(Vocal Jazz, Hard Bop, Ballads) John Coltrane and Johnny Hartman - John Coltrane and Johnny Hartman - 1963, FLAC (tracks+.cue), lossless

John Coltrane and Johnny Hartman - John Coltrane and Johnny Hartman (1963) {Remaster 1995, MCA} В раннее выложенном на треккер рипе странным образом сочетаются мои сканы с потрековыми АРЕ-файлами, не носящими внятных названий. Так же там отсутствуют все вспомогательные файлы (cue, tau, log...), хотя они были мною выложены на nnm вместе со сканами Выкладываю свой корректный рип, в том виде, в котором я уже клал его в нескольких местах Имеющие те же файлы могут подключаться и сразу сидировать Жанр: Vocal Jazz, Hard Bop, Ballads Дата записи: at the Van Gelder Studio, Englewood Cliffs, New Jersey on March 7, 1963. Дата выпуска: 1995 Производитель диска, страна: MCA Records Страна исполнителя: USA Аудио кодек: FLAC Тип рипа: (tracks + .cue) Битрейт аудио: lossless Включает: FLACS, LOG, CUE, TAU Сканы: Все страницы, вкладыши и диск. 300dpi, png Продолжительность: 31:17 Источник: Моя коллекция Ripped by: Musicgate Трэклист: 1. They Say It's Wonderful (Berlin) - 5:17 2. Dedicated to You (S.Cahn, S.Chaplin, H.Zaret)- 5:30 3. My One and Only Love (R. Mellin, G. Wood) - 4:54 4. Lush Life (Billy Strayhorn) - 5:26 5. You Are Too Beautiful (R.Rodgers, L.Hart) - 5:33 6. Autumn Serenade (S. Gallop, P. DeRose) - 4:18 Original sessions produced by Bob Thiele Reissue produced by Michael Cuscuna Recording Engineer: Rudy Van Gelder Digitally Remastered by Erick Labson at MCA Music Media Studios, using 20-Bit Super Mapping 2.Q Об альбоме: - allmusic.com Состав: John Coltrane, tenor sax Johnny Hartman, vocals McCoy Tyner, piano Jimmy Garrison, bass Elvin Jones, drums Мои раздачи на треккере - jazz / fusion / prog   Несколько слов на английском From booklet This record serves a double purpose: it brings back into the public ear one of the most neglected singers of the middle bop era and it proves in a novel—for them—way that John C. and his Thrilling Three are eloquent balladiers and very, very sensitive accompanists. I say novel for them because, to my knowledge, no singer has ever performed or recorded with the John Coltrane quartet. The quartet has been, till now, concerned with other things, with the development of a kinetic vernacular which facilitated the release of a kind of group energy that was deeper in content and fuller in emotional color than any music I have ever experienced, anywhere. How translate this energy-formed vernacular to the more articulate but more restrictive form of the song? For one thing, Trane's been recording little else lately. His latest two releases were Ballads (Impulse A-32) and Duke Ellington & John Coltrane (Impulse A-30), which were about 2/3 ballads. In these two dates, particularly the latter, Trane showed a lyric sophistication that surprised nobody who'd ever sat through more than one of his sets in the clubs. His ballad style is increasingly becoming as subtle as his uptempo blues playing is dynamic, as witness Autumn Serenade. The vernacular translates quite well; is, in fact, the same language. Johnny Hartman was Coltrane's unequivocal choice for the singer he'd like most to be caught with in front of a mike. Hartman is one of the very best of a strong lot of big-voiced crooners who were the sine Qua поп of the big bebop band. He conjures up images of Earl Coleman with the big voice, the even bigger collar, and the skinny, drooping boptie; of Lee Richardson, a good one, whom Hartman replaced with Dizzy's Band; of Herb Jeffries, the Brownskinned Buckaroo; of Herb Lance and Arthur Prysock; and of course, of the Great Mister B, Billy Eckstine. Where are they now? That jazz singing, especially among male singers, has declined since the fadeout of the bebop band is one of the least controversial topics in jazz. Replacing the masculinity of the crooner with the effeteness of the lark is only another kind of the premature destruction of artists by factors which have nothing to do with their art, which destruction we are the passive witnesses of in these times. So we are fortunate to have Johnny Hartman back in the life, and in a better than "favorable" setting, too. You are immediately struck by Hartman's dark satin lyricism in They Say That Falling In Love Is Wonderful. His voice, always a perfectly tuned instrument, is unobtrusive and relaxing, heavy in quality but almost without tremolo, which makes Hartman unique among the big-voiced boppers. His enunciation is impeccable (you'll hear every word on this record), which makes him unique among all male singers. He respects the word, adapts his vocal embellishments to the value (in meaning and sound) of the word: which makes him unique among everybody. Coltrane's bridge is intended to fit into the totality of the song. He doesn't, as you might expect of such a hard-blowing tenor man, try to overpower the singer or the song. He rather re-interprets it along the same lines as Hartman. Dedicated To You is rendered with all the intimacy the name suggests. Hartman sings the first verse and leaves off right in the middle of Coltrane's horn. This time it's Trane who makes the initial interpretation with one of the sweetest, most straightforward choruses he's ever recorded. You get the feeling Trane's thinking the words while he blows the melody. Then when Hartman sings the last verses you hardly notice the change from horn to vocal. Coltrane introduces My One and Only Love, one of "Tin Pan Alley's" most lyric moments. It's a tender and rather complete statement from Trane. Garrison makes a strong bridge to Hartman, who breathes these lyrics like a horn. Garrison is a beautiful bass accompanist. He plays the lines under Hartman like the bass in a vocal quartet. I don't mean to slight McCoy Tyner, whose skills as an accompanist were a known quantity by the time My Favorite Things became popular; or Elvin's sensitive restraint on drums. It's just that performing with a singer necessarily tones this group down and the bass lines get through better. Lush Life, which Trane's recorded before, is often performed but never this well. Hartman's vocal control lets him handle the songspiel of the first stanza in a way that seems like pure communication. From there he glides through the difficult changes of a very wordy song with an ease of expression that pulls every nuance from it with no ostentation whatever. And Hartman, like Coltrane, uses Tyner's comping, both as an extension of his own expression and as a musical ancillary to a conversational song. Coltrane's solos—well, another insight into what the song is about. A double-timed commentary on what Hartman's just said.     Folder content 01 - They Say It's Wonderful.flac 02 - Dedicated To You.flac 03 - My One And Only Love.flac 04 - Lush Life.flac 05 - You Are Too Beautiful.flac 06 - Autumn Serenade.flac Artwork info.txt John Coltrane and Johnny Hartman - John Coltrane And Johnny Hartman.m3u John Coltrane And Johnny Hartman.log John Coltrane And Johnny Hartman_noncompliant.CUE John Coltrane And Johnny Hartman_Single Wav.CUE tau.txt Artwork\Back.png Artwork\Booklet 1.png Artwork\Booklet 2.png Artwork\Booklet 3.png Artwork\Booklet 4.png Artwork\Booklet 5.png Artwork\Box 1.png Artwork\Box 2.png Artwork\Box 3.png Artwork\Box 4.png Artwork\Disc.png Artwork\front.jpg Artwork\Tray.png     EAC log EAC extraction logfile from 31. December 2007, 18:29 for CD John Coltrane and Johnny Hartman / John Coltrane And Johnny Hartman Used drive : PIONEER DVD-RW DVR-112D Adapter: 0 ID: 0 Read mode : Secure with NO C2, accurate stream, disable cache Read offset correction : 48 Overread into Lead-In and Lead-Out : No Used output format : C:\Program Files\FLAC\flac.exe (User Defined Encoder) 320 kBit/s Additional command line options : -8 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=EAC FLAC -8" %s Other options : Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Installed external ASPI interface Track 1 Filename D:\music\rip\John Coltrane and Johnny Hartman - John Coltrane and Johnny Hartman (1963) [FLAC] {Remaster 1995, MCA}\01 - They Say It's Wonderful.wav Pre-gap length 0:00:02.00 Peak level 100.0 % Track quality 100.0 % Test CRC 1C78620C Copy CRC 1C78620C Copy OK Track 2 Filename D:\music\rip\John Coltrane and Johnny Hartman - John Coltrane and Johnny Hartman (1963) [FLAC] {Remaster 1995, MCA}\02 - Dedicated To You.wav Pre-gap length 0:00:02.22 Peak level 97.0 % Track quality 100.0 % Test CRC 3DEE6C0B Copy CRC 3DEE6C0B Copy OK Track 3 Filename D:\music\rip\John Coltrane and Johnny Hartman - John Coltrane and Johnny Hartman (1963) [FLAC] {Remaster 1995, MCA}\03 - My One And Only Love.wav Pre-gap length 0:00:01.37 Peak level 100.0 % Track quality 100.0 % Test CRC D229F890 Copy CRC D229F890 Copy OK Track 4 Filename D:\music\rip\John Coltrane and Johnny Hartman - John Coltrane and Johnny Hartman (1963) [FLAC] {Remaster 1995, MCA}\04 - Lush Life.wav Pre-gap length 0:00:02.57 Peak level 100.0 % Track quality 100.0 % Test CRC 936279E6 Copy CRC 936279E6 Copy OK Track 5 Filename D:\music\rip\John Coltrane and Johnny Hartman - John Coltrane and Johnny Hartman (1963) [FLAC] {Remaster 1995, MCA}\05 - You Are Too Beautiful.wav Pre-gap length 0:00:02.80 Peak level 92.9 % Track quality 100.0 % Test CRC 2D7FF0FC Copy CRC 2D7FF0FC Copy OK Track 6 Filename D:\music\rip\John Coltrane and Johnny Hartman - John Coltrane and Johnny Hartman (1963) [FLAC] {Remaster 1995, MCA}\06 - Autumn Serenade.wav Pre-gap length 0:00:02.24 Peak level 88.0 % Track quality 100.0 % Test CRC 5B485FFB Copy CRC 5B485FFB Copy OK No errors occured End of status report     TAU log 1773063129 56511548 01 - They Say It's Wonderful.wav 494026875 58536620 02 - Dedicated To You.wav 3466415484 52555484 03 - My One And Only Love.wav 2715542760 58228508 04 - Lush Life.wav 3658085213 59312780 05 - You Are Too Beautiful.wav 2825919678 46162748 06 - Autumn Serenade.wav auCDtect: CD records authenticity detector, version 0.8.2 Copyright (c) 2004 Oleg Berngardt. All rights reserved. Copyright (c) 2004 Alexander Djourik. All rights reserved. ------------------------------------------------------------ Processing file: [01 - They Say It's Wonderful.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [02 - Dedicated To You.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [03 - My One And Only Love.wav] ------------------------------------------------------------ This track looks like CDDA with probability 99% ------------------------------------------------------------ Processing file: [04 - Lush Life.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [05 - You Are Too Beautiful.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [06 - Autumn Serenade.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Final Conclusion: ------------------------------------------------------------ These tracks looks like CDDA with probability 100% Я не сидирую все свои раздачи подолгу, только новые (до 3х первых сидов) Предлагаю скачавшим максимально долго оставаться на раздаче - весь рейтинг будет ваш Я вернусь, если меня попросят в топике или в ПМ