[SACD-R][OF] Jackie McLean - New Soil - 1959/2011 (Hard Bop)

Jackie McLean New Soil Формат записи/Источник записи: [SACD-R][OF] Наличие водяных знаков: Нет Год издания/переиздания диска: 1959/2011 Жанр: Hard Bop Издатель(лейбл): Blue Note / Analogue Productions Продолжительность: 00:44:24 Наличие сканов в содержимом раздачи: Да Треклист: 01-Hip Strut 02-Minor Apprehension 03-Greasy 04-Sweet Cakes 05-Davis Cup 06-Formidable Musicians: Donald Byrd, Trumpet Jackie McLean, Alto Sax Walter Davis Jr., Piano Paul Chambers, Bass Pete La Roca, Drums Контейнер: ISO (*.iso) Тип рипа: image Разрядность: 64(2,8 MHz/1 Bit) Формат: DSD Количество каналов: 2.0 Доп. информация: Analogue Productions CBNJ 84013 SA (2011) Originally 1959 Blue Note BST-84013. Mastered by Kevin Gray & Steve Hoffman. Producer – Alfred Lion Recorded By – Rudy Van Gelder Recorded on May 2, 1959. Источник (релизер): ManWhoCan (PS³SACD) http://sa-cd.net/showtitle/7361   Об альбоме (сборнике) AllMusic: New Soil wasn’t the 1st session Jackie McLean recorded for Blue Note, but it was the 1st released, & as the title suggests, the 1st glimmerings of McLean’s desire to push beyond the limits of bop are already apparent. They’re subtle, of course, & nowhere near as pronounced as they would be in just a few years’ time, but — as with the 1959 material later issued on Jackie’s Bag — hints of Ornette Coleman’s stream-of-consciousness melodic freedom are beginning to find their way into McLean’s improvisations. His playing is just a touch more angular than the ear expects, especially given the very bluesy nature of pieces like McLean’s 11-minute vamp, ‘Hip Strut,’ & pianist Walter Davis, Jr.’s infectious boogie-woogie ‘Greasy.’ Coleman’s influence is most apparent on McLean’s ‘Minor Apprehension,’ where the freewheeling, Coleman-esque main theme is paralleled by trumpeter Donald Byrd in a definite nod to Don Cherry. What’s more, drummer Pete LaRoca takes a surprisingly free solo of significant length toward the end of the track. However, the cut that the musicians seem to dig into the most is Davis’ twisting, turning bopper ‘Davis Cup,’ which sports a rhumba beat & a bevy of exciting solos. It could be argued that McLean never recorded a bad album for Blue Note, & New Soil got his career with the label off to a terrifically stimulating start. [This reissue appends the bonus track ‘Formidable,’ a Davis tune left off the original LP that was later issued on the album Vertigo.] ~Steve Huey