(Swing, Big Band) [CD] Duke Ellington - The Conny Plank Session - 1970 (2015), FLAC (tracks+.cue), lossless

Duke Ellington - The Conny Plank Session Жанр: Swing, Big Band Носитель: CD Страна-производитель диска (релиза): Германия Год издания: 1970 (2015) Издатель (лейбл): Gronland Records Номер по каталогу: CDGRON140 Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 29:24 Источник (релизер): redacted Наличие сканов в содержимом раздачи: нетТреклист: 01. Alerado (take 1) (3:57) 02. Alerado (take 2) (4:00) 03. Alerado (take 3) (3:26) 04. Afrique (take 1) (7:08) 05. Afrique (take 2) (5:28) 06. Afrique (take 3/vocal version) (5:25)  Лог создания рипа Exact Audio Copy V1.0 beta 4 from 7. December 2014EAC extraction logfile from 5. August 2015, 23:03Unknown Artist / Unknown TitleUsed drive : HL-DT-STDVDRAM GP50NB40 Adapter: 1 ID: 3Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : NoRead offset correction : 6Overread into Lead-In and Lead-Out : NoFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : YesUsed interface : Native Win32 interface for Win NT & 2000Gap handling : Appended to previous trackUsed output format : User Defined EncoderSelected bitrate : 1024 kBit/sQuality : HighAdd ID3 tag : NoCommand line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXEAdditional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 3:57.27 | 0 | 17801 2 | 3:57.27 | 3:59.70 | 17802 | 35796 3 | 7:57.22 | 3:25.53 | 35797 | 51224 4 | 11:23.00 | 7:08.36 | 51225 | 83360 5 | 18:31.36 | 5:28.28 | 83361 | 107988 6 | 23:59.64 | 5:24.69 | 107989 | 132357Track 1 Filename H:\Music\Duke Ellington & His Orchestra- The Conny Plank Session\01 Track01.wav Pre-gap length 0:00:02.00 Peak level 70.9 % Extraction speed 2.2 X Track quality 99.9 % Test CRC D9CB47D5 Copy CRC D9CB47D5 Track not present in AccurateRip database Copy OKTrack 2 Filename H:\Music\Duke Ellington & His Orchestra- The Conny Plank Session\02 Track02.wav Pre-gap length 0:00:02.00 Peak level 68.2 % Extraction speed 2.9 X Track quality 100.0 % Test CRC F7E1D9FF Copy CRC F7E1D9FF Track not present in AccurateRip database Copy OKTrack 3 Filename H:\Music\Duke Ellington & His Orchestra- The Conny Plank Session\03 Track03.wav Pre-gap length 0:00:02.00 Peak level 68.0 % Extraction speed 3.2 X Track quality 100.0 % Test CRC 60E8505E Copy CRC 60E8505E Track not present in AccurateRip database Copy OKTrack 4 Filename H:\Music\Duke Ellington & His Orchestra- The Conny Plank Session\04 Track04.wav Pre-gap length 0:00:02.00 Peak level 83.7 % Extraction speed 3.7 X Track quality 100.0 % Test CRC 22144448 Copy CRC 22144448 Track not present in AccurateRip database Copy OKTrack 5 Filename H:\Music\Duke Ellington & His Orchestra- The Conny Plank Session\05 Track05.wav Pre-gap length 0:00:02.00 Peak level 77.1 % Extraction speed 4.0 X Track quality 100.0 % Test CRC A48A1715 Copy CRC A48A1715 Track not present in AccurateRip database Copy OKTrack 6 Filename H:\Music\Duke Ellington & His Orchestra- The Conny Plank Session\06 Track06.wav Pre-gap length 0:00:02.00 Peak level 81.5 % Extraction speed 4.2 X Track quality 100.0 % Test CRC 112F4FAB Copy CRC 112F4FAB Track not present in AccurateRip database Copy OKNone of the tracks are present in the AccurateRip databaseNo errors occurredEnd of status report---- CUETools DB Plugin V2.1.4[CTDB TOCID: PH86enFkFEYrRGqMffdhXu_OY44-] disk not present in databaseSubmit result: PH86enFkFEYrRGqMffdhXu_OY44- has been uploaded==== Log checksum F411BEC9A8B6A332C5999EEF2B64AA4F9F5B3CA5DEC35F07F3A05FD8B628B835 ====  Содержание индексной карты (.CUE) REM GENRE JazzREM DATE 1970REM DISCID 4706E406REM COMMENT "ExactAudioCopy v1.0b4"PERFORMER "Duke Ellington"TITLE "The Conny Plank Session"FILE "01 - Alerado (take 1).wav" WAVE TRACK 01 AUDIO TITLE "Alerado (take 1)" PERFORMER "Duke Ellington" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Alerado (take 2)" PERFORMER "Duke Ellington" INDEX 00 03:55:27FILE "02 - Alerado (take 2).wav" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "Alerado (take 3)" PERFORMER "Duke Ellington" INDEX 00 03:57:70FILE "03 - Alerado (take 3).wav" WAVE INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "Afrique (take 1)" PERFORMER "Duke Ellington" INDEX 00 03:23:53FILE "04 - Afrique (take 1).wav" WAVE INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "Afrique (take 2)" PERFORMER "Duke Ellington" INDEX 00 07:06:36FILE "05 - Afrique (take 2).wav" WAVE INDEX 01 00:00:00 TRACK 06 AUDIO TITLE "Afrique (take 3/vocal version)" PERFORMER "Duke Ellington" INDEX 00 05:26:28FILE "06 - Afrique (take 3,vocal version).wav" WAVE INDEX 01 00:00:00  Отчет CUETools [CUETools log; Date: 22.05.2017 23:53:43; Version: 2.1.5][CTDB TOCID: PH86enFkFEYrRGqMffdhXu_OY44-] found.Track | CTDB Status 1 | (18/18) Accurately ripped 2 | (18/18) Accurately ripped 3 | (16/18) Accurately ripped 4 | (16/18) Accurately ripped 5 | (16/18) Accurately ripped 6 | (16/18) Accurately ripped[AccurateRip ID: 000689f4-0023b145-4706e406] found.Track [ CRC | V2 ] Status 01 [014429b2|fdebde60] (0+8/8) Accurately ripped 02 [220a66bb|cee055e9] (0+8/8) Accurately ripped 03 [23d31852|75213f3c] (0+8/8) Accurately ripped 04 [1370d9ca|e2b6bf7b] (0+8/8) Accurately ripped 05 [ac3b81e0|e8ae72fa] (0+7/7) Accurately ripped 06 [ff082c27|f53091dc] (0+7/7) Accurately rippedTrack Peak [ CRC32 ] [W/O NULL] [ LOG ] -- 83,7 [93BC2EC2] [198D1856] 01 70,9 [D9CB47D5] [1B1DB261] CRC32 02 68,2 [F7E1D9FF] [72BEFFB8] CRC32 03 68,0 [60E8505E] [FDDBDECE] CRC32 04 83,7 [22144448] [968FAC2F] CRC32 05 77,1 [A48A1715] [866EE605] CRC32 06 81,5 [112F4FAB] [84BFE221] CRC32  AllMusic Review by Thom JurekThe six tracks on Duke Ellington's Conny Plank Session include heretofore unreleased recordings made at Cologne’s Rhenus Studio in 1970. Grönland Records discovered them while investigating reels in the producer/engineer's estate. While they do answer some long-held questions, others remain unclear (exact personnel, for instance). According to Henrik von Holtum's liner essay, the actual date is unclear as well. While they are marked "April," many in the obsessive, labyrinthine world of Ellingtonia claim they were made in July while the band was touring Europe. How the session came to be is also in some dispute: Did Ellington rent the studio for a recording stockpile session? Or was the band rehearsing at Rhenus when Plank asked if he could record them? The quality of the music and the presentation assert that it makes little difference to any but the most fanatical of historians. There are three takes of the hard-swinging "Alerado" and three of the more adventurous "Afrique." On the former, a forceful walking bass introduces the front-line horns before Wild Bill Davidson's organ emerges to dialogue with the section. There are excellent solos by him, Cat Anderson on trumpet, and Norris Turney on flute. Plank pans left and right between soloists and orchestra, offering a full aural portrait of the room and a truly live feel. The final take is much slower, more interior and reflective -- Davidson's organ is nowhere near as prominent, but the swing quotient is still high. The first take of "Afrique" is introduced by Rufus Jones' rumbling drum vamp (the tune's central feature that would remain on its finished version on The Afro-Eurasian Eclipse in 1971) with the horns staggered tonally in a slightly angular, Eastern-tinged blues. Plank's balance captures the sound of the band as they hear one another -- though the tune is very much in process. At over seven minutes, there is still a lot of repetition and in the next two takes, Ellington trims the fat and ups the tempo. On the second take, his piano comes slicing into the mix, isolated by Plank for maximum effect. Each tonal variance in the horn section is captured despite the fact that this is a demo, and the bass solo really comes popping through the middle. In the final take, an unidentified female vocalist plays the role of yet another soloist, adding more of a vanguard feel as the track bleeds to the edges. Ellington's piano guides the number through various transitions as Victor Gaskin's bass roars to the front with the drums and a pair of bluesy saxophone solos. The Conny Plank Session will likely be of more interest to Ellington's fans than Plank's (who are usually more tuned into his rock work). Nonetheless, this is solid proof of the great bandleader's expression of admiration for the engineer's work. And the music, captured so late in Ellington's life, is an intimate, fascinating slice of creative history.