(West Coast Jazz, Bop, Cool) Marty Paich - The Modern Touch - The Broadway Bit & I Get a Boot Out Of You - 1959, FLAC (tracks+.cue), lossless

Marty Paich - The Modern Touch - The Broadway Bit & I Get a Boot Out Of You (1959) {2in1, Warner} Жанр: West Coast Jazz, Bop, Cool Дата записи: 1959, 1959 Дата переиздания: 2006 Производитель диска, страна: © Collectors' Choice Music - © Warner Bros. Records Inc. Страна исполнителя: USA Тип: CompilationАудио кодек: FLAC Тип рипа: (tracks + .cue) Битрейт аудио: lossless Включает: Full artwork Продолжительность: 1:12:04 Источник: коллекция Л.Рендера Риппер: Мой рипТрэклист:The Broadway Bit1. It's All Right with Me (from the Broadway production "Can-Can") Cole Porter 2. I've Grown Accustomed to Her Face (from the Broadway production of "My Fair Lady") Lowe-Lamer 3. I've Never Been in Love Before (from the Broadway production of "Gays and Dolls") Frank Loesser 4. I Love Paris (from the Broadway production of "Can-Can") Cole Porter 5. Too Close for Comfort (from the Broadway production "Mr. Wonderful") Bock-Holofcener-Weiss 6. Younger Than Springtime (from "South Pacific") The Surrey with the Fringe on Top (from "Oklahoma") Rodgers-Hammerstein II 7. If I Were a Bell (from the Broadway production "Says and Dolls") F. Loesser 8. Lazy Afternoon (from the Phoenix Theater musical "The Golden Apple") Maross-LaToucbe 9. Just in Time (from the Broadway production "The Belts Are Ringing") Styne-Comden-GreenI Get a Boot Out Of You10. It Don't Mean a Thing (Mills-Ellington) 11. Mo More (Russell-Camarata) 12. Love for Sale (from the Broadway production "The New Yorkers") Cole Porter 13. Moanin' (Hendricks-Timmons) — 14. Violets for Your Furs (Adair-Dennis) 15. What Am I Here For (Duke Ellington) Cotton Tail (Duke Ellington) 16. Warm Valley (Russell-Ellington) 17. Things Ain't What They Used to Be (from the MGM film "Cabin in the Sky") Persons-EllingtonОб исполнителе:  скрытый текстa pianist, composer, arranger, producer, music director and conductor.Real Name: Martin Louis Paich Born: 23rd January 1925, Oakland, CA, USA Died: 12th August 1995, Santa Ynez, CA, USA (Cause: Cancer) on EnglishOne of the best-known arrangers of the post-World War II era, Marty Paich had much stronger jazz credentials than many of his peers, thanks to his active presence on the West Coast scene during the '50s. >>> to read on allmusic.comwas a pianist, composer, arranger, producer, music director and conductor. In a career which spanned half a century, he worked in these capacities for such artists as >>> http://en.wikipedia.org/wiki/Marty_PaichWelcome to the future home of The Marty Paich Archive, and The Marty Paich Library. In the 50 years of his career Marty Paich wrote some 2000 charts, arrangements and original compositions. In the ten years since his death, Marty’s estate has painstakingly collected, preserved, catalogued and documented all of them.. >>> to read on official siteIt is hard to disagree with Ted Gioia’s claim that “Marty Paich is one of the unsung heroes of West Coast Jazz.” [p.302] As revealed by Charles Barber, curator of the Marty Paich website, this anonymity may in part be due to the fact that Marty “… took little interest in self-promotion, never acquired a personal agent, happily saw his business affairs managed by his capable first wife Huddy, and as soon as finances permitted decamped Los Angeles for a ranch in the Santa Ynez Valley north of Santa Barbara.” . >>> to read on jazzprofiles.blogspot.comand http://www.billboard.com/bbcom/bio/index.jsp?pid=84120 http://www.discogs.com/artist/Marty+Paich http://rateyourmusic.com/artist/marty_paich http://www.allaboutjazz.com/php/musician.php?id=10069On Russianhttp://www.lastfm.ru/music/Marty+Paich Об альбоме: http://allmusic.com/cg/amg.dll?p=amg&sql=10:wxfqxqrgld6e http://allmusic.com/cg/amg.dll?p=amg&sql=10:dxfwxqrgld6ehttp://rateyourmusic.com/release/album/marty_paich/the_broadway_bit/ http://rateyourmusic.com/release/album/marty_paich/i_get_a_boot_out_of_you/Состав: The Broadway Bit Frank Beach - Trumpet Vincent DeRosa - Flugelhorn Bob Enevoldsen - Trombone Victor Feldman - Percussion, Vibraphone Jimmy Giuffre - Sax (Baritone) Scott LaFaro - Bass Marty Paich - Piano Art Pepper - Sax (Alto) Bill Perkins - Sax (Tenor) George Roberts - Trombone Stu Williamson - TrumpetРейтинги и премии: The Broadway Bit - 3.50 from 2 ratings (rateyourmusic.com) I Get a Boot out of You Rating - 3.65 from 3 ratings (rateyourmusic.com)Издания:The Broadway Bit 1959 Vinyl LP Warner Bros. 1993 CD Discovery 70962 2007 LP Audiophile 1296I Get a Boot out of You 1959 Vinyl LP Warner Bros. WS-1349 Warner Bros. W-1349 2008 LP Rhino 360572 2008 [Limited Edition] CD LPT1030  Несколько слов на английском - Ed Osborne ©2006Marty Paich was one of the best-known figures in the West Coast jazz scene of the 1950s. Born in Oakland, CA on January 23, 1925, Marty Paich took up piano at a young age, and by 16 he was playing professionally. With World War II came military service, which he spent in the Army Air Corps Band. Upon discharge, Marty took advantage of the Gl Bill; enrolling at the Los Angeles Conservatory of Music, where he studied arranging under Mario Castelnuovo-Tedesco. Paich capped off his education with a Master of Music Degree in Composition in 1951. Within a couple of years, Marty was smack in the middle of the thriving West Coast "cool" jazz scene. The convergence of bop and swing - coupled with the occasional classical element - offered numerous opportunities for someone of his skills, and Marty was in much demand. During that time, he worked with many of the seminal musicians, playing piano and arranging. A complete discography of Paich's recorded works is well beyond the scope of this essay, however, a few examples will provide an overview of his involvement. He sat in with drummer Shelly Manne for the essential & His Men sessions on Contemporary, alongside musicians with whom he'd work again and again. For instance, there was Jimmy Guiffre on sax, Bob Enevoldsen on valve trombone, Vince DeRosa on French horn and Joe Mondragon on bass, ail of whom joined Marty on The Broadway Bit and / Get A Boot Out Of You. In addition to playing piano, Paich also arranged and wrote compositions for the combo. That same year -1953 - Paich also worked with Chet Baker. Fresh off gigs with Charlie Parker and Gerry Mulligan, Baker's early solo sessions included ones that spotlighted the young trumpeter in a septet-and-strings setting that included Russ Freeman on piano. Paich provided some arrangements for these seminal recordings, as well as a couple for Baker's legendary 1955 vocal sessions. Paich played on stage behind Peggy Lee, acted as her musical director and arranged her September, 1953 Decca recording of Baubles, Bangles and Beads. 1954 found him at the keys in combos led by Shorty Rogers (check out Rogers' cool take on Basie tunes found on Shorty Rogers Courts The Count with Marty on ivories), Herbie Harper and Bob Enevoldsen. He also participated in some fine sessions with a variety of musicians for the short-lived Nocturne label's Jazz In Hollywood albums. In 1955, Paich began a successful collaboration with Mel Torme, and released his own debut album. The Torme sessions - released as It's A Blue World- took place in August with Paich playing piano and celeste, and contributing some arrangements for the 15 piece orchestra. Post-Blue World, Paich was a regular performer/arranger on Torme dates; most notably the famous dek-tette recordings. In 1956 Paich, teamed up with saxophonist Art Pepper for the first of several stellar collaborations. Released on the Tampa label - for which Marty recorded the second album under his own name - Marty Paich Quartet featuring Art Pepper highlighted Pepper's alto horn and Paich's stellar piano solos. 1959 saw the release of Art Pepper's landmark recording, Modern Jazz Classics, credited to "Art Pepper + Eleven." Pepper took up alto and tenor sax and clarinet, and Paich crafted compelling arrangements of tunes by jazz giants Monk, Mulligan and Gillespie. The sessions took place in the spring of 1959, and were book-ended by the two albums in this reissue: The Broadway Bit and / Get A Boot Out Of You. Although Modem Jazz Classics was drawn straight from the Be Bop era, while Broadway and Boot were much more swing/pop-oriented, many of the musicians on Modern contributed to one or both of the others: Candoli, DeRosa, Envoldsen, Freeman, Lewis, Mondragon, Perkins, Sheldon and Pepper. Paich acted as arranger/conductor for all the dates. The brass lineup for the Los Angeles January 13th Broadway Bit date included three saxes, two trombones, two trumpets and one flugelhorn. Augmenting the horns were piano, bass, vibraphone and drums. In addition to arranging, Paich handled the keyboard chores; the rest were distributed among many of his fellow West Coasters. Chief among them was Art Pepper, whose sublime playing is even more remarkable in light of his ongoing drug problems. The others are also in fine form, whether lending a big band take on It's All Right With Me, swingin' through I've Never Been In Love Before, or languidly laying back on Lazy Afternoon (with Marty's gorgeous understated piano part). The Mancini-esque walk through I Love Paris is a nod to the explosion of Peter Gunn, which hit #1 on the album chart in February, 1959, and stayed there for 10 weeks. As the Great White Way title implies, Marty drew his song selection from Broadway shows; most of which -Can-Can, My Fair Lady, Guys and Dolls, Oklahoma and Bells Are Ringing - had become as much a part of national culture as that of the New York stage. Mr. Wonderful, the 1956 show created specifically as a star vehicle for Sammy Davis, Jr., may not be as widely known today as, say, Oklahoma, however, it ran for 383 performances. For The Broadway Bit, Paich chose Sammy's standout number, Too Close For Comfort. The most obscure show represented here is The Golden Apple. It opened to raves in March of 1954 and won the New York Drama Critics Circle award for Best New Musical, then closed after only 16 weeks, leaving the classic Lazy Afternoon in its wake. The tracks for I Get A Boot Out Of You were recorded in LA during three days in early summer: June 30, July 2 and July 9. On those dates, Paich stuck to conducting and arranging, and turned the piano part over to Russ Freeman. Broadway Bit players Pepper, Perkins, Enevoldsen, Roberts, DeRosa, Feldman and Lewis returned for these sessions, augmented by Joe Mondragon from the Modern Jazz Classics dates. The complement of instruments for Boot added one trumpet to that of The Broadway Bit. This time around Marty mined the Duke Ellington song-book for five songs: It Don't Mean A Thing, What Am I Here For, Cotton Tail, Warm Valley and Things Ain't What They Used To Be (which served as Duke's theme song for part of the1940's). The remaining four were No More, Love For Sale, Violets For Your Furs and Moanin'. No More had been written for Billie Holiday, and she recorded it at her first session fro Decca on October 4, 1944. Just about every jazzman/woman of note had tackled Love For Safe- from the Cole Porter musical The New Yorkers -after torch singer Libby Homan popularized it in 1931. Violets For Your Furs was introduced by Tommy Dorsey, with Frank Sinatra on vocal, in 1941. And Bobby Timmons wrote Moanin' for Art Blakey and the Jazz Messengers while he was playing piano for them. The group's version appeared on its 1958 debut for Blue Note, and became the Messengers' first real hit. Under Paich's guidance, even the well-worn numbers sound fresh. The band alternately swings, with sparkling interplay between the brass and rhythm, and lies back, as on No More with its quiet brass and piano give-and-take. Paich is adept at wrapping his soloists in an environment that highlights, rather than distracts from, their work. Especially beautiful is the setting he creates for Pepper on Violets For Your Furs. Broadway Bit and Boof showcase Paich at the height of his talents. The band punches without pummeling; drops back without boring. In their distinctive voicings, tonal textures and unique use of instrumental combinations, his arrangements are first-rate. Straddling jazz and pop, without dumbing-down the former or giving into the excesses of the latter, these two albums are engaging extensions of the West Coast sound of Marty's formative years. From 1960 on, Marty worked with the A-list of the music world: Antonio Carlos Jobim, Al Hint, Sammy Davis Jr., Andy Williams, Dean Martin, Little Jimmy Scott, Astrud Gilberto, Barbra Streisand, The 5th Dimension, Neil Diamond, Johnny Rivers, Dionne Warwick, Toto (in which son David played keyboards), Carly Simon, Michael McDonald, Rickie Lee Jones, Dr. John, Elton John, Linda Ronstadt, Michael Jackson and Natalie Cole. Like many of his fellow West Coast jazzmen, Marty worked on film soundtracks - reportedly over 100 - including Hudson Hawk, Sleepless In Seattle, Prince of Tides, Carlito's Way. Wyatt Earp, Pretty Woman and The Fugitive. On the television side, Marty and his son David won an Emmy as writers of the theme from Ironside, which starred Raymond Burr. After an illustrious career, Marty Paich died on August 12, 1995 in Santa Ynez, CA.  CD scan  Back scan  EAC log Exact Audio Copy V0.99 prebeta 4 from 23. January 2008EAC extraction logfile from 21. May 2009, 8:28Marty Paich / The Modern Touch (The Broadway Bit (1-9) / I Get a Boot Out Of You (10-17))Used drive : PIONEER DVD-RW DVR-112D Adapter: 0 ID: 0Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : NoRead offset correction : 48Overread into Lead-In and Lead-Out : NoFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : YesUsed interface : Installed external ASPI interfaceGap handling : Appended to previous trackUsed output format : User Defined EncoderSelected bitrate : 320 kBit/sQuality : HighAdd ID3 tag : YesCommand line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exeAdditional command line options : -V -8 -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %sTOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 3:35.70 | 0 | 16194 2 | 3:35.70 | 3:47.28 | 16195 | 33247 3 | 7:23.23 | 4:20.18 | 33248 | 52765 4 | 11:43.41 | 6:16.19 | 52766 | 80984 5 | 17:59.60 | 3:53.21 | 80985 | 98480 6 | 21:53.06 | 4:09.05 | 98481 | 117160 7 | 26:02.11 | 3:42.22 | 117161 | 133832 8 | 29:44.33 | 3:31.60 | 133833 | 149717 9 | 33:16.18 | 3:14.01 | 149718 | 164268 10 | 36:30.19 | 3:13.43 | 164269 | 178786 11 | 39:43.62 | 4:24.44 | 178787 | 198630 12 | 44:08.31 | 4:29.27 | 198631 | 218832 13 | 48:37.58 | 5:02.35 | 218833 | 241517 14 | 53:40.18 | 4:07.68 | 241518 | 260110 15 | 57:48.11 | 5:35.09 | 260111 | 285244 16 | 63:23.20 | 4:28.19 | 285245 | 305363 17 | 67:51.39 | 4:12.73 | 305364 | 324336Track 1 Filename D:\music\rip\Marty Paich - The Modern Touch - The Broadway Bit & I Get a Boot Out Of You (1959) {2in1, Warner}\01 - It's allright with me.wav Pre-gap length 0:00:02.00 Peak level 67.5 % Track quality 100.0 % Test CRC D553BB02 Copy CRC D553BB02 Track not present in AccurateRip database Copy OKTrack 2 Filename D:\music\rip\Marty Paich - The Modern Touch - The Broadway Bit & I Get a Boot Out Of You (1959) {2in1, Warner}\02 - I've ground accustomed to her face.wav Pre-gap length 0:00:02.20 Peak level 39.3 % Track quality 100.0 % Test CRC 3CBC5BFE Copy CRC 3CBC5BFE Track not present in AccurateRip database Copy OKTrack 3 Filename D:\music\rip\Marty Paich - The Modern Touch - The Broadway Bit & I Get a Boot Out Of You (1959) {2in1, Warner}\03 - I've never been in love before.wav Pre-gap length 0:00:02.97 Peak level 97.7 % Track quality 100.0 % Test CRC E0FD200B Copy CRC E0FD200B Track not present in AccurateRip database Copy OKTrack 4 Filename D:\music\rip\Marty Paich - The Modern Touch - The Broadway Bit & I Get a Boot Out Of You (1959) {2in1, Warner}\04 - I love Paris.wav Pre-gap length 0:00:02.69 Peak level 43.0 % Track quality 99.9 % Test CRC 45867C15 Copy CRC 45867C15 Track not present in AccurateRip database Copy OKTrack 5 Filename D:\music\rip\Marty Paich - The Modern Touch - The Broadway Bit & I Get a Boot Out Of You (1959) {2in1, Warner}\05 - Too close for comfort.wav Pre-gap length 0:00:02.84 Peak level 84.4 % Track quality 100.0 % Test CRC 7C40FFCB Copy CRC 7C40FFCB Track not present in AccurateRip database Copy OKTrack 6 Filename D:\music\rip\Marty Paich - The Modern Touch - The Broadway Bit & I Get a Boot Out Of You (1959) {2in1, Warner}\06 - Younger than springtime , The surrey with the fringe on top.wav Pre-gap length 0:00:02.80 Peak level 71.6 % Track quality 99.9 % Test CRC 408EB5FB Copy CRC 408EB5FB Track not present in AccurateRip database Copy OKTrack 7 Filename D:\music\rip\Marty Paich - The Modern Touch - The Broadway Bit & I Get a Boot Out Of You (1959) {2in1, Warner}\07 - If I were a bell.wav Pre-gap length 0:00:03.01 Peak level 97.7 % Track quality 100.0 % Test CRC 939CD626 Copy CRC 939CD626 Track not present in AccurateRip database Copy OKTrack 8 Filename D:\music\rip\Marty Paich - The Modern Touch - The Broadway Bit & I Get a Boot Out Of You (1959) {2in1, Warner}\08 - Lazy afternoon.wav Pre-gap length 0:00:02.88 Peak level 71.2 % Track quality 100.0 % Test CRC C0572A2E Copy CRC C0572A2E Track not present in AccurateRip database Copy OKTrack 9 Filename D:\music\rip\Marty Paich - The Modern Touch - The Broadway Bit & I Get a Boot Out Of You (1959) {2in1, Warner}\09 - Just in time.wav Pre-gap length 0:00:02.74 Peak level 97.7 % Track quality 100.0 % Test CRC A84B27B2 Copy CRC A84B27B2 Track not present in AccurateRip database Copy OKTrack 10 Filename D:\music\rip\Marty Paich - The Modern Touch - The Broadway Bit & I Get a Boot Out Of You (1959) {2in1, Warner}\10 - It don't mean a thing.wav Pre-gap length 0:00:03.26 Peak level 87.1 % Track quality 99.9 % Test CRC C418F65D Copy CRC C418F65D Track not present in AccurateRip database Copy OKTrack 11 Filename D:\music\rip\Marty Paich - The Modern Touch - The Broadway Bit & I Get a Boot Out Of You (1959) {2in1, Warner}\11 - No more.wav Pre-gap length 0:00:03.05 Peak level 64.9 % Track quality 100.0 % Test CRC 329F9FAA Copy CRC 329F9FAA Track not present in AccurateRip database Copy OKTrack 12 Filename D:\music\rip\Marty Paich - The Modern Touch - The Broadway Bit & I Get a Boot Out Of You (1959) {2in1, Warner}\12 - Love for sale.wav Pre-gap length 0:00:04.05 Peak level 79.2 % Track quality 100.0 % Test CRC DF4FB8FB Copy CRC DF4FB8FB Track not present in AccurateRip database Copy OKTrack 13 Filename D:\music\rip\Marty Paich - The Modern Touch - The Broadway Bit & I Get a Boot Out Of You (1959) {2in1, Warner}\13 - Moanin'.wav Pre-gap length 0:00:03.04 Peak level 87.6 % Track quality 100.0 % Test CRC F908873E Copy CRC F908873E Track not present in AccurateRip database Copy OKTrack 14 Filename D:\music\rip\Marty Paich - The Modern Touch - The Broadway Bit & I Get a Boot Out Of You (1959) {2in1, Warner}\14 - Violets for your furs.wav Pre-gap length 0:00:02.30 Peak level 77.6 % Track quality 100.0 % Test CRC 74E17300 Copy CRC 74E17300 Track not present in AccurateRip database Copy OKTrack 15 Filename D:\music\rip\Marty Paich - The Modern Touch - The Broadway Bit & I Get a Boot Out Of You (1959) {2in1, Warner}\15 - What am I here for , Cottontail.wav Pre-gap length 0:00:03.05 Peak level 97.7 % Track quality 100.0 % Test CRC 90B02661 Copy CRC 90B02661 Track not present in AccurateRip database Copy OKTrack 16 Filename D:\music\rip\Marty Paich - The Modern Touch - The Broadway Bit & I Get a Boot Out Of You (1959) {2in1, Warner}\16 - Warm valley.wav Pre-gap length 0:00:03.46 Peak level 59.8 % Track quality 100.0 % Test CRC ACD3B44D Copy CRC ACD3B44D Track not present in AccurateRip database Copy OKTrack 17 Filename D:\music\rip\Marty Paich - The Modern Touch - The Broadway Bit & I Get a Boot Out Of You (1959) {2in1, Warner}\17 - Things ain't what they used to be.wav Pre-gap length 0:00:04.66 Peak level 95.2 % Track quality 100.0 % Test CRC 068E8E47 Copy CRC 068E8E47 Track not present in AccurateRip database Copy OKNone of the tracks are present in the AccurateRip databaseNo errors occurredEnd of status report  Tau Я не сидирую все свои раздачи подолгу, только новые (до 3х первых сидов) Предлагаю скачавшим максимально долго оставаться на раздаче - весь рейтинг будет ваш Если нет сидов или раздача находится в архиве, пришлите письмо, и я вернусьЗаботьтесь о своем рейтинге - приветствуется конвертация моих раздач в мп3 и выкладывание в соотвтствующем разделе