[SACD-R][OF] Tom Waits - Rain Dogs - 1985/2014 (Blues, Jazz, Rock, Cabaret)

Tom Waits - Rain Dogs (2014 SHM-SACD) Жанр: Blues, Jazz, Rock, Cabaret Годы записи материала: 1985 Год выпуска диска: 2014 Производитель диска: Island UIGY-9555 Аудио кодек: DSD 2.0 Тип рипа: image (ISO) Битрейт аудио: 5645 kbps Частота дискретизации: 2,8224 MHz Продолжительность: 54:03 Наличие сканов в содержимом раздачи: да Источник (релизер): Образ снят с помощью: Sony PlayStation 3 и утилиты sacd-ripper v0.21 Дополнительно: http://www.cdjapan.co.jp/product/UIGY-9555 Треклист: 01. Singapore 02:46 02. Clap Hands 03:49 03. Cemetery Polka 01:46 04. Jockey Full Of Bourbon 02:47 05. Tango Till They’re Sore 02:51 06. Big Black Mariah 02:44 07. Diamonds & Gold 02:33 08. Hang Down Your Head 02:33 09. Time 03:55 10. Rain Dogs 02:57 11. Midtown 01:03 12. 9Th & Hennepin 01:57 13. Gun Street Girl 04:38 14. Union Square 02:25 15. Blind Love 04:20 16. Walking Spanish 03:07 17. Downtown Train 03:52 18. Bride Of Rain Dog 01:11 19. Anywhere I Lay My Head 02:50 Rain Dogs is the eighth album by American singer-songwriter Tom Waits, released in September 1985 on Island Records. A loose concept album about “the urban dispossessed” of New York City, Rain Dogs is generally considered the middle album of a trilogy that includes Swordfishtrombones and Franks Wild Years. The album, which includes appearances by guitarists Keith Richards and Marc Ribot, is noted for its broad spectrum of musical styles and genres, described by Rolling Stone as merging “Kurt Weill, pre-rock integrity from old dirty blues, [and] the elegiac melancholy of New Orleans funeral brass, into a singularly idiosyncratic American style.” The album peaked at #29 on the UK charts and #188 on the US Billboard Top 200. In 1989, it was ranked #21 on the Rolling Stone list of the “100 greatest albums of the 1980s.” In 2003, the album was ranked number 397 on the magazine’s list of “The 500 Greatest Albums of All Time”. Pitchfork Media listed Rain Dogs as 8th best album of the 1980s. Slant Magazine listed the album at #14 on its list of “Best Albums of the 1980s”.   All Music Review With its jarring rhythms and unusual instrumentation — marimba, accordion, various percussion — as well as its frequently surreal lyrics, Rain Dogs is very much a follow-up to Swordfishtrombones, which is to say that it sounds for the most part like The Threepenny Opera being sung by Howlin’ Wolf. The chief musical difference is the introduction of guitarist Marc Ribot, who adds his noisy leads to the general cacophony. But Rain Dogs is sprawling where its predecessor had been focused: Tom Waits’ lyrics here sometimes are imaginative to the point of obscurity, seemingly chosen to fit the rhythms rather than for sense. In the course of 19 tracks and 54 minutes, Waits sometimes goes back to the more conventional music of his earlier records, which seems like a retreat, though such tracks as the catchy “Hang Down Your Head,” “Time,” and especially “Downtown Train” (frequently covered and finally turned into a Top Ten hit by Rod Stewart five years later) provide some relief as well as variety. Rain Dogs can’t surprise as Swordfishtrombones had, and in his attempt to continue in the direction suggested by that album, Waits occasionally borders on the chaotic (which may only be to say that, like most of his records, this one is uneven). But much of the music matches the earlier album, and there is so much of it that that is enough to qualify Rain Dogs as one of Waits’ better albums.