(Post-Bop / Modern Creative) Paul Motian Trio 2000 + Two - Live at the Village Vanguard, Vol. II - 2008, APE (image+.cue), lossless

Paul Motian Trio 2000 + Two - Live at the Village Vanguard, Vol. II Жанр: Post-Bop / Modern Creative Год выпуска диска: 2008 Производитель диска: Germany Аудио кодек: APE Тип рипа: image+.cue Битрейт аудио: lossless Продолжительность: 54:26 Трэклист: 1. Till we meet again [Richard A. Whiting] 7:11 2. Sunflower [P. Motian] 5:56 3. The third walk [P. Motian] 10:28 4. Ten [P. Motian] 9:13 5. The divider [P. Motian] 9:06 6. If you could see me now [Tadd Dameron] 2:25 7. Fiasco [P. Motian] 10:33 Trio 2000 + Two: Paul Motian: drums Chris Potter: tenor saxophone Larry Grenadier: bass + Greg Osby: alto saxophone Mat Manieri: viola Masabumi Kikuchi: piano[ allmusic.com ]   Concerto: Five Points "Die wahre Offenbarung dieser Musik liegt aber im emtrischen Bereich: man hört auf der ganzen CD kaum einen durchgehenden Beat im herkömmlichen Sinn, trotzdem spielt die Band unheimlich tight. Wie Paul Motian das macht, bleibt sein Geheimnis." August/September 2008     Jazzzeit: "Dass Motian mit Musikern der verschiedensten Genres und Generationen und mit weit offenen Ohren solch tolle Musik entwickeln kann, bedeutet eigentlich nur: Auf den nächsten New York Trip sparen und ein Motian Konzert live erleben." N° 73/2008     Le Temps: "La batterie de Motian confère à tout cela le caractère d'une architecture à la Gaudí, folle mais d'une absolue logique interne." August 23, 2008     Winter&Winter: Live at the Village Vanguard, Vol. II The American-Turkish-Armenian drummer Paul Motian, born 1931 in Philadelphia, is one of the most fascinating jazz artists today. Motian who was a member of the legendary Bill Evans Trio played also with Paul Bley and Keith Jarrett and he can look back on experiences with Lennie Tristano, Tony Scott and Coleman Hawkins. He even appeared with Billie Holiday and Thelonious Monk in his youth and performed with Arlo Guthrie at the legendary Woodstock Festival. From the late 1970s, Motian has mainly formed his own groups, ranging from the excitement of the Paul Motian Trio (without a bassist) featuring guitarist Bill Frisell and saxophonist Joe Lovano to the Electric Bebop Band (with two electric guitar players) and the Trio 2000 + One with Chris Potter on sax and Larry Grenadier on bass plus one of Motian's favorite musicians, Masabumi Kikuchi on piano. Since his youth Paul Motian is performing regularly at the Village Vanguard. And in the last couple of years the Village Vanguard is one of the very few places on earth where it is possible to experience Motian's music live in concert because for the sake of his health he is not any more allowed to go on tour. Motian's music is special, space and sound are most important. The pauses in his music, in between two piano chords, or after a saxophone melody or before the sound of his drums are the most intense moments in music. Pauses are silence but full of tension especially when Paul Motian plays. The explosiveness of space and silence can only be heard or felt when the sound of music reaches another level. "Everything comes from the sound. It is the sound of my drums. It is the sound of whatever I'm hearing. (...) I am getting my ideas from the other people I am playing with. I am getting my ideas from the sound. That is really the most important thing." Drummer Paul Motian, the saxophonists Greg Osby and Chris Potter, the viola player Mat Maneri, Larry Grenadier on bass and the pianist Masabumi Kikuchi perform together live at the Village Vanguard. Paul Motian grants freedom and trust to each player and the players communicate with each other with such creativity and deep honesty creating the most beautiful sound of jazz today. Motian listens to the music of the players who are performing with him, his music is not precast, his music rises when he hears the sound. Motian's performances are a momentum of a force. Winter & Winter recorded Paul Motian live at the Village Vanguard to capture this unique momentum of sound. »Live at the Village Vanguard, Volume II« presents original compositions by Paul Motian besides the opening track "Till we meet again" by Richard A. Whiting and "If you could see me now" by Tadd Dameron. Motian has a magical presence which gives to the musicians the extraordinary ability to find a place for their free artistic development. Motian offers to the musicians a chance to express themselves without any restriction. And the musicians take that chance and reach a new horizon and create a wonderful listening experience. Trio 2000 are Paul Motian, Chris Potter and Larry Grenadier. The Japanese piano player Masabumi Kikuchi and Paul Motian perform together since many years, both artists also lead with Gary Peacock the cooperative group "Tethered Moon". Larry Grenadier on bass is the congenial musical partner in this rhythm section, Grenadier recorded already with Motian and Kikuchi the wonderful album »Paul Motian on Broadway, Volume IV« featuring saxophonist Chris Potter. Greg Osby (a member of the M-Base group) on alto in change with the viola player Mat Maneri complete this group. Motian sets up a careful selected line-up of outstanding jazz artists to play at the Village Vanguard. This album is a wonderful oeuvre of Motian's music, a great example of one of todays most original jazz groups playing with sound, space and silence.– Stefan Winter     Отчёт EAC Отчёт EAC об извлечении, выполненном 22. февраля 2009, 19:55 для диска: Paul Motian / Live at the Village Vanguard, Vol.2 Дисковод: Optiarc DVD RW AD-7200S Adapter: 0 ID: 1 Режим чтения: Достоверный (C2: нет, Точный поток: да, Отключение кэша: да) Коррекция смещения при чтении: 48 Способность читать области Lead-in и Lead-out : Нет Выходной формат: Внутренние WAV-операции 44.100 Гц; 16 бит; стерео Смещение при сжатии: 48 Другие параметры: Заполнение пропущенных сэмплов тишиной : Да Удаление блоков с тишиной в начале и конце : Нет Установленный внешний ASPI-интерфейс Характеристики диапазона извлечения и сообщения об ошибках Выбранный диапазон Имя файла M:\LossLess\свои раздачи\Новая папка\Paul Motian - Live at the Village Vanguard, Vol.2.wav Пиковый уровень 100.0 % Качество диапазона 99.9 % CRC 5BA8BB33 Копирование... OK Ошибок не произошло Конец отчёта Пол Мотиан (не Мотейн, корни-то армянские) сыграл концерт типичный для его работ последних лет, Winter&Winter издал диск контекстно вписывающийся в ряд уже выпущенной фирмой музыки. Ничего нового, ничего неожиданного. Это плохо? Это замечательно! Значит мы снова услышим отличную работу незаурядных музыкантов, да и к тому же прекрасно записанную. Здесь всего вмеру. Ровно столько авангардности, чтобы не стало слащаво, ровно столько красивости, чтобы не стало скучно, и ровно столько техничности, чтобы сказать: А чего же вы, собственно, хотели. Мастер за рулем! Состав инструментов не совсем стандартный, но, в тоже время, кого сегодня удивит подобное сочетание? Да и с точки зрения джазового слушателя так ли сильно альт отличается от скрипки? В музыки Мотиана важны не внешние аксессуары, а внутренне содержание. Об этом, кстати, очень толково говорится в тексте от Winter&Winter, сопровождающем издание. Так что хватит слов. Музыку нужно слушать, а не рассказывать. рип мой сканы 300 dpi внутри