(World Fusion, Afro-Cuban, Contemporary Jazz, Piano) Omar Sosa (ft Lionel Loueke, Marvin Sewell, Childo Tomas, Gustavo Ovalles, Joo Kraus, John Santos, Pedro Martinez etc.) - Eggun: The Afri-Lectric experience - 2013, WEB, FLAC (tracks), lossless

Omar Sosa / Eggun: The Afri-Lectric experience Жанр: World Fusion, Contemporary Jazz, Piano, Afro-Cuban Страна-производитель диска: USA Год издания: 2013 Издатель (лейбл): Ota Records / World Village Номер по каталогу: OTA1024 Страна: Cuba Аудиокодек: FLAC (*.flac) Тип рипа: tracks Битрейт аудио: lossless Продолжительность: 01:13:41 Источник (релизер): вата (релизер - pa6sur)<=qobuz Наличие сканов в содержимом раздачи: нет Треклист: 1 Alejet 7:26 2 El Alba 8:49 3 Interludio I 0:56 4 Alternativo Sketches 9:04 5 Interludio II 0:36 6 Madre Mia 8:47 7 Interludio III 0:50 8 So All Freddie 8:23 9 Interludio IV 0:57 10 Rumba Connection 9:19 11 Interludio V 1:05 12 Angustiado 7:42 13 Angustiado Reprise 2:44 14 Interludio VI 0:33 15 Calling Eggun 6:22http://www.worldvillagemusic.com/#/albums?id=1623 http://omarsosa.com/discog.phpДоп. информация: Wiki | Last.fm | MySpaceОмар Соса (род. 10.04.1965) – кубинский композитор, бэндлидер, один из авторитетнейших джазовых пианистов современности, неоднократный номинант на премию Грэмми. Свой путь в музыку Омар Соса начинал с изучения приемов игры на маримбе. С 1983 года в центре его интересов – фортепиано. После переезда в 1995 году из Кубы в США Омар Соса стал активным участником джазовой сцены. Первый же альбом «Omar Omar» (1996) сразу задал основной тон его фирменного стиля – латиноамериканские ритмы и мотивы + виртуозная импровизация. На своих альбомах и живых выступлениях Омар Соса предлагает слушателям вкусить изысканное многокомпонентное блюдо из афро-кубинской музыки, джаза и шаманских песнопений на арабском, английском, португальском и испанском языках, дополненных звуками таких экзотических инструментов, как гумбри, маримба, уд, джембе, балафон… Новый альбом «Eggun: The Afri-Lectric experience» – это, своего рода, три гения в одном флаконе – Майлз Дэвис, Билл Эванс и Омар Соса. В итоге получаем – своеобразный трибьют классическому студийному диску Майлза Дэвиса «Kind of Blue» (1959), чередуемый интерлюдиями в духе Билла Эванса и изрядно заправленный афро-кубинской эстетикой Омара Соса.  Photos  Об исполнителеOmar Sosa (born April 10, 1965, in Camagüey, Cuba) is a composer, bandleader, and jazz pianist. Sosa began studying marimba at age eight, then switched to piano at the Escuela Nacional de Musica in Havana, where he studied jazz. Sosa moved to Quito, Ecuador, in 1993, then San Francisco, California, in 1995. In San Francisco he became deeply involved in the local Latin jazz scene and began a long collaboration with percussionist John Santos. He also made a series of recordings with producer Greg Landau, including the ground-breaking Oaktown Irawo, featuring Tower of Power drummer Dave Garibaldi, Cuban saxophonist Yosvany Terry and Cuban percussionist Jesus Diaz. Sosa and Landau recorded with Carlos "Patato" Valdes and Pancho Quinto and worked on several film scores. Around 1999 Sosa moved to Barcelona, Spain. In January 2011, Omar Sosa won The 10th Annual Independent Music Awards in the Jazz Album category for Ceremony. He has played with a number of world musicians all around the globe, and often collaborates with those outside the jazz and Afro-Cuban traditions. Sosa mixes jazz influences alongside Latin rhythms, North African percussions and spoken word/rap lyrics. He also references classical music. Political and spiritual, he describes his music as an expression of humanism and Santería. On various projects his sounds have ranged from pleasant and melodic, big Latin band, piano improvization, world music, to free jazz and avant-garde. Omar recently collaborated once again with Greg Landau for a CD with Peruvian singer Susana Baca, deconstructing the music of Cuban legend Bola de Nieve. His newest band, Afreecanos, explores African traditions in a mixture that breaks many conventions of jazz and world music.The band, which includes musicians from Africa, Cuba, Brazil, and France, released a CD in 2009 and went on a world tour in early 2010.  Об альбомеEGGUN: The Afri-Lectric Experience began as an Omar Sosa commission from the Barcelona Jazz Festival in 2009. The assignment: to compose and produce a tribute performance to Miles Davis’ classic recording, Kind Of Blue, on the occasion of its 50th anniversary. Inspired by various musical elements and motifs from Kind Of Blue, Omar wrote a suite of music honoring the spirit of freedom in Davis’ seminal work.Featuring trumpet and two saxophones, Eggun provides a medium for musical elements from Africa to shape and develop the music. The resulting jazz textures are further enhanced by the subtle and expressive use of electronic elements. At the heart of the recording is the spirit of Mother Africa.The featured horn players are Joo Kraus on trumpet (Germany), Leandro Saint-Hill on alto saxophone and flute (Cuba), and Peter Apfelbaum on tenor saxophone (U.S.A.). Omar’s longtime rhythm section of Marque Gilmore on drums (U.S.A.) and Childo Tomas on electric bass (Mozambique) create the foundation.Special guests on the project include Lionel Loueke on guitars (Benin), Marvin Sewell on guitars (U.S.A.), Pedro Martinez on Afro-Cuban percussion (Cuba), John Santos on percussion (U.S.A.), and Gustavo Ovalles on Afro-Venezuelan percussion (Venezuela). The CD was recorded primarily in Brooklyn, NY. Of particular interest is a set of six Interludios interspersed among the primary tracks of the recording, inspired by melodic elements from the solos of Bill Evans.Eggun, in the West African spiritual practice of Ifá and its various expressions throughout the African Diaspora, are the spirits of those whohave gone before us, both in our immediate families and those who serve as our Spirit guides.From the liner notes, by Joan Cararach, artistic director of the Barcelona Jazz Festival:Harmony, peace, respect, freedom. That has been Omar Sosa’s response to our proposal: to revisit Kind of Blue, by Miles Davis, from his own (quite exceptional) aesthetic assumptions. The year was 2009. The 41st Voll-Damm Barcelona International Jazz Festival had hired drummer Jimmy Cobb – the only surviving member of the group’s original line-up who created that record – and a tribute band committed to revive, in concert, the memory of that iconic jazz piece. But Kind of Blue, rather than a museum piece, is a mysterious record with an intimacy to be disclosed very slowly, generation after generation, beyond the commonplaces of history books.That’s why we asked two artists who are familiar with our festival to revisit Kind of Blue from another perspective, following the artistic principles evoked by Bill Evans in his notes to the record signed by Davis: be yourself, be spontaneous, give all you have to give, everything you learned from those who came before and those you are sharing the road with. We selected Chano Domínguez, from Andalucía, who contributed Flamenco Sketches (Blue Note, 2012), and Cuban Omar Sosa, who did a powerful research of Miles Davis’ record.Eggun (ancestors) is not a typical record, just as Sosa is not a typical pianist. The artist, at first reluctant, became obsessed probing into Kind of Blue to find nothing else but the paradoxes of a never-ending search: love and indifference; exile and emigration; being here and now with the lessons of those who illuminated us; restless energy and deliberate contemplation; the uncanny twists and turns of our souls and the shades of our lives; the constant strain between grief and joy, contradictory and supplementary at the same time.Eggun essentially derives from the melodic cells of Kind of Blue’s solos and has the aim of honoring that record, which, let’s say it once more, is hardly known in spite of having been used and abused. Eggun is like all of Sosa’s works, an invitation to a journey plentiful with luxury, peace and sensuality (thanks, Baudelaire!). We have a welcome with Alejet – whitein Arabic – and El Alba. All the sounds of the African diaspora – where Moroccan bendir meets Dominican merengue and Puerto Rican plena: So All Freddie. The interludes, almost sacred invocations to the genius of Bill Evans. And a passionate desperation in the finale, as in records conceived the old way, like a narrative, followed by the final rest, grace in a religious sense, like an overflowing energy which at the end of the journey becomes pure togetherness.  СоставJoo Kraus - trumpet (Germany) Leandro Saint-Hill - alto saxophone, flute (Cuba) Peter Apfelbaum - tenor saxophone (U.S.A.) Marque Gilmore - drums (U.S.A.) Childo Tomas - electric bass (Mozambique)Special guestsLionel Loueke - guitars (Benin) Marvin Sewell - guitars (U.S.A.) Pedro Martinez - Afro-Cuban percussion (Cuba) John Santos - percussion (U.S.A.) Gustavo Ovalles - Afro-Venezuelan percussion (Venezuela)  AudioChecker logНачато: четверг, 14. 02. 2013. - 15:36.10 Найдено файлов: 1501 -===- D:\Music\Jazz\Omar Sosa\Omar Sosa - Eggun (2013) [FLAC]\01 Alejet.flac Извлечение успешно выполнено Заключение: этот трек - CDDA с вероятностью 93% Временный файл удалён.02 -===- D:\Music\Jazz\Omar Sosa\Omar Sosa - Eggun (2013) [FLAC]\02 El Alba.flac Извлечение успешно выполнено Заключение: этот трек - CDDA с вероятностью 100% Временный файл удалён.03 -===- D:\Music\Jazz\Omar Sosa\Omar Sosa - Eggun (2013) [FLAC]\03 Interludio I.flac Извлечение успешно выполнено Заключение: этот трек - CDDA с вероятностью 100% Временный файл удалён.04 -===- D:\Music\Jazz\Omar Sosa\Omar Sosa - Eggun (2013) [FLAC]\04 Alternativo Sketches.flac Извлечение успешно выполнено Заключение: этот трек - CDDA с вероятностью 100% Временный файл удалён.05 -===- D:\Music\Jazz\Omar Sosa\Omar Sosa - Eggun (2013) [FLAC]\05 Interludio II.flac Извлечение успешно выполнено Заключение: этот трек - CDDA с вероятностью 99% Временный файл удалён.06 -===- D:\Music\Jazz\Omar Sosa\Omar Sosa - Eggun (2013) [FLAC]\06 Madre Mia.flac Извлечение успешно выполнено Заключение: этот трек - CDDA с вероятностью 100% Временный файл удалён.07 -===- D:\Music\Jazz\Omar Sosa\Omar Sosa - Eggun (2013) [FLAC]\07 Interludio III.flac Извлечение успешно выполнено Заключение: этот трек - CDDA с вероятностью 100% Временный файл удалён.08 -===- D:\Music\Jazz\Omar Sosa\Omar Sosa - Eggun (2013) [FLAC]\08 So All Freddie.flac Извлечение успешно выполнено Заключение: этот трек - CDDA с вероятностью 100% Временный файл удалён.09 -===- D:\Music\Jazz\Omar Sosa\Omar Sosa - Eggun (2013) [FLAC]\09 Interludio IV.flac Извлечение успешно выполнено Заключение: этот трек - CDDA с вероятностью 100% Временный файл удалён.10 -===- D:\Music\Jazz\Omar Sosa\Omar Sosa - Eggun (2013) [FLAC]\10 Rumba Connection.flac Извлечение успешно выполнено Заключение: этот трек - CDDA с вероятностью 100% Временный файл удалён.11 -===- D:\Music\Jazz\Omar Sosa\Omar Sosa - Eggun (2013) [FLAC]\11 Interludio V.flac Извлечение успешно выполнено Заключение: этот трек - CDDA с вероятностью 100% Временный файл удалён.12 -===- D:\Music\Jazz\Omar Sosa\Omar Sosa - Eggun (2013) [FLAC]\12 Angustiado.flac Извлечение успешно выполнено Заключение: этот трек - CDDA с вероятностью 100% Временный файл удалён.13 -===- D:\Music\Jazz\Omar Sosa\Omar Sosa - Eggun (2013) [FLAC]\13 Angustiado Reprise.flac Извлечение успешно выполнено Заключение: этот трек - CDDA с вероятностью 100% Временный файл удалён.14 -===- D:\Music\Jazz\Omar Sosa\Omar Sosa - Eggun (2013) [FLAC]\14 Interludio VI.flac Извлечение успешно выполнено Заключение: этот трек - CDDA с вероятностью 85% Временный файл удалён.15 -===- D:\Music\Jazz\Omar Sosa\Omar Sosa - Eggun (2013) [FLAC]\15 Calling Eggun.flac Извлечение успешно выполнено Заключение: этот трек - CDDA с вероятностью 100% Временный файл удалён.Завершено: четверг, 14. 02. 2013. - 15:50.29 (Время операции: 0:14.19)