(Vocal Jazz, Post-Bop) [CD] Clark Woodard & Joe Farrell {w/ John Larkin (Scatman John)} - Clark Woodard & Joe Farrell - 1985 (2006), FLAC (image+.cue), lossless
Clark Woodard & Joe Farrell - Clark Woodard & Joe Farrell
Жанр: Vocal Jazz, Post-Bop
Носитель: CD
Страна-производитель диска: США
Год издания: 2006
Издатель (лейбл): BCS Records Inc.
Аудиокодек: FLAC (*.flac)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 48:08
Источник (релизер): диск из моей коллекции
Наличие сканов в содержимом раздачи: даТреклист:
01. 500 Miles High (Corea) - 4:03
02. Softly as in a Morning Sunrise (Hammerstein-Romberg) - 6:24
03. The Misfit (Larkin) - 5:56
04. Charley's Place (Larkin) - 5:32
05. My Funny Valentine (Rodgers-Hart) - 6:11
06. Frantasy (Larkin) - 4:03
07. Naima (Coltrane) - 4:30
08. Angel's Flight (Larkin) - 5:32
09. Last Night I Dreamed (Larkin) - 5:58Состав:
John Larkin (Scatman John) - piano, vocals
Joe Farrell - tenor saxophone, flute
Clark Woodard - drums
Bob Harrison - bass
Shelby Flint - vocals (#7)Recorded at Central Sound Studios, Los Angeles, CA in August 1984 (#1-6,9) and at Blue Dolphin Studios, Los Angeles, CA in June 1985 (#7,8).
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011EAC extraction logfile from 23. October 2014, 1:08Clark Woodard & Joe Farrell / Clark Woodard & Joe FarrellUsed drive : TEAC CD-540E Adapter: 4 ID: 0Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : NoRead offset correction : -496Overread into Lead-In and Lead-Out : NoFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : YesUsed interface : Native Win32 interface for Win NT & 2000Used output format : User Defined EncoderSelected bitrate : 768 kBit/sQuality : HighAdd ID3 tag : NoCommand line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exeAdditional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TOTALTRACKS=%numtracks%" -T "GENRE=%genre%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM ARTIST=%albumartist%" -T "COMMENT=EAC Secure Mode, Test & Copy, AccurateRip, FLAC -8" %source%TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 4:03.14 | 0 | 18238 2 | 4:03.14 | 6:23.46 | 18239 | 47009 3 | 10:26.60 | 5:56.10 | 47010 | 73719 4 | 16:22.70 | 5:32.12 | 73720 | 98631 5 | 21:55.07 | 6:10.46 | 98632 | 126427 6 | 28:05.53 | 4:03.14 | 126428 | 144666 7 | 32:08.67 | 4:29.43 | 144667 | 164884 8 | 36:38.35 | 5:31.46 | 164885 | 189755 9 | 42:10.06 | 5:57.45 | 189756 | 216575Range status and errorsSelected range Filename F:\audio\Clark Woodard & Joe Farrell - Clark Woodard & Joe Farrell.wav Peak level 100.0 % Extraction speed 2.0 X Range quality 100.0 % Test CRC 797A9C3A Copy CRC 797A9C3A Copy OKNo errors occurredAccurateRip summaryTrack 1 accurately ripped (confidence 3) [7FEBFA7A] (AR v2)Track 2 accurately ripped (confidence 3) [6B8D003F] (AR v2)Track 3 accurately ripped (confidence 3) [AF81B699] (AR v2)Track 4 accurately ripped (confidence 3) [E2DD088D] (AR v2)Track 5 accurately ripped (confidence 3) [1AFDB39F] (AR v2)Track 6 accurately ripped (confidence 3) [215D9861] (AR v2)Track 7 accurately ripped (confidence 3) [908F24C2] (AR v2)Track 8 accurately ripped (confidence 3) [530CE74D] (AR v2)Track 9 accurately ripped (confidence 3) [4C2FFC3B] (AR v2)All tracks accurately rippedEnd of status report---- CUETools DB Plugin V2.1.3[CTDB TOCID: DpIItsYRcF7NOcoUe6U.SQAUSQw-] found, Submit result: already submitted[b23dbdd9] (3/3) Accurately ripped==== Log checksum 3AFB2EEBE168C87653A763141AF0AE28F444CF2F8477AB624B28AC6E5EED1F29 ====
Содержание индексной карты (.CUE)
REM GENRE JazzREM DATE 1985REM DISCID 710B4709REM COMMENT "ExactAudioCopy v1.0b3"PERFORMER "Clark Woodard & Joe Farrell"TITLE "Clark Woodard & Joe Farrell"FILE "Clark Woodard & Joe Farrell - Clark Woodard & Joe Farrell.wav" WAVE TRACK 01 AUDIO TITLE "500 Miles High" PERFORMER "Clark Woodard & Joe Farrell" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Softly as in a Morning Sunrise" PERFORMER "Clark Woodard & Joe Farrell" INDEX 01 04:03:14 TRACK 03 AUDIO TITLE "The Misfit" PERFORMER "Clark Woodard & Joe Farrell" INDEX 01 10:26:60 TRACK 04 AUDIO TITLE "Charley's Place" PERFORMER "Clark Woodard & Joe Farrell" INDEX 00 16:22:69 INDEX 01 16:22:70 TRACK 05 AUDIO TITLE "My Funny Valentine" PERFORMER "Clark Woodard & Joe Farrell" INDEX 00 21:55:06 INDEX 01 21:55:07 TRACK 06 AUDIO TITLE "Frantasy" PERFORMER "Clark Woodard & Joe Farrell" INDEX 00 28:05:52 INDEX 01 28:05:53 TRACK 07 AUDIO TITLE "Naima" PERFORMER "Clark Woodard & Joe Farrell" INDEX 00 32:08:66 INDEX 01 32:08:67 TRACK 08 AUDIO TITLE "Angel's Flight" PERFORMER "Clark Woodard & Joe Farrell" INDEX 00 36:38:34 INDEX 01 36:38:35 TRACK 09 AUDIO TITLE "Last Night I Dreamed" PERFORMER "Clark Woodard & Joe Farrell" INDEX 00 42:10:05 INDEX 01 42:10:06
Отчет CUETools
[CUETools log; Date: 23.10.2014 1:10:54; Version: 2.1.5][CTDB TOCID: DpIItsYRcF7NOcoUe6U.SQAUSQw-] found.Track | CTDB Status 1 | (2/2) Accurately ripped 2 | (2/2) Accurately ripped 3 | (2/2) Accurately ripped 4 | (2/2) Accurately ripped 5 | (2/2) Accurately ripped 6 | (2/2) Accurately ripped 7 | (2/2) Accurately ripped 8 | (2/2) Accurately ripped 9 | (2/2) Accurately ripped[AccurateRip ID: 00107a69-0078fe56-710b4709] found.Track [ CRC | V2 ] Status 01 [fb03f1f4|7febfa7a] (0+3/3) Accurately ripped 02 [b872745c|6b8d003f] (0+3/3) Accurately ripped 03 [111ba8d1|af81b699] (0+3/3) Accurately ripped 04 [c5ebfaf8|e2dd088d] (0+3/3) Accurately ripped 05 [3af57ab2|1afdb39f] (0+3/3) Accurately ripped 06 [d9abf6aa|215d9861] (0+3/3) Accurately ripped 07 [0c2eaf61|908f24c2] (0+3/3) Accurately ripped 08 [84212d57|530ce74d] (0+3/3) Accurately ripped 09 [200d5d96|4c2ffc3b] (0+3/3) Accurately rippedTrack Peak [ CRC32 ] [W/O NULL] [ LOG ] -- 100,0 [797A9C3A] [FAC37D50] CRC32 01 96,6 [77541367] [F80C36F2] 02 96,2 [66082EB6] [BC2678D1] 03 100,0 [32ACA536] [3A8AE53D] 04 98,4 [EC82A4EA] [E0A21081] 05 95,7 [5534E9CF] [FF2D0E0A] 06 99,5 [C19FDCA2] [38DCBC9E] 07 96,0 [920A7CED] [EC95FEDE] 08 100,0 [2227A720] [C99BEE39] 09 99,2 [086C7C03] [5F0B4242]
Review by Tony BernardoIt’s always difficult to write about jazz records, and it’s especially difficult to do so in 2012. For a genre that’s not been relevant for at least four decades, no music is analysed and critiqued as much as jazz. Hip-hop, techno, electro, all have they’re critics but at least they’re compared to their contemporaries. Thanks to Davis, Coltrane, Dizzy and Thelonious, jazz has been left abandoned by unprecedented brilliance and perfection. No other genre has been honed, crafted, or raised to the level jazz was during the late fifties, early sixties.
So where does that leave the “Clark Woodard & Joe Farrell” album? Possibly notable only due to the appearance of John “Scatman” Larkin? Well it’s a loose, free sounding affair, lacking in rigid cohesion but at the same time it does contain a lot of feel. Why it’s called “Clark Woodard & Joe Farrell” I’ll never know, because the sessions are led by Larkin, yet his name doesn’t even appear in the titles. In fact, three of the tracks on this album are lifted straight from John’s seminal self-titled LP. Strange…
If you want to know about the music, you can read my review of the John Larkin LP , for it all follows the same sessions. The only interesting addition in my opinion is the appearance of a cover of Coltrane’s “Naima”. It’s executed very well and is, actually, a fantastically interesting version of “Naima”. Complete with an unintelligible but gorgeous female vocal, “Naima” showcases the groups ability to shape and twist music into something a little unique. Larkin’s playing is by far the stand out feature for me. “Angel’s Flight” has been cut unforgivably shot, reduced from nine minutes to around five. The major crescendo is gone, neutering the whole affect of the piece. This, however, only give me more justification to blow the dust of the Larkin LP.
“Clark Woodard & Joe Farrell” is to say the least, an odd CD. It would appear to be an attempt at gathering some old studio recordings and piecing them together with no real aim. The music is very technical at points, but never intrusively so. The album lacks direction and polish, but then again, should it just be viewed as a compilation of works? An archive of sorts? I don’t know, I’m confused. I do like it though.
So who should buy this CD? Well, anyone remotely interested in Larkin, Woodard or Farrell probably already have it, and anyone unaware of its existence should probably remain so.