[SACD-R][OF] Lee Konitz & The Brazilian Band - Brazilian Rhapsody - 1996/2016 (Cool, Bossa Nova, Brazilian)

Lee Konitz & The Brazilian Band / Brazilian Rhapsody Формат записи/Источник записи: [SACD-R][OF] Наличие водяных знаков: Нет Год издания/переиздания диска: 1996/2016 Жанр: Cool, Bossa Nova, Brazilian Издатель (лейбл): Venus Продолжительность: 00:50:11 Наличие сканов в содержимом раздачи: Только обложка альбома Треклист: 01. Samba Triste 02. Berimbau 03. Menina Moca 04. Trist 05. A Felicidade 06. Lunasea 07. Mamba De Carnaval 08. Insensatez This album is dedicated to A.C. Jobim Lee Konitz - alto, soprano saxes Romero Lubambo - acoustic guitar Peggy Stern - piano Dave Finck - bass Duduka Dafonseca - drums Waltinho Anastacio - percussion Adela Dalto - vocal [#5] The Master School Chorus - [#6] Контейнер: ISO (*.iso) Тип рипа: image Разрядность: 64(2,8 MHz/1 Bit) Формат: DSD Количество каналов: 2.0 Доп. информация: Venus VHGD-130 Recorded at Sound On Sound in New York, on January 28-31, 1995 Engineer – Bob Katz Executive-Producer – Tetsuo Hara Источник (релизер): jazzyman (PS³SACD) http://www.elusivedisc.com/Lee-Konitz-The-Brazilian-Band-Brazilian-Rhapsody-Singl...tinfo/VENSA0130/   Лог DR foobar2000 1.3.13 / Замер динамического диапазона (DR) 1.1.1 Дата отчёта: 2017-09-19 00:01:04 -------------------------------------------------------------------------------- Анализ: LEE KONITZ & THE BRAZILIAN BAND / Brazilian Rhapsody -------------------------------------------------------------------------------- DR Пики RMS Продолжительность трека -------------------------------------------------------------------------------- DR7 -4.58 дБ -12.88 дБ 7:27 01-Samba Triste DR8 -4.61 дБ -12.86 дБ 7:23 02-Berimbau DR8 -4.79 дБ -13.05 дБ 6:04 03-Menina Moca DR7 -4.69 дБ -12.72 дБ 6:37 04-Triste DR7 -4.54 дБ -12.66 дБ 6:23 05-A Felicidade DR7 -4.64 дБ -12.85 дБ 5:56 06-Lunasea DR8 -4.86 дБ -13.81 дБ 4:04 07-Manha De Carnaval DR7 -4.54 дБ -12.73 дБ 6:16 08-Insensatez -------------------------------------------------------------------------------- Количество треков: 8 Реальные значения DR: DR7 Частота: 2822400 Гц / Частота PCM: 88200 Гц Каналов: 2 Разрядность: 24 Битрейт: 5645 кбит/с Кодек: DSD64 ================================================================================     Об альбоме (сборнике) One of the most individual of all altoists (and one of the few in the 1950s who did not sound like a cousin of Charlie Parker), the cool-toned Lee Konitz has always had a strong musical curiosity that has led him to consistently take chances and stretch himself, usually quite successfully. Early on he studied clarinet, switched to alto, and played with Jerry Wald. Konitz gained some attention for his solos with Claude Thornhill & His Orchestra (1947). He began studying with Lennie Tristano, who had a big influence on his conception and approach to improvising. Konitz was with Miles Davis' Birth of the Cool Nonet during their one gig and their Capitol recordings (1948-1950) and recorded with Lennie Tristano's innovative sextet (1949), including the first two free improvisations ever documented. Konitz blended very well with Warne Marsh's tenor (their unisons on "Wow" are miraculous) and would have several reunions with both Tristano and Marsh through the years, but he was also interested in finding his own way; by the early '50s he started breaking away from the Tristano school. Konitz toured Scandinavia (1951), where his cool sound was influential, and he fit in surprisingly well with Stan Kenton & His Orchestra (1952-1954), being featured on many charts by Bill Holman and Bill Russo.