(Avant-Garde Jazz, Jazz-Rock) [CD] Harriet Tubman - The Terror End of Beauty - 2018, FLAC (tracks+.cue), lossless

Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 1. December 2018, 0:23
Harriet Tubman / The Terror End of Beauty
Used drive  : HL-DT-STBDDVDRW GBC-H20L   Adapter: 1  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 667
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 768 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
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       10  | 42:27.57 |  3:04.73 |    191082    |   204954
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Track  2
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Track  3
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Track  4
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Track  5
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Track  6
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Track  7
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Track  8
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Track  9
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Track 10
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==== Log checksum 295F749E58FE7472CD4FE16F65A843D37C9A820AB0A471B0C74DF42C2A54716A ====

REM GENRE Jazz
REM DATE 2018
REM DISCID 980AAC0A
REM COMMENT "ExactAudioCopy v1.3"
PERFORMER "Harriet Tubman"
TITLE "The Terror End of Beauty"
FILE "01 - Farther Unknown.wav" WAVE
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    PERFORMER "Harriet Tubman"
    INDEX 01 00:00:00
FILE "02 - 3000 Worlds.wav" WAVE
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    TITLE "3000 Worlds"
    PERFORMER "Harriet Tubman"
    INDEX 01 00:00:00
FILE "03 - The Green Book Blues.wav" WAVE
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    PERFORMER "Harriet Tubman"
    INDEX 01 00:00:00
FILE "04 - Unseen Advance of the Aquifarian.wav" WAVE
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FILE "06 - Drumtion.wav" WAVE
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FILE "07 - Redemption Song.wav" WAVE
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FILE "08 - Five Points.wav" WAVE
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FILE "09 - The Terror End of Beauty.wav" WAVE
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FILE "10 - Tuljapur Handprint.wav" WAVE
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A mere year and a half after the Wadada Leo Smith encounter Araminta, the highly progressive improv trio Harriet Tubman quickly solidifies the ground they’ve gained over the last twenty years as one of the leaders in that musical space. The Terror End of Beauty is the latest chapter for the aggressively audacious project of Brandon Ross (guitar), Melvin Gibbs (bass) and J.T. Lewis (drums).
Whereas we described the prior release as “liberally tossing jazz, funk, rock, dub and a little electronica into a murky sonic stew,” The Terror End of Beauty continues with those lofty ideas and one ups it with deeper experimentations into rhythms.
A ‘patting juba’ polyrhythm braid forms the foundation of “Farther Unknown” but the intrigue is further jacked by Ross’ use of feedback squall to simulate a chant. A curious meld of ideas continue with “3000 Worlds,” where Gibbs’ dub bass combines with Lewis’ funky backbeat against a spooky electro backdrop created by producer Scotty Hard’s effects and loops. Lewis gets even more muscular on “The Green Book Blues,” a reference to the same, Jim Crow-era guide of hassle-free traveling for African Americans in the South as the Green Book movie currently out in theaters. The rhythm of the first section, though, comes from West Africa; the second is futuristic but just as provocative.
Though no blues is explicitly played here, it’s always lurking in the dark shadows of their music, shading the three-dub grooves of “Five Points.” “Unseen Advance of the Aquifarian” is a jam, but one where everyone is so locked into one another; the rhythm section is so indestructible that even when things tighten up and take a left turn, Ross is freed up to do pretty much what he wants and it will work.
If Gibbs’ “The Terror End of Beauty” sounds like a Sonny Sharrock song, that might be because he wrote it as a tribute to his late mentor, where soulful allure and abrasive abstraction collide together in a holistic form. “Redemption Song” is spirituality expressed Harriet Tubman style, meaning there’s an urgency to go along with the peacefulness.
Often dirty and distorted, sometimes cataclysmic but always cathartic, Harriet Tubman again asserts itself within the vanguard of exploratory jazz. The Terror End of Beauty, presented by Sunnyside Records, is now out for sale.