(Vocal Jazz) [CD] Mina Agossi - E-Z Pass to Brooklyn - 2001, FLAC (tracks), lossless

Mina Agossi / E-Z Pass to Brooklyn Жанр: Vocal Jazz Носитель: CD Год издания: 2001 Страна: France Аудиокодек: FLAC (*.flac) Тип рипа: tracks Битрейт аудио: lossless Продолжительность: 0:51:04 Источник (релизер): wicing Наличие сканов в содержимом раздачи: нет Треклист: 01. Caravan (4:16) 02. Mabo (5:45) 03. Explore (5:18) 04. Cyber Reality (3:48) 05. 2000 Bells (2:59) 06. Ain't Misbehavin' (3:02) 07. Zaboum (4:18) 08. Euphoria (5:02) 09. Butterflies (2:53) 10. Uruk (4:54) 11. Eat it (3:23) 12. Machine Gun (5:29)  Лог создания рипа (non-proper) *** MediaInfo Mac // Plain text file report2012-09-26 17:29:57 +0200--> Mina Agossi - E-Z Pass to Brooklyn - 2001 [boccherini]Information for Files:1 Caravan.flac Audio Codecs Used -> FLAC File Format -> FLAC Play Time -> 4mn 15s Total File Size -> 29.2 MiB Total Stream BitRate -> 958 Kbps Title (Tag) -> Caravan Encoded with -> Max 0.9.1 Number of Audio Channels -> 2 Sampling Rate -> 44.1 KHz Bit Depth -> 16 bits2 Mabo.flac Audio Codecs Used -> FLAC File Format -> FLAC Play Time -> 5mn 44s Total File Size -> 37.0 MiB Total Stream BitRate -> 900 Kbps Title (Tag) -> Mabo Encoded with -> Max 0.9.1 Number of Audio Channels -> 2 Sampling Rate -> 44.1 KHz Bit Depth -> 16 bits3 Explore.flac Audio Codecs Used -> FLAC File Format -> FLAC Play Time -> 5mn 18s Total File Size -> 36.0 MiB Total Stream BitRate -> 948 Kbps Title (Tag) -> Explore Encoded with -> Max 0.9.1 Number of Audio Channels -> 2 Sampling Rate -> 44.1 KHz Bit Depth -> 16 bits4 Cyber Reality.flac Audio Codecs Used -> FLAC File Format -> FLAC Play Time -> 3mn 48s Total File Size -> 24.1 MiB Total Stream BitRate -> 886 Kbps Title (Tag) -> Cyber Reality Encoded with -> Max 0.9.1 Number of Audio Channels -> 2 Sampling Rate -> 44.1 KHz Bit Depth -> 16 bits5 2000 Bells.flac Audio Codecs Used -> FLAC File Format -> FLAC Play Time -> 2mn 59s Total File Size -> 20.7 MiB Total Stream BitRate -> 968 Kbps Title (Tag) -> 2000 Bells Encoded with -> Max 0.9.1 Number of Audio Channels -> 2 Sampling Rate -> 44.1 KHz Bit Depth -> 16 bits6 Ain't Misbehavin'.flac Audio Codecs Used -> FLAC File Format -> FLAC Play Time -> 3mn 2s Total File Size -> 19.2 MiB Total Stream BitRate -> 885 Kbps Title (Tag) -> Ain't Misbehavin' Encoded with -> Max 0.9.1 Number of Audio Channels -> 2 Sampling Rate -> 44.1 KHz Bit Depth -> 16 bits7 Zaboum.flac Audio Codecs Used -> FLAC File Format -> FLAC Play Time -> 4mn 18s Total File Size -> 25.8 MiB Total Stream BitRate -> 839 Kbps Title (Tag) -> Zaboum Encoded with -> Max 0.9.1 Number of Audio Channels -> 2 Sampling Rate -> 44.1 KHz Bit Depth -> 16 bits8 Euphoria.flac Audio Codecs Used -> FLAC File Format -> FLAC Play Time -> 5mn 2s Total File Size -> 32.5 MiB Total Stream BitRate -> 902 Kbps Title (Tag) -> Euphoria Encoded with -> Max 0.9.1 Number of Audio Channels -> 2 Sampling Rate -> 44.1 KHz Bit Depth -> 16 bits9 Butterflies.flac Audio Codecs Used -> FLAC File Format -> FLAC Play Time -> 2mn 53s Total File Size -> 15.0 MiB Total Stream BitRate -> 724 Kbps Title (Tag) -> Butterflies Encoded with -> Max 0.9.1 Number of Audio Channels -> 2 Sampling Rate -> 44.1 KHz Bit Depth -> 16 bits10 Uruk.flac Audio Codecs Used -> FLAC File Format -> FLAC Play Time -> 4mn 53s Total File Size -> 28.7 MiB Total Stream BitRate -> 819 Kbps Title (Tag) -> Uruk Encoded with -> Max 0.9.1 Number of Audio Channels -> 2 Sampling Rate -> 44.1 KHz Bit Depth -> 16 bits11 Eat it.flac Audio Codecs Used -> FLAC File Format -> FLAC Play Time -> 3mn 23s Total File Size -> 21.2 MiB Total Stream BitRate -> 877 Kbps Title (Tag) -> Eat it Encoded with -> Max 0.9.1 Number of Audio Channels -> 2 Sampling Rate -> 44.1 KHz Bit Depth -> 16 bits12 Machine Gun.flac Audio Codecs Used -> FLAC File Format -> FLAC Play Time -> 5mn 29s Total File Size -> 35.8 MiB Total Stream BitRate -> 911 Kbps Title (Tag) -> Machine Gun Encoded with -> Max 0.9.1 Number of Audio Channels -> 2 Sampling Rate -> 44.1 KHz Bit Depth -> 16 bits  auCDtect's log -----------------------DON'T MODIFY THIS FILE-----------------------PERFORMER: auCDtect Task Manager, ver. 1.5.1RC3 build 1.5.1.4Copyright (c) 2008-2010 y-soft. All rights reservedhttp://y-soft.orgANALYZER: auCDtect: CD records authenticity detector, version 0.8.2Copyright (c) 2004 Oleg Berngardt. All rights reserved.Copyright (c) 2004 Alexander Djourik. All rights reserved.FILE: 12 - Machine Gun.flac Size: 37500381 Hash: 07F9D004BAD471AFD836941A3753E9D8 Accuracy: -m0 Conclusion: CDDA 100% Signature: 7277309DF6B69C7BEAF7F6DC1FF91A725E43D26BFILE: 11 - Eat it.flac Size: 22257254 Hash: EE12611FF8C9AA78758F8FBF3BECB677 Accuracy: -m0 Conclusion: CDDA 100% Signature: 363B585839393EEFE815B0D016F358DC1BA24CDBFILE: 10 - Uruk.flac Size: 30091579 Hash: 6ECFA73BBF43803F66E340BBB0B610DA Accuracy: -m0 Conclusion: CDDA 100% Signature: 0C40C748178F4F66CA6DF6DD5ACCB6540418E577FILE: 09 - Butterflies.flac Size: 15695280 Hash: 89E79D39EB6C2E46225CFAEDC4D833CF Accuracy: -m0 Conclusion: CDDA 100% Signature: D66C1549583FA94EFABE4EB0972217E0ABCC3119FILE: 08 - Euphoria.flac Size: 34053649 Hash: 4DE2894847D962EDAA331DBA6B764A4D Accuracy: -m0 Conclusion: CDDA 100% Signature: 816A8FDF6E345D2EAE4D3B61EF83C384194E4FBEFILE: 07 - Zaboum.flac Size: 27058667 Hash: 9160EB7F8B11D1DB6FF4F0B6DCAD6899 Accuracy: -m0 Conclusion: CDDA 100% Signature: 40B11679C22209CCF00C71A40CAC4F39B08E1736FILE: 06 - Ain't Misbehavin'.flac Size: 20157966 Hash: 948FB5FA23246C1A7AD9458BB10AF926 Accuracy: -m0 Conclusion: CDDA 100% Signature: 4457F52B1ADE547BCC98976CA2C10D5BE45028D3FILE: 05 - 2000 Bells.flac Size: 21707995 Hash: E376531392C404D2FE6E73570D37D335 Accuracy: -m0 Conclusion: CDDA 100% Signature: 6A6AC91A73957C64F97DC2128FF8735D48273450FILE: 04 - Cyber Reality.flac Size: 25275370 Hash: 3A4FD64A68B2CB6CA37BCE3B13B7C446 Accuracy: -m0 Conclusion: CDDA 100% Signature: F5FED79DBA6F5DFA5C5483E1E5B06094D8B165BEFILE: 03 - Explore.flac Size: 37747177 Hash: 906E25C8B2A5275087E1558AB95D005B Accuracy: -m0 Conclusion: CDDA 100% Signature: C22A5F8E19ED2EB55D23841C73329EFB0D01F4A1FILE: 02 - Mabo.flac Size: 38779204 Hash: D94CAFE178B6FE222F09FBD19222609C Accuracy: -m0 Conclusion: CDDA 100% Signature: B9AF2062E0E9382B83FD354A6F977D49F38F6BE3FILE: 01 - Caravan.flac Size: 30654584 Hash: BF2B0AF6DE185C5994E3CF6B55B64AFD Accuracy: -m0 Conclusion: CDDA 100% Signature: 32694173C91B8D4EB05C65D0280842E5A142136E  Об исполнителе (группе)Born in 1972, the half-French, half-Beninese Mina Agossi spent much of her youth studying in and traveling to places like Niger, Morocco, and Ivory Coast. While in school for theater in France, a local saxophonist gave her 500 francs to sing on-stage with him, and although Agossi had had no formal experience in music, she immediately fell in love with performing and decided to pursue singing as a career. In 1993 she joined her first group, a swing and New Orleans jazz band that played gigs in France and Ireland. As she became more interested in modern jazz, the young singer decided to start recording under her own name, releasing a few bare-boned jazz albums in Europe. Bringing her own interpretation to jazz brought Agossi her fair share of critics and fans alike, and she began receiving offers to sing with artists like Archie Shepp, Mukta, and Adam Pieronscyk. In 2001, soon after September 11, Agossi recorded her live album EZ Pass to Brooklyn with Alexander Hiele on bass and Bertrand Perrin on drums, the same group that accompanied her on her next record, Carrousel. In 2004 the British label Candid signed Agossi, releasing Zaboum!! in Europe the following year and Well You Needn't in 2006.  Об альбомеRecorded in October 2001, Mina Agossi’s E-Z Pass to Brooklyn has already been making the rounds in the Francophone world for some time, where at least one reviewer has lauded the effort as “incroyable” and even goes on to say, “Chaque morceau est une surprise.” Another reviewer favourably chimes in, “jamais vous n’avez entendu quelque chose comme E-Z Pass to Brooklyn.”“Incredible.” “Each song is a surprise.” “You’ve never heard anything like E-Z Pass to Brooklyn.” Bold statements, all of these. But Agossi herself is bold, feisty. Along with bassist Alexandre Hièle and drummer Bertrand Perrin, she subjects Ellington’s “Caravan” to an abrasive, exotic, Moroccan treatment; twists Fats Waller’s “Ain’t Misbehavin’” into a hushed, spoken, hip-hop number; and even takes on Jimi Hendrix’s “Machine Gun” amid versions of her own compositions, such as “Cyber Reality” and “Eat It” (not a Weird Al Yankovic cover, tempting as that might be to imagine). I suppose, however, that these small selections of critical commentary could be read with a literal mind, presenting us with a much more equivocal meaning, one that might come closer to a proper appraisal of Agossi’s first credited solo album (her fourth overall).A truism: boldness does not good art make; nor is it synonymous with beauty. Chris Ofili’s portrait of the Madonna in elephant dung may radically recast subject matter more closely associated with Giotto, but that doesn’t mean I would prefer to hang Ofili’s work on my wall at home. In a musical parallel, we have Agossi’s assemblage of styles, none of which—or the many, many combinations thereof—ever rises above the boisterous and confrontational, or aspires to the various manifestations of beauty found in Ella, Lady Day, Dianne Reeves, or Dianna Krall. As if anticipating that "female jazz vocal" might be too confining a category for Agossi, one German website suggested comparisons with Björk. While this does work in spots, it still isn’t quite accurate. Agossi lacks the Icelandic diva’s vocal dynamics and artistic flair; and, furthermore, for all her love of fusion and experimentation, Björk never eschews the indie pop appeal that first brought her notoriety. Little of that same kind of appeal is to be found here.None of this is intended to argue that Agossi should be written off. Far from it. It’s possible that her next outing will see her better suited to the material, both original and appropriated, and vice versa. In this way the boldness might become less of a gimmick and more of a real, thoughtful accent to the music. For all its artistic bravado, E-Z Pass to Brooklyn is so passionate as to be melodramatic, so enthusiastic as to be wearisome, so ambitious as to be amateurish.  СоставMina Agossi - vocals Alex Hiele - bass Bertrand Perrin - drums