[SACD-R][OF] Sonny Stitt - Blows The Blues - 1960/2012 (Post Bop)
Sonny Stitt / Blows The Blues
Формат записи/Источник записи: [SACD-R][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 1960/2012
Жанр: Post Bop
Издатель (лейбл): Verve / Analogue Productions
Продолжительность: 00:36:28
Наличие сканов в содержимом раздачи: Только обложка альбома
Треклист:
01. Blue Devil Blues
02. Home Free Blues
03. Blue Prelude
04. Frankie and Johnny
05. Birth Of The Blues
06. A Blues Offering
07. Hymnal Blues
08. Morning After Blues
Alto Saxophone – Sonny Stitt
Art Direction – Merle Shore
Bass – Leroy Vinnegar
Drums – Mel Lewis
Piano – Lou Levy
Контейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DSD
Количество каналов: 2.0
Доп. информация: Analogue Productions – CVRJ6149SA
Mastered by George Marino at Sterling Sound from the Absolute Original Analog Master Tapes!
Iso was made with sacd-ripper for PS3, from the magical Mr_Wicked.
Источник (релизер): jazzyman (PS³SACD)
http://www.elusivedisc.com/Sonny-Stitt-Sonny-Stitt-Blows-The-Blues-Hybrid-Stereo-...tinfo/APSAV6149/
Лог DR
foobar2000 1.3.13 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта: 2018-01-11 11:19:51
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Анализ: Sonny Stitt / Blows The Blues
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DR Пики RMS Продолжительность трека
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DR13 -5.98 дБ -22.11 дБ 4:25 01-Blue Devil Blues
DR13 -5.40 дБ -21.95 дБ 4:20 02-Home Free Blues
DR13 -6.66 дБ -22.18 дБ 3:04 03-Blue Prelude
DR14 -5.93 дБ -22.80 дБ 5:29 04-Frankie And Johnny
DR13 -7.29 дБ -22.37 дБ 5:54 05-Birth Of The Blues
DR13 -7.97 дБ -23.53 дБ 4:03 06-A Blues Offering
DR13 -5.75 дБ -21.99 дБ 6:07 07-Hymnal Blues
DR12 -7.15 дБ -21.77 дБ 3:04 08-Morning After Blues
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Количество треков: 8
Реальные значения DR: DR13
Частота: 2822400 Гц / Частота PCM: 352800 Гц
Каналов: 2
Разрядность: 24
Битрейт: 5645 кбит/с
Кодек: DSD64
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Об альбоме (сборнике)
Sonny Stitt led a number of excellent record dates in 1959, especially at the end of the year when he produced three LPs for Verve over a span of three sessions with pianist Lou Levy, bassist Leroy Vinnegar and drummer Mel Lewis. Playing alto sax throughout this album, Stitt hardly sounds like a Charlie Parker clone, something that unfortunately was a frequent claim by tin-eared critics throughout a fair portion of his career. The music includes several potent originals, especially "Hymnal Blues" and the slow, powerful "Morning After Blues."
On the present sides Sonny again reverts to the blues, this time in an even simpler setting composed of 3 musicians who, like Sonny, are essentially products of the modern jazz scene.