2002 Richard Chartier / Bernhard Gunter / Steve Roden {For Morton Feldman} [CD]

Richard Chartier / Bernhard Gunter / Steve Roden / (For Morton Feldman) Жанр: Sound Art, Abstract, Experimental, Ambient Страна-производитель диска: Germany Год издания диска: 2002 Издатель (лейбл): Trente Oiseaux Номер по каталогу: TOC 024 Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 62:05 Источник (релизер): whatcd/sayswho Наличие сканов в содержимом раздачи: нет Треклист: 1 Bernhard Günter – Fuyo No Ame (For Morton Feldman) 24:01 2 Richard Chartier – How Things Change 17:04 3 Steve Roden – Stasis 21:00   Лог создания рипа Exact Audio Copy V0.99 prebeta 5 from 4. May 2009 EAC extraction logfile from 14. July 2010, 12:55 Various / (For Morton Feldman) Used drive : PLEXTOR CD-R PREMIUM Adapter: 2 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 30 Overread into Lead-In and Lead-Out : Yes Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Installed external ASPI interface Gap handling : Appended to previous track Used output format : Internal WAV Routines Sample format : 44.100 Hz; 16 Bit; Stereo TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 24:01.03 | 0 | 108077 2 | 24:01.03 | 17:04.00 | 108078 | 184877 3 | 41:05.03 | 21:00.01 | 184878 | 279378 Track 1 Filename C:\rip\01-Bernhard_Gьnter-Fuyu_No_Ame_(For_Morton_Feldman).wav Pre-gap length 0:00:02.00 Peak level 27.3 % Track quality 100.0 % Test CRC 97A46615 Copy CRC 97A46615 Accurately ripped (confidence 2) [F42DCBD1] Copy OK Track 2 Filename C:\rip\02-Richard_Chartier-How_Things_Change.wav Pre-gap length 0:00:01.00 Peak level 92.9 % Track quality 100.0 % Test CRC D5FE50B7 Copy CRC D5FE50B7 Accurately ripped (confidence 2) [92D32A6A] Copy OK Track 3 Filename C:\rip\03-Steve_Roden-Stasis.wav Pre-gap length 0:00:09.00 Peak level 7.0 % Track quality 100.0 % Test CRC D406F54F Copy CRC D406F54F Accurately ripped (confidence 2) [1F73C44E] Copy OK All tracks accurately ripped No errors occurred End of status report     Содержание индексной карты (.CUE) REM DATE 2002 REM DISCID 210E8D03 REM COMMENT "ExactAudioCopy v0.99pb5" PERFORMER "Various" TITLE "(For Morton Feldman)" FILE "01-Bernhard_Gunter-Fuyu_No_Ame_For_Morton_Feldman.wav" WAVE TRACK 01 AUDIO TITLE "Fuyu No Ame (For Morton Feldman)" PERFORMER "Bernhard Gьnter" FLAGS DCP INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "How Things Change" PERFORMER "Richard Chartier" FLAGS DCP INDEX 00 24:00:03 FILE "02-Richard_Chartier-How_Things_Change.wav" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "Stasis" PERFORMER "Steve Roden" FLAGS DCP INDEX 00 16:55:00 FILE "03-Steve_Roden-Stasis.wav" WAVE INDEX 01 00:00:00     Об альбоме (сборнике) Presents one piece each in homage to Morton Feldman by Richard Chartier, Steve Roden, and me on the occasion of the fifteenth anniversary of his death in September 1987. I am amazed how well these pieces, in spite of being quite different in style, work together to constitute a whole. They also express the influence Morton Feldman's sublime works have had (and still have) on us in our personal ways of creating music. Richard's HOW THINGS CHANGE is a rather intimate, pensive piece made of abstract electronic sounds and long streches of silence, while Steve's STASIS is probably the most hypnotic and atmosperic set of slowly orbiting loops he has ever created. I, who like to say that the safest to expect from me is the unexpected, have composed a piece for winter rain, small brook, and sho, titled FUYU NO AME (FOR MORTON FELDMAN), a piece that belongs to what I have called my 'musique concrète, enhanced' strain of work, but sounds like else nothing I have done. I have mastered the CD to from a unit with the silences between the works in proportion with the silences they contain. When the master was finished I noticed that the cover I had designed beforehand actually did not fit in with the music presented, and so designed an entirely new one. This cover will be the first full color cover for Trente Oiseaux, anticipating the switch to full color covers I had planned for 2003. I believe that this release is one of Trente Oiseaux's finest, in both the music it presents, and it's attractive packaging.