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[SACD-R][OF] Booker Ervin - The Freedom Book - 1964/2017 (Hard Bop)

Booker Ervin / The Freedom Book Формат записи/Источник записи: [SACD-R][OF] Наличие водяных знаков: Нет Год издания/переиздания диска: 1964/2017 Жанр: Hard Bop Издатель (лейбл): Prestige / Analogue Productions Продолжительность: 00:40:09 Наличие сканов в содержимом раздачи: Только обложка альбома Треклист: 01. A Lunar Tune 02. Cry Me Not 03. Grant’s Stand 04. A Day To Mourn 05. Al’s In Bass – Richard Davis (2) Drums – Alan Dawson Piano – Jaki Byard Tenor Saxophone – Booker Ervin Контейнер: ISO (*.iso) Тип рипа: image Разрядность: 64(2,8 MHz/1 Bit) Формат: DSD Количество каналов: 2.0 Доп. информация: Analogue Productions – CPRJ7295SA Iso was made with sacd-ripper for PS3, from the magical Mr_Wicked. Recorded by Rudy Van Gelderat at Van Gelder Studio, Englewood Cliffs, NJ; December 3, 1963. Originally - Prestige ‎– PRST 7295 Источник (релизер): jazzyman (PS³SACD) http://www.elusivedisc.com/Booker-Ervin-The-Freedom-Book-Hybrid-Stereo-SACD/productinfo/APSAP7295/   Лог DR foobar2000 1.3.13 / Замер динамического диапазона (DR) 1.1.1 Дата отчёта: 2018-01-10 10:27:26 -------------------------------------------------------------------------------- Анализ: Booker Ervin / The Freedom Book -------------------------------------------------------------------------------- DR Пики RMS Продолжительность трека -------------------------------------------------------------------------------- DR14 -5.13 дБ -21.76 дБ 7:50 01-A Lunar Tune DR13 -9.67 дБ -25.04 дБ 4:53 02-Cry Me Not DR14 -6.73 дБ -22.76 дБ 8:01 03-Grant's Stand DR15 -7.34 дБ -24.77 дБ 9:32 04-A Day to Mourn DR14 -5.07 дБ -22.03 дБ 9:53 05-Al's In -------------------------------------------------------------------------------- Количество треков: 5 Реальные значения DR: DR14 Частота: 2822400 Гц / Частота PCM: 352800 Гц Каналов: 2 Разрядность: 24 Битрейт: 5645 кбит/с Кодек: DSD64 ================================================================================     Об альбоме (сборнике) Booker Ervin's recordings with Charles Mingus and Randy Weston brought him good reviews and a bit of notoriety. But it was his series of Song Books for Prestige Records that broadcast the stentorian announcement that a jazz orator of gigantic stature had arrived. Ervin's tenor saxophone sound was haunted by the loneliness and spaciousness of the Texas plains where he was raised. The Southwest moan was an integral part of his playing. But his style went beyond the classic Texas tenor tradition to incorporate the intricacies of bebop and suggestions of the free jazz that was initiating one of the periods of self-renewal that keeps jazz fresh and interesting. The Freedom Book, recorded at the end of 1963, was one of Ervin's masterpieces. He is abetted by the power and drive of Jaki Byard, Richard Davis, and Alan Dawson.
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