[SACD-R][OF] Charlie Mingus - Tijuana Moods - 1962/2015 (Hard Bop, Post Bop)
Charlie Mingus / Tijuana Moods
Формат записи/Источник записи: [SACD-R][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 1962/2015
Жанр: Hard Bop, Post Bop
Издатель (лейбл): RCA / ORG
Продолжительность: 00:35:41
Наличие сканов в содержимом раздачи: Только обложка альбома
Треклист:
01. Dizzy Moods
02. Ysabel’s Table Dance
03. Tijuana Gift Shop
04. Los Mariachis
05. Flamingo
Musicians:
Charles Mingus, bass
Jimmy Knepper, trombone
Curtis Porter (Shafi Hadi), alto saxophone
Clarence Shaw, trumpet
Bill Triglia, piano
Danny Richmond, drums
Frankie Dunlop, percussion
Ysabel Morel, castinets
Lonnie Elder, vocals
Контейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DSD
Количество каналов: 2.0
Доп. информация: Producer – Bob Rolontz
Recorded July 18 and August 6, 1957.
Engineer – Bob Simpson
ORG 174-3
Mastered By – Bernie Grundman
Iso was made with sacd-ripper for PS3, from the magical Mr_Wicked.
Источник (релизер): jazzyman (PS³SACD)
http://www.elusivedisc.com/Charles-Mingus-Tijuana-Moods-Hybrid-Stereo-SACD/productinfo/ORGSA0174/
https://www.sa-cd.net/showreviews/10684
http://store.acousticsounds.com/d/105919/Charles_Mingus-Tijuana_Moods-Hybrid_Stereo_SACD
Лог DR
foobar2000 1.3.13 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта: 2018-05-22 13:59:32
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Анализ: Charles Mingus / Tijuana Moods
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DR Пики RMS Продолжительность трека
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DR12 -4.71 дБ -19.99 дБ 5:49 01-Dizzy Moods
DR14 -2.18 дБ -20.52 дБ 10:21 02-Ysabel's Table Dance
DR14 -2.87 дБ -20.40 дБ 3:44 03-Tijuana Gift Shop
DR12 -4.74 дБ -20.94 дБ 10:17 04-Los Mariachis
DR15 -4.78 дБ -24.58 дБ 5:30 05-Flamingo
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Количество треков: 5
Реальные значения DR: DR13
Частота: 2822400 Гц / Частота PCM: 352800 Гц
Каналов: 2
Разрядность: 24
Битрейт: 5645 кбит/с
Кодек: DSD64
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Об альбоме (сборнике)
Newly Remastered on Hybrid SACD! Mastered by Bernie Grundman!
Tijuana Moods is an album by Charles Mingus originally recorded in 1957 but not released until 1962. Tijuana Moods is a boisterous, swinging suite of songs that meld Bebop with the tequila haze of nightclubs, a flamenco striptease, serenading mariachis and the glare of the Mexican sun in the hedonist milieu of the border town.
It is notable that the name "Charlie Mingus" appears on the cover of the original album. Mingus hated all nicknames derived from Charles ("Don't call me Charlie; that's not a man's name, that's a name for a horse"). All songs were composed by Mingus except "Flamingo."
One of the most important figures in twentieth century American music, Charles Mingus was a virtuoso bass player, accomplished pianist, bandleader and composer. Mingus settled in New York where he played and recorded with the leading musicians of the 1950’s– Charlie Parker, Miles Davis, Bud Powell, Art Tatum and Duke Ellington himself. One of the few bassists to do so, Mingus quickly developed as a leader of musicians. He was also an accomplished pianist who could have made a career playing that instrument.
Mingus soon found himself at the forefront of the avant-garde. His recordings bear witness to the extraordinarily creative body of work that followed. Tijuana Moods is one of those recordings.
"This is the best record I ever made." -Charles Mingus, 1962
Charles Mingus' classic Tijuana Moods is now available on Hybrid Stereo SACD from ORG! Recorded in 1957 but not released until 1962, Tijuana Moods has been hailed by Mingus himself as "one of the best discs I have ever made!" Mastered for SACD by Bernie Grundman.
When this album was released in 1962, it was honored with the maximum number of stars that Downbeat, the most famous of all jazz magazines, could award. Is there any better proof that the composer and arranger Charlie Mingus was ahead of his time? As a double bassist he was rather less virtuosic than his fellow musicians — and not just on these recordings.
However, these five numbers earned every single star of the five they were awarded. They illustrate his masterly handling of Mexican folk music and his skill in integrating it into his jazz. The small ensemble of Clarence Shaw, whom Mingus described as a super-improviser on the trumpet, Jimmy Knepper, a technical ace on the trombone, the legendary tenor saxophone player Shafi Hadi, and his longstanding friend Dannie Richmond on the drums all earn the very highest recognition, even though the sextet of 1963-64 once more enhanced their creativity in later years.
"Bassist/composer Charles Mingus at the time said that this was his greatest recording, and it certainly ranks near the top...The passionate playing, exciting ensembles, and high-quality compositions make this a real gem, and it represents one of Charles Mingus' finest hours." -Scott Yanow, allmusic.com