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(Avant-Garde Jazz, Free Improvisation) Ballister (Dave Rempis, Fred Lonberg-Holm, Paal Nilssen-Love) - Mechanisms - 2012, WEB, FLAC (tracks), lossless

(Avant-Garde Jazz, Free Improvisation) Ballister (Dave Rempis, Fred Lonberg-Holm, Paal Nilssen-Love) - Mechanisms - 2012, WEB, FLAC (tracks), lossless
BALLISTER
Жанр: Avant-Garde Jazz, Free Improvisation
Год издания: 2012
Издатель (лейбл): Clean Feed
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks
Битрейт аудио: lossless
Продолжительность: 64:43
Наличие сканов в содержимом раздачи: front
Источник (релизер): WEB (я)
Треклист:
➊ Release Levers
➋ Claplock
➌ Roller Nuts
Dave Rempis - alto / tenor / baritone saxophone
Fred Longberg-Holm - cello, electronic
Paal Nilssen-Love - drums, percussion
 
Лог Audiochecker
AUDIOCHECKER v2.0 beta (build 457) - by Dester - opdester@freemail.hu
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Started at: вторник, 24. 04. 2012. - 16:43.03
3 files found
1 -===- C:\Users\пользователь\DoctorWeb\Desktop\Ballister - Mechanisms (2012)\01 - Release Levers.flac
Extracted successfully
Conclusion: this track is CDDA with probability 100%
Tempfile successfully deleted.
2 -===- C:\Users\пользователь\DoctorWeb\Desktop\Ballister - Mechanisms (2012)\02 - Claplock.flac
Extracted successfully
Conclusion: this track is CDDA with probability 100%
Tempfile successfully deleted.
3 -===- C:\Users\пользователь\DoctorWeb\Desktop\Ballister - Mechanisms (2012)\03 - Roller Nuts.flac
Extracted successfully
Conclusion: this track is CDDA with probability 100%
Tempfile successfully deleted.
Finished at: вторник, 24. 04. 2012. - 16:50.48 (operation time: 0:07.44)
 
Об альбоме + фото
Dave Rempis, Fred Lonberg-Holm and Paal Nilssen-Love present their association as a“free-wheeling trio” and that means everything. It means, for instance, aspecial attention to the process of music making, and this one deals with improvisation – jazz-flavored, for sure, but free in its creative resources. In the very powerful listening experience provided by “Mechanisms”, you’ll immediately identify those resources: driving grooves, noisy textures and occasional melodic interjections. Some of the references are in Julius Hemphill’s bands with cellist Abdul Wadud, in Ornette Coleman’s Prime Time, and in the electric Miles Davis groups of the seventies. But a distinguishing feature sets this band apart: these are the sounds of contemporary Chicago. Even if Nilssen-Love comes from Norway, he’s very much connected to that broad-shouldered sound through his frequent, varied,and long-standing collaborations with Chicago musicians. This common aestheticis what unites them; the rest is inventiveness, musicality and instrumental virtuosity.
Any questions - projazzclub@gmail.com
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777
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