[SACD-R][OF] Chick Corea - Return To Forever - 1972/2017 (Jazz, Fusion)

Chick Corea Return To Forever Формат записи/Источник записи: [SACD-R][OF] Наличие водяных знаков: Нет Год издания/переиздания диска: 1972/2017 Жанр: Jazz, Fusion Издатель (лейбл): ECM Japan Продолжительность: 00:46:48 Наличие сканов в содержимом раздачи: Да (сканы) Треклист: 1. Return To Forever 2. Crystal Silence 3. What Game Shall We Play Today? 4. Sometime Ago / La Fiesta Drums, Percussion – Airto Moreira Electric Bass, Double Bass – Stan Clarke* Electric Piano – Chick Corea Flute [Flutes], Soprano Saxophone – Joe Farrell Vocals, Percussion – Flora Purim Контейнер: ISO (*.iso) Тип рипа: image Разрядность: 64(2,8 MHz/1 Bit) Формат: DSD Количество каналов: 2.0 Доп. информация: Engineer – Tony May Producer – Manfred Eicher Remastered By [DSD Layer] – Christoph Stickel Recorded February 2 & 3, 1972 at A & R Studios, New York City ECM Records ‎– PROZ-1088 ; Released: 08 Mar 2017 ISO image and DSF files ripped direct and unretouched using an Oppo BDP-105D, Sonore ISO2DSD, and sacd_extract. Источник (релизер): Darkivist (PS³SACD) https://www.discogs.com/Chick-Corea-Return-To-Forever/release/9938603 http://www.cdjapan.co.jp/product/NEODAI-15943   Лог DR foobar2000 1.3.13 / Замер динамического диапазона (DR) 1.1.1 Дата отчёта: 2017-07-28 14:53:38 -------------------------------------------------------------------------------- Анализ: Chick Corea / Return To Forever -------------------------------------------------------------------------------- DR Пики RMS Продолжительность трека -------------------------------------------------------------------------------- DR12 -0.56 дБ -16.46 дБ 12:10 01-Return To Forever DR11 -1.96 дБ -16.55 дБ 6:55 02-Crystal Silence DR10 -2.11 дБ -14.45 дБ 4:25 03-What Game Shall We Play Today DR11 -1.75 дБ -15.10 дБ 23:16 04-Sometime Ago / La Fiesta(Medley) -------------------------------------------------------------------------------- Количество треков: 4 Реальные значения DR: DR11 Частота: 2822400 Гц / Частота PCM: 88200 Гц Каналов: 2 Разрядность: 24 Битрейт: 5645 кбит/с Кодек: DSD64 ================================================================================     Об альбоме (сборнике) Return to Forever is a jazz fusion album by Chick Corea, simultaneously functioning as the debut album by the band of the same name. Unlike later albums by the group, it was released by the ECM label and produced by Manfred Eicher. The album was not released in the USA until 1975. The record is often considered one of the classic albums in electric jazz. All Music Review The legendary first lineup of Chick Corea’s fusion band Return to Forever debuted on this classic album (titled after the group but credited to Corea), featuring Joe Farrell on soprano sax and flute, the Brazilian team of vocalist Flora Purim and drummer/percussionist Airto Moreira, and electric bass whiz Stanley Clarke. It wasn’t actually released in the U.S. until 1975, which was why the group’s second album, Light as a Feather, initially made the Return to Forever name. Nonetheless, Return to Forever is every bit as classic, using a similar blend of spacy electric-piano fusion and Brazilian and Latin rhythms. It’s all very warm, light, and airy, like a soft breeze on a tropical beach — hardly the sort of firebrand approach to fusion that Miles Davis, Tony Williams, and the Mahavishnu Orchestra were exploring, and far less rooted in funk or rock. Corea also bathes the album in an undertone of trippy mysticism, not only in the (admittedly dated) lyrics, but in his cosmic keyboard wanderings, which remain melodic and accessible through most of the record. There’s one genuine pop song in the groovy samba “What Game Shall We Play Today,” and while “Sometime Ago” has similar elements, it’s part of an ambitious side-long medley that features a stream-of-consciousness intro and a jubilant, Spanish/Mexican-style closing section called “La Fiesta,” complete with castanets and flamenco modes. The title track is another multi-sectioned work, featuring Corea and Purim in wordless unison on two different, catchy themes, plus breezy work from Farrell and lots of Brazilian-flavored rhythmic interplay. And the dreamy, meditative “Crystal Silence” is an underrated gem waiting to be rediscovered. Certainly, this edition of Return to Forever wasn’t inclined toward high-voltage jazz-rock (as the next one was), but this group’s two albums still stand as some of the most imaginative and distinctive early fusion recordings.