(Post-Bop, Mainstream Jazz) [CD] Kurt Rosenwinkel Standards Trio (Eric Revis, Eric Harland) - Reflections - 2009, FLAC (tracks+.cue), lossless

Kurt Rosenwinkel Standards Trio (Eric Revis, Eric Harland) / Reflections Жанр: Post-Bop, Mainstream Jazz Носитель: CD Страна-производитель диска (релиза): USA Год издания: 2009 Издатель (лейбл): Word of Mouth Music Номер по каталогу: WOM0002 / VACM-1398 Страна исполнителя (группы): USA Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Продолжительность: 00:50:45 Источник: thanks Ripley62 @ redacted Наличие сканов в содержимом раздачи: нет Треклист: 1. Reflections (09:12) 2. You Go To My Head (03:36) 3. Fall (04:02) 4. East Coast Love Affair (09:53) 5. Ask Me Now (05:22) 6. Ana Maria (06:27) 7. More Than You Know (08:58) 8. You've Changed (03:15) Лог создания рипа X Lossless Decoder version 20110924 (136.3) XLD extraction logfile from 2011-11-10 03:55:56 +0000 Kurt Rosenwinkel / Reflections Used drive : MATSHITA DVD-R UJ-8A8 (revision HA13) Ripper mode : XLD Secure Ripper Disable audio cache : OK for the drive with a cache less than 1375KiB Make use of C2 pointers : NO Read offset correction : 102 Max retry count : 100 Gap status : Analyzed, Appended (except HTOA) TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 00:00:00 | 09:15:24 | 0 | 41648 2 | 09:15:24 | 03:37:30 | 41649 | 57953 3 | 12:52:54 | 04:01:68 | 57954 | 76096 4 | 16:54:47 | 09:54:67 | 76097 | 120713 5 | 26:49:39 | 05:23:66 | 120714 | 145004 6 | 32:13:30 | 06:28:04 | 145005 | 174108 7 | 38:41:34 | 08:59:49 | 174109 | 214582 8 | 47:41:08 | 03:15:15 | 214583 | 229222 List of alternate offset correction values # | Absolute | Relative | Confidence ------------------------------------------ 1 | 107 | 5 | 2 AccurateRip Summary Track 01 : OK (confidence 2) Track 02 : OK (confidence 2) Track 03 : OK (confidence 2) Track 04 : OK (confidence 2) Track 05 : OK (confidence 2) Track 06 : OK (confidence 2) Track 07 : OK (confidence 2) Track 08 : OK (confidence 2) ->All tracks accurately ripped. 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(confidence 2) Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0 No errors occurred End of status report Содержание индексной карты (.CUE) TITLE "Reflections" PERFORMER "Kurt Rosenwinkel" REM GENRE "Jazz" REM DATE "2009" REM DISCNUMBER 1 REM TOTALDISCS 1 REM DISCID 650BF008 REM REPLAYGAIN_ALBUM_GAIN -6.42 dB REM REPLAYGAIN_ALBUM_PEAK 0.969727 FILE "01 Reflections.flac" WAVE TRACK 01 AUDIO TITLE "Reflections" ISRC US7CE0900001 FLAGS DCP REM REPLAYGAIN_TRACK_GAIN -6.53 dB REM REPLAYGAIN_TRACK_PEAK 0.966949 INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "You Go To My Head" ISRC US7CE0900002 FLAGS DCP REM REPLAYGAIN_TRACK_GAIN -6.56 dB REM REPLAYGAIN_TRACK_PEAK 0.965210 INDEX 00 09:12:24 FILE "02 You Go To My Head.flac" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "Fall" ISRC US7CE0900003 FLAGS DCP REM REPLAYGAIN_TRACK_GAIN -6.79 dB REM REPLAYGAIN_TRACK_PEAK 0.969727 INDEX 00 03:35:30 FILE "03 Fall.flac" WAVE INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "East Coast Love Affair" ISRC US7CE0900004 FLAGS DCP REM REPLAYGAIN_TRACK_GAIN -6.64 dB REM REPLAYGAIN_TRACK_PEAK 0.969696 INDEX 00 04:01:31 FILE "04 East Coast Love Affair.flac" WAVE INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "Ask Me Now" ISRC US7CE0900005 FLAGS DCP REM REPLAYGAIN_TRACK_GAIN -4.73 dB REM REPLAYGAIN_TRACK_PEAK 0.964935 INDEX 00 09:52:67 FILE "05 Ask Me Now.flac" WAVE INDEX 01 00:00:00 TRACK 06 AUDIO TITLE "Ana Maria" ISRC US7CE0900006 FLAGS DCP REM REPLAYGAIN_TRACK_GAIN -6.01 dB REM REPLAYGAIN_TRACK_PEAK 0.967957 INDEX 00 05:22:29 FILE "06 Ana Maria.flac" WAVE INDEX 01 00:00:00 TRACK 07 AUDIO TITLE "More Than You Know" ISRC US7CE0900007 FLAGS DCP REM REPLAYGAIN_TRACK_GAIN -6.67 dB REM REPLAYGAIN_TRACK_PEAK 0.965729 INDEX 00 06:27:04 FILE "07 More Than You Know.flac" WAVE INDEX 01 00:00:00 TRACK 08 AUDIO TITLE "You've Changed" ISRC US7CE0900008 FLAGS DCP REM REPLAYGAIN_TRACK_GAIN -6.87 dB REM REPLAYGAIN_TRACK_PEAK 0.965302 INDEX 00 08:58:12 FILE "08 You've Changed.flac" WAVE INDEX 01 00:00:00 Доп. информация: front, 500px->1080px @ allmusic   back, 500px->1080px @ allmusic   Recorded in Brooklyn Recording Об исполнителе (группе) https://www.allmusic.com/artist/kurt-rosenwinkel-mn0000115399/biography Respected guitarist and keyboardist with a harmonically rich, genre-bending approach to jazz. Artist Biography by Matt Collar Guitarist, keyboardist, and multi-instrumentalist Kurt Rosenwinkel is a highly gifted performer with a fluid, harmonically rich approach to genre-bending jazz and rock. Born in Philadelphia in 1970, Rosenwinkel grew up in a musical family with parents who started him on piano at age nine. By age 12 he was seriously studying jazz guitar, a skill he perfected at the Philadelphia High School for the Creative and Performing Arts alongside classmates Christian McBride, Joey DeFrancesco, and future Roots drummer Questlove. He then spent two years studying at Berklee College of Music in Boston before vibraphonist Gary Burton hired him to go on tour. From there, he settled in Brooklyn, where he worked with the Human Feel quartet as well as such as Seamus Blake, Brian Blade, Mark Turner, and others. Along the way, Rosenwinkel earned praise from veteran guitarists like John Scofield and Pat Metheny, and in 1995 won a Composer's Award from the National Endowment for the Arts. As a leader, he debuted in 1996 with East Coast Love Affair, followed by Intuit on Criss Cross. These were intimate, warmly performed standards albums that showcased the guitarist's growing creativity and knack for harmonically rich improvisation. Along with his early solo work, Rosenwinkel continued to perform with Burton and appeared on albums by Chris Cheek, Larry Goldings, Paul Motian, and more. He then signed with Verve and embarked on a series of extremely well-received albums, including 2000's The Enemies of Energy, 2001's The Next Step, 2003's Heartcore, and 2005's Deep Song. Primarily centered on Rosenwinkel's original compositions, these albums detailed his highly inventive approach to post-bop jazz. Also during this period, Rosenwinkel relocated to Germany, where split his time between performing and teaching as a professor of jazz guitar at the Hochschule für Musik Hanns Eisler. In 2009, he moved to the independent label Wommusic with Reflections, followed a year later by Our Secret World. Two years later, he delivered the expansive Star of Jupiter. As his profile grew, Rosenwinkel cut back on teaching, eventually deciding to focus completely on his performance career. In 2017, he also founded his own Heartcore label and released the Brazilian-influenced Caipi. Об альбоме (сборнике) https://www.allmusic.com/album/reflections-mw0001952372 AllMusic Review by Jeff Tamarkin Reflections is an album unlike any other in Kurt Rosenwinkel's catalog. Nearly all ballads, it dispenses with effects and other fireworks and allows Rosenwinkel to display pure jazz guitaristry, his tone and performance unencumbered by outside influences and modern distractions. Accompanied only by bassist Eric Revis and drummer Eric Harland, Rosenwinkel keeps the mood soft and, appropriately, reflective on a set of nuggets from jazz giants (Haven Gillespie, Wayne Shorter, Thelonious Monk), the Great American Songbook ("More Than You Know," "You've Changed"), and his own debut album: a remake of "East Coast Love Affair" from the same-named 1996 release. As always, Rosenwinkel's virtuosity and intellect are on full display. The title track, an easygoing stroll through Monk's "Reflections," opens the program and sets the mood: Rosenwinkel's guitar is fluid and confident, airy and free of tension. He and the trio are in no hurry to get anywhere; there is nothing to prove, no need to cram in extraneous notes (not that the ever-judicious Rosenwinkel falls into that camp anyway). Shorter's "Ana Maria" and "Fall" are about as uptempo as things get here, and the former's a bossa nova, the latter a chill take on funk. Even the lone original tune undergoes a transformation, losing the edge that marked its first incarnation in favor of a stripped-down simplicity that befits its creator's maturation as a player. A gracefulness and stateliness pervade Reflections, and one can only hope that Rosenwinkel will revisit this territory again down the line, to provide another reevaluation of his gifts after he's investigated still other realms. https://www.amazon.com/dp/B01G64MN1M This is my personal favorite from 2009. When I analyze why, I think it's the mix of strange and familiar, past and present. The group is playing standards, but Kurt's way of playing them goes beyond anything I've heard from a guitarist. Kurt's intros are pleasantly disorienting and then make sense. Charisma is hard to analyze, but Kurt's playing has that riveting quality that makes me pay very close attention even when I'm not sure I like what I'm hearing. There are lots of ways Kurt's playing draws me in: the judicious use of blue notes, the groovy against the beat phrasing, the occasional startling run, the sophisticated, horizontal, pianistic sense of harmony, the continuous variation in technique and tone, rhythm and phrasing. For example, on Monk's "Reflections" Kurt goes back and forth between sophisticated swing chord playing and excellent single-line bebop playing, like the great pianists of the 50s, Ahmad Jamal, Oscar Peterson, Red Garland, and Wynton Kelly. In fact I don't think I've heard better bebop playing on the guitar than on this tune. Charlie Christian and Jim Hall are giants, but Kurt's bebop playing here is looser and more agile and sounds even closer to the spirit of Charlie Parker and Monk, which is amazing when you consider his age and musical era. But this is part of what makes this album so touching for me and makes me want to sing along. It sounds like Kurt's reaching across a span of human history, connecting closely with something in the past that is both very far away and very near. I can't help hearing George van Epps in the way what Kurt plays the head with chords on Monk's "Reflections." I can't help hearing Jim Hall and Kenny Burrell in some of Kurt's single note playing on "East Coast Love Affair," and in his use of altered chords, particularly in that dramatic reoccurring augmented 9th chord. On "Ana Maria" I can't help hearing Pat Metheny in the hammer-ons, hammer-offs, and sliding up and down notes. In the brooding, mysterious intro to "More than You Know" I can't help hearing Bill Frisell and in the fancy harmonics fingerwork on this tune I think I hear Lenny Breaux. Is that Johnny Smith I hear in some of Kurt's speedy ascending runs? Состав Kurt Rosenwinkel: guitar; Eric Revis: bass; Eric Harland: drums