Pro-jazz Club - the whole world of jazz and even more

[TR24][OF] Billy Brooks - El Babaku: Live At The Jazz Galerie (Remastered) - 1971/2014 (African Jazz, Afro-Cuban Jazz)

Billy Brooks - El Babaku: Live At The Jazz Galerie Формат записи/Источник записи: [TR24][OF] Наличие водяных знаков: Нет Издание: Remastered Год издания/переиздания диска: 1971/2014 Жанр: African Jazz, Afro-Cuban Jazz Издатель (лейбл): MPS Records Продолжительность: 48:04 Наличие сканов в содержимом раздачи: Только обложка альбома Треклист: 01. El Babaku (8:34) 02. Orisha (7:15) 03. Aino Buca (8:31) 04. Al Hajj Malik Al Shabazz - For Malcolm X (8:14) 05. Lament (6:21) 06. El Lupe Chango (9:09) Personnel: Billy Brooks - drums, flute, talking drum, vocals Burt Thompson - bass, vocals Carlos Santa Cruz - congas, cowbell, tamborim, vocals Donald Coleman - congas, cowbell, vocals Charles Campbell - congas, vocals Rec.: live at the Berlin Jazz Galerie, Germany, May 3, 1971.     Об альбоме This 1971 recording is something special – no chordal instruments, no horns, four Americans and one Cuban performing traditional African and Afro-Cuban pieces in a live spiritual ritual of drumming, chants, and song. Known for his work with Woody Shaw and Eddie Harris, American percussionist Billy Brooks moved to Europe in 1964, where he has played with the likes of Tete Montoliu and Dusko Goykovich. The African-rooted El Babaku is the group’s theme song, with Brooks playing bass block flute and leading the call and response. Orisha, a traditional Nigerian song of the Yoruba, is a vocation to the gods. Brooks’ jazz drumming and interplay reflects the African heritage that runs through jazz. Aino Buca is a traditional Cuban piece given to the group by Tete Montolu’s Cuban wife. Cuban conga player Carlos Santa Cruz, a friend and student of the legendary Cuban conga player Chano Pozo, takes over most of the ritualistic chants while Brooks concentrates on bamboo flute, singing through the instrument ala Roland Kirk. Al Hajj Malik Al Shabbazz has Brooks honoring Malcom X’s memory. Here, as in other pieces, the bass functions as a drone, much like the rababab in Arabic music. Lament, a Nigerian song of mourning and loneliness, functions like a jazz ballad for voice and drums. El Lupe Chango celebrates the Yoruban god Chango who reigns over the world with lightning and thunder. Carlos sings with Brooks on the African dun-dun and traps. Brooks says it best; “The ecstasy I get in music comes from group drumming. It’s more than musical – it’s spiritual”. Контейнер: FLAC (*.flac) Тип рипа: tracks Разрядность: 24/88,2 Формат: PCM Количество каналов: 2.0     Лог проверки качества foobar2000 1.3.9 / Dynamic Range Meter 1.1.1 log date: 2018-02-09 20:13:35 -------------------------------------------------------------------------------- Analyzed: Billy Brooks / El Babaku: Live At The Jazz Galerie -------------------------------------------------------------------------------- DR Peak RMS Duration Track -------------------------------------------------------------------------------- DR10 -1.51 dB -13.56 dB 8:34 01-El Babaku DR11 -0.79 dB -13.98 dB 7:15 02-Orisha DR9 -1.75 dB -12.95 dB 8:31 03-Aino Buca DR9 -1.28 dB -12.99 dB 8:14 04-Al Hajj Malik Al Shabazz - For Malcolm X DR11 -1.94 dB -15.76 dB 6:21 05-Lament DR10 -0.73 dB -12.93 dB 9:09 06-El Lupe Chango -------------------------------------------------------------------------------- Number of tracks: 6 Official DR value: DR10 Samplerate: 88200 Hz Channels: 2 Bits per sample: 24 Bitrate: 2568 kbps Codec: FLAC ================================================================================ Источник: highresaudio.com
09:31