(Vocal Jazz, Post-Bop) Kurt Elling - The Gate - 2011, WavPack (image+.cue), lossless
Kurt Elling - The Gate
Жанр: Vocal Jazz, Post-Bop
Год издания диска: 2011
Издатель (лейбл): Concord Jazz
Номер по каталогу: 0888072312302
Аудиокодек: WavPack (*.wv)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 51:46
Источник (релизер): scalamus (hqshare)
Наличие сканов в содержимом раздачи: нетТреклист:
01. Matte Kudasai
02. Steppin' Out
03. Come Running to Me
04. Norwegian Wood
05. Blue in Green
06. Samurai Cowboy
07. After the Love Has Gone
08. Golden Lady
09. Nighttown, Lady BrightСостав:
Kurt Elling - voice
Bob Mintzer - tenor saxophone
John McLean - guitar
Laurence Hobgood - piano
John Patitucci - bass
Terreon Gulley - drums, percussion (#1,3-5,8,9)
Kobie Watkins - drums (#2,5,7)
Lenny Castro - percussion (#2,3,5,6)
Лог создания рипа
Exact Audio Copy V1.0 beta 1 from 15. November 2010EAC extraction logfile from 7. June 2011, 17:13Kurt Elling / The GateUsed drive : HL-DT-STDVDRAM GSA-H42N Adapter: 3 ID: 0Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : NoRead offset correction : 667Overread into Lead-In and Lead-Out : YesFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : NoUsed interface : Installed external ASPI interfaceUsed output format : Internal WAV RoutinesSample format : 44.100 Hz; 16 Bit; StereoTOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 4:19.15 | 0 | 19439 2 | 4:19.15 | 4:48.25 | 19440 | 41064 3 | 9:07.40 | 6:06.50 | 41065 | 68564 4 | 15:14.15 | 5:39.26 | 68565 | 94015 5 | 20:53.41 | 6:48.44 | 94016 | 124659 6 | 27:42.10 | 3:24.49 | 124660 | 140008 7 | 31:06.59 | 5:51.64 | 140009 | 166397 8 | 36:58.48 | 5:47.49 | 166398 | 192471 9 | 42:46.22 | 9:00.50 | 192472 | 233021Range status and errorsSelected range Filename C:\Kurt Elling - The Gate.wav Peak level 98.1 % Extraction speed 1.2 X Range quality 99.9 % Copy CRC D84B1515 Copy OKNo errors occurredEnd of status report
Содержание индексной карты (.CUE)
REM GENRE JazzREM DATE 2011REM DISCID 7D0C2209REM COMMENT "ExactAudioCopy v1.0b1"CATALOG 0888072312302PERFORMER "Kurt Elling"TITLE "The Gate"FILE "Kurt Elling - The Gate.wav" WAVE TRACK 01 AUDIO TITLE "Matte Kudasai" PERFORMER "Kurt Elling" ISRC USC4R1023047 INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Steppin' Out" PERFORMER "Kurt Elling" ISRC USC4R1023048 INDEX 01 04:19:15 TRACK 03 AUDIO TITLE "Come Running to Me" PERFORMER "Kurt Elling" ISRC USC4R1023049 INDEX 01 09:07:40 TRACK 04 AUDIO TITLE "Norwegian Wood" PERFORMER "Kurt Elling" ISRC USC4R1023050 INDEX 01 15:14:15 TRACK 05 AUDIO TITLE "Blue in Green" PERFORMER "Kurt Elling" ISRC USC4R1023051 INDEX 01 20:53:41 TRACK 06 AUDIO TITLE "Samurai Cowboy" PERFORMER "Kurt Elling" ISRC USC4R1023052 INDEX 01 27:42:10 TRACK 07 AUDIO TITLE "After the Love Has Gone" PERFORMER "Kurt Elling" ISRC USC4R1023053 INDEX 01 31:06:59 TRACK 08 AUDIO TITLE "Golden Lady" PERFORMER "Kurt Elling" ISRC USC4R1023054 INDEX 01 36:58:48 TRACK 09 AUDIO TITLE "Nighttown, Lady Bright" PERFORMER "Kurt Elling" ISRC USC4R1023055 INDEX 01 42:46:22
Review by Thom JurekSince the 1990s, Kurt Elling has proved a most innovative jazz singer. His recordings -- particularly The Messenger, Man in the Air, and Nightmoves -- also reveal him to be a modern jazz visionary. On The Gate, Elling presents nine songs gathered from rock, pop, soul, and jazz. Produced by Don Was, Elling is accompanied by longtime pianist Laurence Hobgood, saxophonist Bob Mintzer, guitarist John McLean, bassist John Pattitucci, alternating drummers Terreon Gulley and Kobie Watkins, and percussionist Lenny Castro. The material here is evocative of Elling's all encompassing view of jazz as an ever-innovative popular music. It opens with a subtle, deeply emotive and poetic reading of King Crimson's "Matte Kudasai." Commencing with only Patitucci's upright bass before Gulley and Hobgood enter from the edges, Elling croons languidly at the upper reaches of his range. McLean's guitar is used economically and delicately until his solo. Joe Jackson's "Steppin' Out" extends beyond the realm of the author's Cole Porter-influenced pop, transforming it into a warm, swinging, cool jazz number. The sparsity of Hobgood's phrasing underscoring Elling's voice shows remarkable restraint; Castro's hand percussion counters Watkins' hi-hat groove and makes it pop. Herbie Hancock's "Come Running to Me" changes shape entirely, from its funky fretless bass and vocoder roots comes a bona fide soul-jazz midtempo ballad. Stevie Wonder's "Golden Lady" backs off the funk; but the exacting interplay between Hobgood and Gulley keeps the soul intact; Elling reinvents it as an acoustic jazz ballad. The Beatles' "Norwegian Wood" subtly restructures the tune's rhythmic accents without forsaking a note of its melody. Earth, Wind & Fire's "After the Love Has Gone" is transformed into a limpid, nearly ethereal tone poem. The reading of Miles Davis' "Blue in Green" is based on Al Jarreau's arrangement, but it opens up more: space and texture grant his voice room to explore the melody's interior. "Samurai Cowboy," an original co-written with Marc Johnson, features Elling's multi-tracked vocals in a chanted chorus, underscoring a syncopated blues, highlighted by Mintzer's gritty fills. "Nighttown, Lady Bright" closes it as poetic, post-beat improvisation with Elling reciting as well as singing. The Gate presents Elling at the top of his game; it is a song cycle that is mesmerizing and mysterious as it is provocative and compelling.