[SACD-R][OF] Deodato - Prelude & Deodato 2 - 1972, 1973/2017 (Jazz, Funk)

Deodato / Prelude & Deodato 2 Формат записи/Источник записи: [SACD-R][OF] Наличие водяных знаков: Нет Год издания/переиздания диска: 1972, 1973/2017 Жанр: Jazz, Funk Издатель (лейбл): CTI / Sony / Vocalion Продолжительность: 01:07:13 Наличие сканов в содержимом раздачи: Да (сканы) Треклист: Prelude 1: ALSO SPRACH ZARATHUSTRA (2001) (Richard Strauss arr/adapt Deodato), soloists: John Tropea (electric guitar), Stanley Clarke (bass guitar) 2: SPIRIT OF SUMMER (Deodato), soloist: Jay Berliner (acoustic guitar) 3: CARLY & CAROLE (Deodato) 4: BAUBLES, BANGLES AND BEADS (Wright; Forrest), soloist: John Tropea (electric guitar) 5: PRELUDE TO THE AFTERNOON OF A FAUN (Debussy arr/adapt Deodato), soloists: Marvin Stamm (trumpet), Hubert Laws (flute) 6: SEPTEMBER 13 (Deodato; Cobham), soloist: John Tropea (electric guitar) Deodato 2 7: NIGHTS IN WHITE SATIN (Hayward) 8: PAVANE FOR A DEAD PRINCESS (Ravel arr/adapt Deodato) 9: SKYSCRAPERS (Deodato) 10: SUPER STRUT (Deodato) 11: RHAPSODY IN BLUE (Gershwin arr/adapt Deodato) Контейнер: ISO (*.iso) Тип рипа: image Разрядность: 64(2,8 MHz/1 Bit) Формат: DST64 Количество каналов: 5.1 (4.0), 2.0   Состав [Deodato 2] Arranged By, Conductor – Eumir Deodato Arco Bass – Alvin Brehm (tracks: 7 to 11), Russ Savakus (tracks: 7 to 11) Baritone Saxophone – Joe Temperley (tracks: 7 to 11) Bass Guitar – John Giulino (tracks: 7 to 11), Stanley Clarke (tracks: 7 to 11) Bass Trombone – Tony Studd (tracks: 7 to 11) Cello – Alan Shulman (tracks: 7 to 11), Charles McCracken (tracks: 7 to 11), George Ricci (tracks: 7 to 11) Drums – Billy Cobham (tracks: 7 to 11), Rick Marotta (tracks: 7 to 11) Electric Guitar – John Tropea (tracks: 7 to 11) Flute – George Marge (tracks: 7 to 11), Hubert Laws (tracks: 7 to 11), Jerry Dodgion (tracks: 7 to 11), Romeo Penque (tracks: 7 to 11) French Horn – Brooks Tillotson (tracks: 7 to 11), Jim Buffington (tracks: 7 to 11) Keyboards – Eumir Deodato (tracks: 7 to 11) Percussion – Gilmore Digap (tracks: 7 to 11), Rubens Bassini (tracks: 7 to 11) Trombone – Garnett Brown (tracks: 7 to 11), Wayne Andre (tracks: 7 to 11) Trumpet – Burt Collins (tracks: 7 to 11), Joe Shepley (tracks: 7 to 11), Victor Paz (tracks: 7 to 11) Trumpet, Flugelhorn – Alan Rubin (tracks: 7 to 11), Jon Faddis (tracks: 7 to 11), Marvin Stamm (tracks: 7 to 11) Viola – Alfred Brown (tracks: 7 to 11), Emanuel Vardi (tracks: 7 to 11) Violin – David Nadien (tracks: 7 to 11), Elliot Rosoff (tracks: 7 to 11), Emanuel Green (tracks: 7 to 11), Gene Orloff (tracks: 7 to 11), Harold Kohon (tracks: 7 to 11), Harry Cykman (tracks: 7 to 11), Harry Glickman (tracks: 7 to 11), Harry Lookofsky (tracks: 7 to 11), Irving Spice (tracks: 7 to 11), Joe Malin (tracks: 7 to 11), Max Ellen (tracks: 7 to 11), Paul Gershman (tracks: 7 to 11) [Prelude] Acoustic Bass – Ron Carter (tracks: 1 to 3, 5, 6) Acoustic Guitar – Jay Berliner (tracks: 1 to 6) Bass Guitar – Ron Carter (tracks: 4), Stanley Clarke (tracks: 1) Cello – Charles McCracken (tracks: 1 to 6), Harvey Shapiro (tracks: 1 to 6), Seymour Barab (tracks: 1 to 6) Congas – Ray Barretto (tracks: 1 to 6) Drums – Billy Cobham (tracks: 1 to 6) Electric Guitar – John Tropea (tracks: 1 to 6) Flute – George Marge (tracks: 1 to 6), Hubert Laws (tracks: 1 to 6), Phil Bodner (tracks: 1 to 6), Romeo Penque (tracks: 1 to 6) French Horn – Jim Buffington (tracks: 1 to 6), Peter Gordon (8) (tracks: 1 to 6) Percussion – Airto Moreira (tracks: 1 to 6) Piano [Acoustic Piano], Electric Piano – Eumir Deodato (tracks: 1 to 6) Trombone – Bill Watrous (tracks: 1 to 6), Garnett Brown (tracks: 1 to 6), George Strakey (tracks: 1 to 6), Paul Faulise (tracks: 1 to 6), Wayne Andre (tracks: 1 to 6) Trumpet – Joe Shepley (tracks: 1 to 6), John Frosk (tracks: 1 to 6), Marky Markowitz (tracks: 1 to 6), Marvin Stamm (tracks: 1 to 6) Viola – Alfred Brown (tracks: 1 to 6), Emanuel Vardi (tracks: 1 to 6) Violin – David Nadien (tracks: 1 to 6), Elliot Rosoff (tracks: 1 to 6), Emanuel Green (tracks: 1 to 6), Gene Orloff (tracks: 1 to 6), Harry Lookofsky (tracks: 1 to 6), Max Ellen (tracks: 1 to 6), Paul Gershman (tracks: 1 to 6) Доп. информация: [Prelude] LP CTI 6021 (1972) Stereo / CTSQ 6021 Quadraphonic Recorded at Van Gelder Studios, Englewood Cliffs, New Jersey, September 1972 [Deodato 2] LP CTI 6029 (1973) Stereo / CTSQ 6029 Quadraphonic Recorded at Van Gelder Studios, Englewood Cliffs, New Jersey, April & May 1973. Producer – Creed Taylor Vocalion CDSML 8532 (2017) Remastered By [Remastered From The Original Analogue Tapes By] – Michael J. Dutton This SACD ISO was ripped by sacd-ripper for PS3 version 0.37. Источник (релизер): KingCrim (PS³SACD) https://www.duttonvocalion.co.uk/proddetail.php?prod=CDSML8532 https://www.amazon.com/Deodato-Prelude-SACD-Hybrid-Multi-channel/dp/B076HPB6GW https://collectomania.ru/collection/sacd/product/deodato-prelude-deodato-2-sacd     Об альбоме (сборнике) Два альбома бразильского музыканта Эумира Деодато на одном диске в формате SACD. "Prelude" (1972) - восьмой студийный альбом бразильского клавишника Эумира Деодато. "Prelude" стал самым успешным альбомом музыканта. В записи альбома приняли участие гитарист Джон Тропеа, басисты Рон Картер и Стэнли Кларк, барабанщик Билли Кобэм. Трек "Also Sprach Zarathustra" получил премию Грэмми в 1974 году, занял второе место в поп-чартах в США, номер три в Канаде и номер семь в Великобритании. "Deodato 2" (1973) - студийный альбом бразильского музыканта Эумира Деодато, изданный 18 июля 1973 года. В записи альбома принимали участие гитарист-сессионщик Джон Тропиа, работавший над 4 композициями пластинки и басист-виртуоз Стэнли Кларк, участвовавший в создании "Skyscrapers". Песня "Rhapsody in Blue2", исполненная Эумиром Деодато, использовалась в рекламе автомобилей Pontiac в начале 1970-х годов. Треки "Latin Flute" и "Super Strut" были включены в саундтрек к игре "Grand Theft Auto: Vice City" в 2002 году. Эумир Деодато - бразильский джазовый музыкант, продюсер, аранжировщик. Основная часть произведений может быть отнесена к поп-джазу или кроссовер-джазу. Стал широко известен как исполнитель в 1970-е годы. Является продюсером более 500 альбомов различных исполнителей, например Бьорк. From CTI, the imprint of legendary jazz producer Creed Taylor, comes the albums Prelude and Deodato 2, both of which showcase the talents of Brazilian keyboardist-composer-arranger Eumir Deodato. A native of Rio de Janeiro, he began his career in the early ’60s working for Luiz Bonfá, Marcos Valle and Antonio Carlos Jobim before moving to the US in 1967 where he quickly made a name for himself – he would soon start arranging for luminaries such as Frank Sinatra and Milton Nascimento. His work on Nascimento’s 1969 album Courage brought him into contact with Creed Taylor, and when Taylor set up CTI in 1971, he wasted no time in engaging Deodato’s arranging skills. Deodato’s early CTI work included his beautiful orchestrations for Astrud Gilberto and Stanley Turrentine’s 1971 album Gilberto with Turrentine, and by 1972 Deodato himself had earned a solo contract with the label. He struck gold with his first effort, the aptly titled Prelude, thanks to Creed Taylor’s penchant for getting his artists to record jazz/crossover versions of well-known classical pieces. In Deodato’s case, it was the Sunrise fanfare from Richard Strauss’s Also Sprach Zarathustra, which had become popular through its use in Stanley Kubrick’s sci-fi epic 2001: A Space Odyssey. Deodato’s funked up, Fender Rhodes-laden reimagining of it brought both him and CTI chart success – it would become an international hit – and while it casts a long shadow over the remainder of the album, Prelude nevertheless contains several other gems. Notable among them is the Latin-flavoured jazz of Carly & Carole (Deodato’s tribute to singer-songwriters Carly Simon and Carole King) and the low-slung funk of September 13, powered by Billy Cobham’s muscular drumming. The sequel, Deodato 2, recorded during April and May 1973, adhered to the same formula: funky originals alongside his interpretations of various classical pieces. And although it failed to emulate the success of its predecessor, Deodato 2 is arguably the better album, containing one of Deodato’s finest compositions in the dramatic Skyscrapers – sounding for all the world like a theme in search of a film – and superb jazz-rock adaptations of The Moody Blues’ Nights in White Satin and George Gershwin’s immortal Rhapsody in Blue. Both Prelude and Deodato 2 feature stellar lineups, including CTI regulars Ron Carter and Stanley Clarke (basses), Billy Cobham (drums), Hubert Laws (flute) and Airto Moreira (percussion). As well as the original stereo mixes, Vocalion’s reissue includes the quadraphonic mixes of both albums (their first ever appearance in digital format), which were made by Rudy Van Gelder at his historic studio in Englewood Cliffs, New Jersey. Heard in four-channel sound, both Prelude and Deodato 2 are given new and exciting life, and rounding out this reissue is a detailed essay giving the full lowdown on Deodato and the music itself. Produced by Creed Taylor and Rudy Van Gelder, ace arranger Deodato’s huge-selling 1972 debut solo album Prelude (****,Vocalion) - which is here reissued back to back with Deodato 2 on an enhanced CD which features the rare quadrophonic mixes previously only available on 8 track - remains one of if not the key release in the CTI catalogue which unforgettably stirs into life with the stately Schifrin-esque jazz rock reworking of ‘Also Sprach Zarathustra’ which scored a 45 hit in both Europe and the US. Previously an arranger for Luiz Bonfa, Marcos Valle and Astrud Gilberto, surrounded here by a veritable ‘A’ list of session players including Hubert Laws, Ron Carter, Stanley Clarke, Airto Moreira and Billy Cobham, Prelude which comes bathed in the warm glow of the Fender Rhodes arrived as Deodato’s platinum coated international calling card by virtue of its phenomenal success.Elsewhere on the album Deodato’s eminent skill and versatility as an arranger is demonstrated to great effect on such diverse offerings as adaptations of Debussy’s ‘Prelude To The Afternoon Of A Faun’ and the old show tune ‘Baubles Bangles And Beads’. Released the following year and recorded with largely the same personnel Deodato 2 finds Deodato once again lending his master arranger’s pen to another diverse selection of material including ‘Nights In White Satin’, Ravel’s ‘Pavanne For A Dead Princess’ and Gershwin’s ‘Rhapsody In Blue’ alongside originals including ‘Skyscrapers’ and ‘Superstrut’. Grahame Bent, Shindig! magazine, December 2017     Лог DR foobar2000 1.3.17 / Dynamic Range Meter 1.1.1 log date: 2018-05-06 12:50:50 -------------------------------------------------------------------------------- Analyzed: Eumir Deodato / Prelude & Deodato 2 -------------------------------------------------------------------------------- DR Peak RMS Duration Track -------------------------------------------------------------------------------- DR8 -1.93 dB -19.87 dB 8:58 01-Also Sprach Zarathustra (2001) DR7 -3.76 dB -23.08 dB 4:03 02-Spirit Of Summer DR8 -4.88 dB -23.44 dB 3:41 03-Carly & Carole DR7 -2.26 dB -18.96 dB 5:18 04-Baubles, Bangles And Beads DR9 -3.93 dB -25.13 dB 5:13 05-Prelude To The Afternoon Of A Faun DR9 -1.91 dB -19.35 dB 5:55 06-September 13 DR8 -2.08 dB -21.48 dB 6:02 07-Nights In White Satin DR7 -5.55 dB -23.96 dB 4:03 08-Pavane For A Dead Princess DR9 -1.65 dB -21.09 dB 6:38 09-Skyscrapers DR8 -2.67 dB -20.36 dB 8:55 10-Super Strut DR9 -2.05 dB -20.90 dB 8:59 11-Rhapsody In Blue -------------------------------------------------------------------------------- Number of tracks: 11 Official DR value: DR8 Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz Channels: 6 Bits per sample: 1 Bitrate: 16934 kbps Codec: DST64 ================================================================================ -------------------------------------------------------------------------------- Analyzed: Eumir Deodato / Prelude & Deodato 2 -------------------------------------------------------------------------------- DR Peak RMS Duration Track -------------------------------------------------------------------------------- DR12 -1.18 dB -17.01 dB 8:59 01-Also Sprach Zarathustra (2001) DR11 -3.95 dB -19.98 dB 4:03 02-Spirit Of Summer DR12 -1.87 dB -16.97 dB 3:41 03-Carly & Carole DR12 -1.90 dB -17.65 dB 5:18 04-Baubles, Bangles And Beads DR13 -2.73 dB -21.30 dB 5:14 05-Prelude To The Afternoon Of A Faun DR12 -2.90 dB -16.85 dB 5:23 06-September 13 DR13 -2.08 dB -19.21 dB 6:03 07-Nights In White Satin DR11 -9.51 dB -24.34 dB 4:05 08-Pavane For A Dead Princess DR15 -0.87 dB -20.17 dB 6:38 09-Skyscrapers DR13 -1.41 dB -18.30 dB 8:56 10-Super Strut DR15 -1.09 dB -19.07 dB 8:52 11-Rhapsody In Blue -------------------------------------------------------------------------------- Number of tracks: 11 Official DR value: DR13 Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz Channels: 2 Bits per sample: 1 Bitrate: 5645 kbps Codec: DST64 ================================================================================