[SACD-R][OF] Lightnin’ Hopkins - Goin’ Away - 1963/2018 (Texas Blues)
Lightnin’ Hopkins / Goin’ Away
Формат записи/Источник записи: [SACD-R][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 1963/2018
Жанр: Texas Blues
Издатель (лейбл): Prestige Bluesville / Concord / Analogue Productions
Продолжительность: 00:35:19
Наличие сканов в содержимом раздачи: Только обложка альбома
Треклист:
01. Wake Up Old Lady
02. Don’t Embarass Me, Baby
03. Stranger Here
04. Little Sister’s Boogie
05. Goin’ Away
06. You Better Stop Her
07. Business You’re Doin’
08. I’m Wit’ It
Bass – Leonard Gaskin
Drums – Herbie Lovelle
Vocals, Guitar – Sam "Lightnin'" Hopkins
Written-By – Hopkins
Контейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DSD
Количество каналов: 2.0
Доп. информация: Recorded at Van Gelder Studio, Englewood Cliffs, New Jersey by Rudy Van Gelder; June 4, 1963.
Analogue Productions – CPRJ1073SA
Mastered at Cohearent Audio by Kevin Gray from Original Analog Master Tapes!
Источник (релизер): jazzyman (PS³SACD)
http://www.elusivedisc.com/Lightnin-Hopkins-Goin-Away-Hybrid-Stereo-SACD/productinfo/APSAP1073/
Лог DR
foobar2000 1.3.13 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта: 2018-07-03 20:55:40
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Анализ: Lightnin' Hopkins / Goin' Away
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DR Пики RMS Продолжительность трека
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DR15 -4.65 дБ -24.30 дБ 4:27 01-Wake Up Old Lady
DR14 -4.88 дБ -22.01 дБ 3:24 02-Don't Embarrass Me, Baby
DR15 -5.13 дБ -23.88 дБ 5:54 03-Stranger Here
DR15 -7.37 дБ -24.24 дБ 3:37 04-Little Sister's Boogie
DR15 -6.74 дБ -24.51 дБ 5:49 05-Goin' Away
DR15 -5.67 дБ -22.74 дБ 4:43 06-You Better Stop Her
DR14 -6.09 дБ -22.08 дБ 3:22 07-Business You'r Doin'
DR14 -4.91 дБ -23.27 дБ 4:03 08-I'm Wit' It
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Количество треков: 8
Реальные значения DR: DR15
Частота: 2822400 Гц / Частота PCM: 352800 Гц
Каналов: 2
Разрядность: 24
Битрейт: 5645 кбит/с
Кодек: DSD64
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Об альбоме (сборнике)
Sam "Lightnin'" Hopkins, a true poet who invented most of his lyrics on the spot and never seemed to run out of new ideas, was a blues giant of post-war blues whose style was rooted in pre-war Texas traditions. While he cranked up his amp to fierce proportions when performing for his friends at Houston juke joints, producers who recorded him for the so-called folk-blues market usually insisted that he use an acoustic guitar for more "authentic" results.Either way, Lightnin' seldom made a bad record, and this June 4, 1963, session on which he played acoustic was among his finest, thanks much to the sensitive support of bassist Leonard Gaskin and drummer Herbie Lovelle, who did a remarkable job of following his irregular bar patterns and abrupt song endings.