(Swing) VA — Jazz Sous L’Occupation (1940-1944) [Jazz In Paris 100] - 2002, FLAC (image+.cue) lossless

Various — Jazz Sous L’Occupation (1940-1944) [Jazz In Paris 100]Жанр: Swing Год издания диска: 2002 Лейбл: Gitanes Номер по каталогу: 018 431-2 Аудио кодек: FLAC (*.flac) Тип рипа: image+.cue Битрейт аудио: lossless Продолжительность: 67:12 Риппер: pcharlie46 Сканы: естьТреклист: 01. Josette (Orchestre musette 'Swing Royal') (2:43) 02. Philippe's Stomp (Orchestre musette 'Swing Royal') (2:51) 03. Douce Georgette (Joseph Reinhardt et son Ensamble) (2:37) 04. J'Attends L'Amour (Joseph Reinhardt et son Ensamble) (2:44) 05. Un Peu De Reve (Joseph Reinhardt et son Ensamble) (3:03) 06. L'Oeil Noir (Joseph Reinhardt et son Ensamble) (2:29) 07. Chiffon (Le Quintette Francais) (2:51) 08. Juin (Le Quintette Francais) (2:48) 09. Bruxelles (Le Quintette Francais) (3:22) 10. Loin (Le Quintette Francais) (3:32) 11. 67 rue Couperin (Christian Bellest et son Orchestre) (2:29) 12. Elle Et Lui (Christian Bellest et son Orchestre) (2:43) 13. Palm Beach (Andre Ekyan et son Ensamble) (2:38) 14. Irene (Andre Ekyan et son Ensamble) (2:49) 15. Nuit Et Jour (Night And Day) (Dany Kane et son Ensamble) (2:33) 16. Saint Louis Blues (Dany Kane et son Ensamble) (2:08) 17. Caravane (Caravan) (Dany Kane et son Ensamble) (2:23) 18. Agatha Rhythm (I Got Rhythm) (Dany Kane et son Ensamble) (2:43) 19. Star Blues (Eddie Barclay et son Orchestre) (3:11) 20. Etincelle (Eddie Barclay et son Orchestre) (3:07) 21. Trop Tot (Eddie Barclay et son Orchestre) (2:52) 22. Hot Club Swing (Eddie Barclay et son Orchestre) (2:58) 23. Zazou-Zazou (Orchestre Swing Jo Reinhardt) (2:53) 24. Ballade (Orchestre Swing Jo Reinhardt) (2:45)    Лог создания рипа Exact Audio Copy V1.0 beta 1 from 15. November 2010EAC extraction logfile from 15. January 2011, 10:11Jazz in Paris / Jazz sous l'occupationUsed drive : MATSHITADVD-RAM UJ870BJ Adapter: 0 ID: 1Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : NoRead offset correction : 102Overread into Lead-In and Lead-Out : NoFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : NoUsed interface : Native Win32 interface for Win NT & 2000Used output format : User Defined EncoderSelected bitrate : 1024 kBit/sQuality : HighAdd ID3 tag : YesCommand line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXEAdditional command line options : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %j--picture="%i"%j %s -o %dTOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 2:42.49 | 0 | 12198 2 | 2:42.49 | 2:50.57 | 12199 | 25005 3 | 5:33.31 | 2:36.59 | 25006 | 36764 4 | 8:10.15 | 2:44.33 | 36765 | 49097 5 | 10:54.48 | 3:02.74 | 49098 | 62821 6 | 13:57.47 | 2:29.33 | 62822 | 74029 7 | 16:27.05 | 2:50.50 | 74030 | 86829 8 | 19:17.55 | 2:48.16 | 86830 | 99445 9 | 22:05.71 | 3:21.54 | 99446 | 114574 10 | 25:27.50 | 3:31.44 | 114575 | 130443 11 | 28:59.19 | 2:29.17 | 130444 | 141635 12 | 31:28.36 | 2:43.24 | 141636 | 153884 13 | 34:11.60 | 2:38.22 | 153885 | 165756 14 | 36:50.07 | 2:48.50 | 165757 | 178406 15 | 39:38.57 | 2:33.11 | 178407 | 189892 16 | 42:11.68 | 2:08.19 | 189893 | 199511 17 | 44:20.12 | 2:22.57 | 199512 | 210218 18 | 46:42.69 | 2:42.66 | 210219 | 222434 19 | 49:25.60 | 3:11.31 | 222435 | 236790 20 | 52:37.16 | 3:07.10 | 236791 | 250825 21 | 55:44.26 | 2:51.52 | 250826 | 263702 22 | 58:36.03 | 2:58.13 | 263703 | 277065 23 | 61:34.16 | 2:52.49 | 277066 | 290014 24 | 64:26.65 | 2:45.31 | 290015 | 302420Range status and errorsSelected range Filename C:\Loss\Jazz sous l'occupation - Jazz in Paris (2002) (flac)\Jazz in Paris - Jazz sous l'occupation.wav Peak level 91.4 % Extraction speed 0.0 X Range quality 100.0 % Copy CRC F614FADA Copy OKNo errors occurredAccurateRip summaryTrack 1 accurately ripped (confidence 1) [BC364770]Track 2 accurately ripped (confidence 1) [DFFE7787]Track 3 accurately ripped (confidence 1) [0F88A613]Track 4 accurately ripped (confidence 1) [FB2A74EB]Track 5 accurately ripped (confidence 1) [34368614]Track 6 accurately ripped (confidence 1) [41A969B3]Track 7 accurately ripped (confidence 1) [FC2C929E]Track 8 accurately ripped (confidence 1) [0EB87E31]Track 9 accurately ripped (confidence 1) [97E0F458]Track 10 accurately ripped (confidence 1) [C9024404]Track 11 accurately ripped (confidence 1) [1A5490A8]Track 12 accurately ripped (confidence 1) [022AF065]Track 13 accurately ripped (confidence 1) [47BB7F78]Track 14 accurately ripped (confidence 1) [AC9BFD01]Track 15 accurately ripped (confidence 1) [0D158FBB]Track 16 accurately ripped (confidence 1) [8CF82E00]Track 17 accurately ripped (confidence 1) [A3DC2787]Track 18 accurately ripped (confidence 1) [1AFD0CBB]Track 19 accurately ripped (confidence 1) [60FFAF55]Track 20 accurately ripped (confidence 1) [7C530687]Track 21 accurately ripped (confidence 1) [BBCF9C72]Track 22 accurately ripped (confidence 1) [A95CEE03]Track 23 accurately ripped (confidence 1) [5FD6D4A3]Track 24 accurately ripped (confidence 1) [53B73256]All tracks accurately rippedEnd of status report==== Log checksum 17F5C1DB2B6BE6A17DDD1AC5174D6A54382616BA7DFD5C1ECA653A4923EEB493 ====  Об альбоме (сборнике)This album is one of several available collections focusing on the type of jazz that was created right under the noses of the Nazis during the second World War. Swing Tanzen Verboten! Swing in Belgium and France is a lengthy Proper Box collection that covers much of the same ground, although in much more detail. The subject is more than just engaging on several different levels. Purely musically speaking, there are many good things to be found in the sounds of groups such as the Orchestre Musette and Eddie Barclay, although listeners without the ears for the vintage years will no doubt toss around words such as "quaint" and "dated."Why the German occupation was more lenient with crushing swing music in France and Belguim than in Germany is an interesting subject for speculation. Some gigs or recordings happened for one reason and others for another. Activity might purely be linked to a particular commanding officer or civil supervisor's secret and even not-so-secret love of the music itself, while in other cases, certain clubs would remain open because the Gestapo felt sure dissident types would hang out there -- thus, putting on gigs made it easier to spy on people. Perhaps the 2003 regime of John Ashcroft and Tom Ridge might consider the same concept, a way of fighting the war on terror and increasing the number of jazz venues in the process.The musicians involved are just as interesting as the politics, their lives and careers a bit less shrouded in intrigue than the Nazi's motivations. There are several excellent examples of Joseph Reinhardt, brother of Django Reinhardt, taking charge of different orchestral settings and gimmicky material such as "Zazou-Zazou." More gypsy input comes courtesy of the interesting alto saxophonist Andre Ekyan and there was at least one musician present who was an American, trumpeter Harold Cooper. Since Cooper saw fit to stay put in France during the entire war, it is not so surprising that he never came home at all and wound up dying in Paris. (Eugene Chadbourne, All Music Guide)  Состав