[TR24][OF] The Miles Davis Quintet - Miles: The New Miles Davis Quintet - 1956 / 2016 (Jazz, Hard Bop)
The Miles Davis Quintet / Miles: The New Miles Davis Quintet
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 1956 / 2016
Жанр: Jazz, Hard Bop
Издатель (лейбл): Prestige Records
Продолжительность: 34:00
Наличие сканов в содержимом раздачи: Front
Источник (релизер): hdtracks
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/192
Формат: PCM
Количество каналов: 2.0
Треклист:
1. Just Squeeze Me
2. There Is No Greater Love
3. How Am I To Know?
4. S'posin'
5. The Theme
6. Stablemates
DR Log
foobar2000 1.1.10 / Dynamic Range Meter 1.1.1
log date: 2017-09-15 14:16:33
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Analyzed: The Miles Davis Quintet / Miles: The New Miles Davis Quintet
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DR Peak RMS Duration Track
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DR14 -0.10 dB -16.37 dB 7:29 ?-Just Squeeze Me
DR14 -0.10 dB -16.96 dB 5:20 ?-There Is No Greater Love
DR10 -0.10 dB -12.16 dB 4:41 ?-How Am I To Know?
DR11 -0.10 dB -12.49 dB 5:17 ?-S'posin'
DR11 -0.10 dB -13.48 dB 5:53 ?-The Theme
DR11 -0.13 dB -14.41 dB 5:20 ?-Stablemates
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Number of tracks: 6
Official DR value: DR12
Samplerate: 192000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 3576 kbps
Codec: FLAC
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Состав
Miles Davis – trumpet
John Coltrane – tenor saxophone
Red Garland – piano
Paul Chambers – bass
Philly Joe Jones – drums
Об исполнителе (группе)
In the summer of 1955, Davis performed a noted set at the Newport Jazz Festival, and had been approached by Columbia Records executive George Avakian, offering a contract with the label if he could form a regular band.[4] Davis assembled his first regular quintet to meet a commitment at the Café Bohemia in July, by September the line-up stabilizing to John Coltrane on tenor saxophone, Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums.[5]
Still under contract to Prestige, an arrangement dating back to January 1951,[6] Davis convinced Avakian to buy out his contract with Prestige.[7] The terms of the deal between Avakian and Weinstock allowed Davis to record for Columbia but not release any of the material until Davis fulfilled his remaining duty to Prestige.[8] Davis took the quintet into the Columbia's studio first, on October 26, to record titles that would be issued on Round About Midnight.[9] Three weeks later the quintet entered the studio of Rudy Van Gelder in Hackensack, New Jersey, yielding the six titles for this album. During the following year, Davis and his quintet would record enough material over two Van Gelder sessions to yield "Cookin'", "Relaxin'", "Workin'", and "Steamin'" and fulfill their contractual obligation to Prestige.
https://en.wikipedia.org/wiki/Miles_Davis_Quintet