[TR24][OF] Egberto Gismonti - Dança Das Cabeças - 1977/2016 (Jazz, Fusion, Latin Jazz)
Egberto Gismonti / Dança Das Cabeças
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 1977/2016
Жанр: Jazz, Fusion, Latin Jazz
Издатель (лейбл): ECM Records
Продолжительность: 49:59
Наличие сканов в содержимом раздачи: Буклет PDF
Источник (релизер): qobuz
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/192
Формат: PCM
Количество каналов: 2.0
Треклист:
1. Dança Das Cabeças, Pt. 1 25:25
I. Quarto Mundo #1
II. Dança Das Cabeças
III. Aguas Luminosas
IV. Celebração De Núpcias
V. Porta Encantada
VI. Quarto Mundo #2
2. Dança Das Cabeças, Pt. 2 24:34
I. Tango
II. Bambuzal
III. Fé Cega Faca Amolada
IV. Dança Solitária
DR Log
foobar2000 1.1.10 / Dynamic Range Meter 1.1.1
log date: 2017-10-27 15:11:22
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Analyzed: Egberto Gismonti, Naná Vasconcelos / Dança Das Cabeças
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DR Peak RMS Duration Track
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DR15 -0.43 dB -22.40 dB 25:25 ?-Pt. 1: Quarto Mundo #1 / Dança Das Cabeças / Aguas Luminosas / Celebração De Núpcias / Porta Encantada / Quarto Mundo #2
DR17 -1.84 dB -24.97 dB 24:35 ?-Pt. 2: Tango / Bambuzal / Fé Cega Faca Amolada / Dança Solitária
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Number of tracks: 2
Official DR value: DR16
Samplerate: 192000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 4537 kbps
Codec: FLAC
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Состав
Guitar [8-string], Flute [Wood Flutes], Piano, Voice – Egberto Gismonti
Layout – Dieter Bonhorst
Percussion, Percussion [Corpo], Berimbau, Voice – Nana Vasconcelos
Об исполнителе (группе)
This reissue of the album recorded in 1977 is a landmark of the careers of Gismonti and percussionist Naná Vasconcelos, his only accompanist here. Recorded in only three days, the album's concept is based on the history shared by both musicians, according to Gismonti: two boys wandering through a dense, humid forest, full of insects and animals, keeping a 180-feet distance from each other. The album received several international awards, in England, U.S., Germany, and Brazil. It also, changed both artist's lives: Naná immediately became a disputed international artist, touring worldwide; Egberto returned to Brazil, decided to research Amazon folklore, which would be reflected in his later work. The music is pure and sensitive, challenging and sophisticated, with a broad dynamic range going from haunting, mysterious melodies to full-impact, energetic percussive sounds reminiscent of Brazilian Indians' batuque. Attention for the re-creation of "Fé Cega, Faca Amolada" (Milton Nascimento/Ronaldo Bastos), foretold with a motif several minutes before the presentation of the integral piece.
https://en.wikipedia.org/wiki/Egberto_Gismonti