(Post-Bop, Progressive Jazz, Avant-Garde Jazz) [CD] Charles Mingus - The Black Saint and the Sinner Lady - 1963 (2011 Analogue), FLAC (tracks+.cue), lossless
Charles Mingus - The Black Saint and the Sinner Lady
Жанр: Post-Bop, Progressive Jazz, Avant-Garde Jazz
Носитель: CD
Страна-производитель диска (релиза): США
Год издания: 2011
Издатель (лейбл): Analogue Productions
Номер по каталогу: CIPJ 35 SA
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 39:32
Источник (релизер): redacted
Наличие сканов в содержимом раздачи: сетевые
Треклист:
01. Track A - Solo Dancer (Mingus) - 6:39
02. Track B - Duet Solo Dancers (Mingus) - 6:43
03. Track C - Group Dancers (Mingus) - 7:23
04. Mode D - Trio and Group Dancers/Mode E - Single Solos and Group Dance/Mode F - Group and Solo Dance (Mingus) - 18:47
Состав:
Charles Mingus - double bass, piano
Jerome Richardson - soprano saxophone, baritone saxophone, flute
Charlie Mariano - alto saxophone
Dick Hafer - tenor saxophone, flute
Rolf Ericson, Richard Williams - trumpet
Quentin Jackson - trombone
Don Butterfield - tuba, contrabass trombone
Jaki Byard - piano
Jay Berliner - classical guitar
Dannie Richmond - drums
Recorded in New York on January 20, 1963.
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 27. April 2012, 16:50
Charles Mingus / The Black Saint and the Sinner Lady
Used drive : TSSTcorpDVDWBD SH-B123L Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 6:38.66 | 0 | 29915
2 | 6:38.66 | 6:43.34 | 29916 | 60174
3 | 13:22.25 | 7:22.40 | 60175 | 93364
4 | 20:44.65 | 18:47.23 | 93365 | 177912
Track 1
Filename E:\EAC\Charles Mingus - 1963 - The Black Saint and the Sinner Lady\01 - Track A – Solo Dancer.wav
Pre-gap length 0:00:02.00
Peak level 83.9 %
Extraction speed 2.5 X
Track quality 100.0 %
Test CRC B38FC3B1
Copy CRC B38FC3B1
Accurately ripped (confidence 2) [BC25E958] (AR v2)
Copy OK
Track 2
Filename E:\EAC\Charles Mingus - 1963 - The Black Saint and the Sinner Lady\02 - Track B – Duet Solo Dancers.wav
Pre-gap length 0:00:00.28
Peak level 80.6 %
Extraction speed 2.9 X
Track quality 100.0 %
Test CRC 492C3CF1
Copy CRC 492C3CF1
Accurately ripped (confidence 2) [AE2F6173] (AR v2)
Copy OK
Track 3
Filename E:\EAC\Charles Mingus - 1963 - The Black Saint and the Sinner Lady\03 - Track C – Group Dancers.wav
Pre-gap length 0:00:00.28
Peak level 75.2 %
Extraction speed 2.8 X
Track quality 99.9 %
Test CRC 1FB8C690
Copy CRC 1FB8C690
Accurately ripped (confidence 2) [E57BFAF9] (AR v2)
Copy OK
Track 4
Filename E:\EAC\Charles Mingus - 1963 - The Black Saint and the Sinner Lady\04 - Mode D – Trio and Group Dancers , Mode E – Single Solos and Group Dance , Mode F – Group and Solo Dance.wav
Pre-gap length 0:00:00.26
Peak level 87.9 %
Extraction speed 3.9 X
Track quality 100.0 %
Test CRC 514A0D31
Copy CRC 514A0D31
Accurately ripped (confidence 2) [BC4EABE5] (AR v2)
Copy OK
All tracks accurately ripped
No errors occurred
End of status report
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Содержание индексной карты (.CUE)
REM GENRE Jazz
REM DATE 1963
REM DISCID 1F094404
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Charles Mingus"
TITLE "The Black Saint and the Sinner Lady"
FILE "01 - Track A - Solo Dancer.wav" WAVE
TRACK 01 AUDIO
TITLE "Track A - Solo Dancer"
PERFORMER "Charles Mingus"
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Track B - Duet Solo Dancers"
PERFORMER "Charles Mingus"
INDEX 00 06:38:45
FILE "02 - Track B - Duet Solo Dancers.wav" WAVE
INDEX 01 00:00:00
TRACK 03 AUDIO
TITLE "Track C - Group Dancers"
PERFORMER "Charles Mingus"
INDEX 00 06:43:13
FILE "03 - Track C - Group Dancers.wav" WAVE
INDEX 01 00:00:00
TRACK 04 AUDIO
TITLE "Mode D - Trio and Group Dancers/Mode E - Single Solos and Group Dance/Mode F - Group and Solo Dance"
PERFORMER "Charles Mingus"
INDEX 00 07:22:20
FILE "04 - Mode D - Trio and Group Dancers,Mode E - Single Solos and Group Dance,Mode F - Group and Solo Dance.wav" WAVE
INDEX 01 00:00:00
INDEX 02 04:32:59
INDEX 03 06:32:34
Отчет CUETools
[CUETools log; Date: 02.10.2017 23:27:42; Version: 2.1.5]
[CTDB TOCID: t7GEsVGiHyZFDePm1krkK1MSq_w-] found.
Track | CTDB Status
1 | (8/8) Accurately ripped
2 | (8/8) Accurately ripped
3 | (8/8) Accurately ripped
4 | (8/8) Accurately ripped
[AccurateRip ID: 00058399-0016f097-1f094404] found.
Track [ CRC | V2 ] Status
01 [fdddbca6|bc25e958] (02+14/16) Accurately ripped
02 [cba90c88|ae2f6173] (02+14/16) Accurately ripped
03 [06c07200|e57bfaf9] (02+14/16) Accurately ripped
04 [f7dc613f|bc4eabe5] (02+14/16) Accurately ripped
Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
-- 87,9 [AB907A06] [6F724285]
01 83,9 [B38FC3B1] [97F1E319] CRC32
02 80,6 [492C3CF1] [0EFC57B6] CRC32
03 75,2 [1FB8C690] [6ABF816C] CRC32
04 87,9 [514A0D31] [65EA193F] CRC32
AllMusic Review by Steve Huey
The Black Saint and the Sinner Lady is one of the greatest achievements in orchestration by any composer in jazz history. Charles Mingus consciously designed the six-part ballet as his magnum opus, and -- implied in his famous inclusion of liner notes by his psychologist -- it's as much an examination of his own tortured psyche as it is a conceptual piece about love and struggle. It veers between so many emotions that it defies easy encapsulation; for that matter, it can be difficult just to assimilate in the first place. Yet the work soon reveals itself as a masterpiece of rich, multi-layered texture and swirling tonal colors, manipulated with a painter's attention to detail. There are a few stylistic reference points -- Ellington, the contemporary avant-garde, several flamenco guitar breaks -- but the totality is quite unlike what came before it. Mingus relies heavily on the timbral contrasts between expressively vocal-like muted brass, a rumbling mass of low voices (including tuba and baritone sax), and achingly lyrical upper woodwinds, highlighted by altoist Charlie Mariano. Within that framework, Mingus plays shifting rhythms, moaning dissonances, and multiple lines off one another in the most complex, interlaced fashion he'd ever attempted. Mingus was sometimes pigeonholed as a firebrand, but the personal exorcism of Black Saint deserves the reputation -- one needn't be able to follow the story line to hear the suffering, mourning, frustration, and caged fury pouring out of the music. The 11-piece group rehearsed the original score during a Village Vanguard engagement, where Mingus allowed the players to mold the music further; in the studio, however, his exacting perfectionism made The Black Saint and the Sinner Lady the first jazz album to rely on overdubbing technology. The result is one of the high-water marks for avant-garde jazz in the '60s and arguably Mingus' most brilliant moment.