length tracks will torpedo that notion. The young Louis Bellson was powering the Ellington band at that time, and his revolutionary double-bass drum technique and rare ability to build coherent drum solos are put to astounding use on his self-penned leadoff track, "Skin Deep," which was quite a demonstration piece for audiophiles at the time. Old favorites from the Ellington hit parade are given extended treatments, with singer Betty Roche taking the A-train for a bebop-flavored ride, "The Mooche" spotlighting clarinetists Jimmy Hamilton and Russell Procope, and Ellington's boogie-woogie piano kicking off a super-charged "Perdido" for trumpeter Clark Terry. The centerpiece of the disc is a sharply drawn, idiomatically swinging, probably unbeatable performance of "A Tone Parallel to Harlem" that lays waste to any of the "symphonic" versions that turn up frequently at pop concerts. Another feature of this record is the great sound quality, a benefit of being entrusted to Columbia's best engineers. If you can locate an original Masterworks pressing, grab it and run, for the first-generation sound is astonishing for its age (the reissues in the 1980s on CD and LP had to rely upon later masterings and do not sound nearly as powerful as the original).  СоставDuke Ellington, Billy Strayhorn - arranger, piano Betty Roche, Al Hibbler - vocals Johnny Hodges - soprano saxophone, alto saxophone, clarinet Russell Procope - alto saxophone, clarinet Willie Smith, Hilton Jefferson - alto saxophone Jimmy Hamilton - tenor saxophone, clarinet Paul Gonsalves, Al Sears - tenor saxophone Harry Carney - baritone saxophone, bass clarinet Ray Nance - trumpet, violin Cat Anderson, Harold "Shorty" Baker, Francis Williams, Willie Cook, Clark Terry - trumpet Tyree Glenn - trombone, vibraphone Quentin Jackson, Britt Woodman, Juan Tizol, Lawrence Brown, Claude Jones - trombone Fred Guy - guitar Oscar Pettiford, Junior Raglin, Wendell Marshall - bass Sonny Greer - drums, tympani Louis Bellson - drumsRecorded at Columbia 30th Street Studio, New York between December 7, 1951 and December 8, 1952.