(Avantgarde, Modern Creative) Eyvind Kang - Athlantis - 2007, FLAC (tracks), lossless
Eyvind Kang - Athlantis
Жанр: Avantgarde, Modern Creative
Год выпуска диска: 2007
Производитель диска: US (Ipecac)
Аудио кодек: FLAC
Тип рипа: tracks
Битрейт аудио: lossless
Продолжительность: 41:54Трэклист:
1 Ministers Of Friday (1:04)
2 Vespertiliones (1:07)
3 Andegavenses (5:09)
4 Rabianara (5:35)
5 Inquisito (3:41)
6 Ros Vespertinus (5:02)
7 Conciliator (2:36)
8 Iupiter (1:28)
9 Repetitio (3:17)
10 Lamentatio (3:26)
11 Athlantis (4:49)
12 Aquilas (4:33)Acoustic Guitar, Electric Guitar - Walter Zanetti
Acoustic Guitar, Electric Guitar, Sitar - Alberto Capelli
Alto Vocals [Contralti] - Alessandra Masini , Angela Troilo , Elisa Bonazzi , Laura Vicinelli , Olga Adamovich
Bass Vocals - Enrico Volontieri , Giacomo Serra , Marcus Köhler , Simone Astolfi
Chorus Master [Choir Master Assistant] - Giovanna Giovannini
Chorus Master [Choir Master] - Pier Paolo Scattolin
Conductor - Aldo Sisillo
Lyrics By [Text] - Giordano Bruno
Soprano Vocals - Arianna Lanci , Atsuko Koyama , Mila Ferri , Sonila Kaceli , Soon So Kyoung
Tenor Vocals - Antonio Frezzetti , Kei Nagakawa , Michele Napolitano , Sergio Giachini , Sergio Turra
Voice - Jessika Kenney
Voice, Executive Producer - Mike PattonДоп. информация:
audiochecker.logAUDIOCHECKER v2.0 beta (build 457) - by Dester - opdester@freemail.hu
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~Started at: понедельник, 30. 03. 2009. - 23:10.15
12 files found01 -===- F:\lossless 2\Eyvind Kang - Athlantis\1 Ministers Of Friday.flac
Extracted successfully
Conclusion: this track is CDDA with probability 100%
Tempfile successfully deleted.02 -===- F:\lossless 2\Eyvind Kang - Athlantis\2 Vespertiliones.flac
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Conclusion: this track is CDDA with probability 100%
Tempfile successfully deleted.03 -===- F:\lossless 2\Eyvind Kang - Athlantis\3 Andegavenses.flac
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Conclusion: this track is CDDA with probability 100%
Tempfile successfully deleted.04 -===- F:\lossless 2\Eyvind Kang - Athlantis\4 Rabianara.flac
Extracted successfully
Conclusion: this track is CDDA with probability 100%
Tempfile successfully deleted.05 -===- F:\lossless 2\Eyvind Kang - Athlantis\5 Inquisito.flac
Extracted successfully
Conclusion: this track is CDDA with probability 99%
Tempfile successfully deleted.06 -===- F:\lossless 2\Eyvind Kang - Athlantis\6 Ros Vespertinus.flac
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Conclusion: this track is CDDA with probability 100%
Tempfile successfully deleted.07 -===- F:\lossless 2\Eyvind Kang - Athlantis\7 Conciliator.flac
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Conclusion: this track is CDDA with probability 100%
Tempfile successfully deleted.08 -===- F:\lossless 2\Eyvind Kang - Athlantis\8 Iupiter.flac
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Conclusion: this track is CDDA with probability 100%
Tempfile successfully deleted.09 -===- F:\lossless 2\Eyvind Kang - Athlantis\9 Repetitio.flac
Extracted successfully
Conclusion: this track is CDDA with probability 100%
Tempfile successfully deleted.10 -===- F:\lossless 2\Eyvind Kang - Athlantis\10 Lamentatio.flac
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Conclusion: this track is CDDA with probability 100%
Tempfile successfully deleted.11 -===- F:\lossless 2\Eyvind Kang - Athlantis\11 Athlantis.flac
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Conclusion: this track is CDDA with probability 100%
Tempfile successfully deleted.12 -===- F:\lossless 2\Eyvind Kang - Athlantis\12 Aquilas.flac
Extracted successfully
Conclusion: this track is CDDA with probability 99%
Tempfile successfully deleted.Finished at: понедельник, 30. 03. 2009. - 23:17.53 (operation time: 0:07.37)
AMGThis is a strange, intermittently fascinating, slightly disturbing, and ultimately simply rather puzzling album. Based on a text taken from the Cantus Circaeus (Incantation of Circe) of Renaissance cosmologist Giordano Bruno, Athlantis is something like an oratorio -- though its musical influences are all over the place and draw as much on medieval as Renaissance influences. Melodically, it evokes everything from Gregorian chant ("Inquisito") to Islamo-Iberian melisma ("Ros Vespertinus"). There are dissonant tone clusters ("Vespertiliones"), a monodic and really quite lovely trumpet fanfare (Conciliator"), some harmonically advanced and rhythmically minimal passages ("Iupiter"), a little dab of sprechgesang ("Athlantis"), and something that sounds an awful lot like the Swans would if Michael Gira were a 16th century Italian troubadour and played the sitar. Intrigued? Well, that's one possible response. Confused slumber is another. But who's to say which would be the more correct?