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(Post-Bop) John Abercrombie, Dan Wall, Adam Nussbaum - Speak of the Devil (ECM 1511) - 1994, FLAC (image+.cue), lossless

John Abercrombie, Dan Wall, Adam Nussbaum - Speak of the Devil Жанр: Post-Bop Страна-производитель диска: Германия Год издания: 1994 Издатель (лейбл): ECM Records Номер по каталогу: ECM 1511 / 849 648-2 Страна: США Аудиокодек: FLAC (*.flac) Тип рипа: image+.cue Битрейт аудио: lossless Продолжительность: 68:16 Источник (релизер): emule Наличие сканов в содержимом раздачи: да Треклист: 01. Angel Food (Wall) - 7:55 02. Now and Again (Abercrombie-Wall-Nussbaum) - 6:16 03. Mahat (Abercrombie-Wall-Nussbaum) - 8:27 04. Chorale (Abercrombie) - 8:21 05. Farewell (Abercrombie) - 6:16 06. BT-U (Nussbaum) - 6:22 07. Early to Bed (Abercrombie) - 8:20 08. Dreamland (Wall) - 9:12 09. Hell's Gate (Wall) - 7:07 Состав: John Abercrombie - guitars Dan Wall - Hammond B3 organ Adam Nussbaum - drums Recorded at Rainbow Studio, Oslo in July 1993.   Лог создания рипа Отчёт EAC об извлечении, выполненном 13. сентября 2008, 23:02 для диска: John Abercrombie / Speak of the Devil Дисковод: HP CD-Writer+ 8200a Adapter: 0 ID: 1 Режим чтения: Достоверный (C2: нет, Точный поток: да, Отключение кэша: да) Коррекция смещения при чтении: 572 Способность читать области Lead-in и Lead-out : Нет Выходной формат: Внутренние WAV-операции 44.100 Гц; 16 бит; стерео Другие параметры: Заполнение пропущенных сэмплов тишиной : Да Удаление блоков с тишиной в начале и конце : Нет Установленный внешний ASPI-интерфейс Характеристики диапазона извлечения и сообщения об ошибках Выбранный диапазон Имя файла D:\Music\rapid\John Abercrombie Trio - Speak Of The Devil 1994\John Abercrombie - Speak of the Devil.wav Пиковый уровень 96.8 % Качество диапазона 99.9 % CRC 19CC9B20 Копирование... OK Ошибок не произошло Конец отчёта     Содержание индексной карты (.CUE) REM GENRE "Contemporary Jazz" REM DATE 1994 REM DISCID 76100409 REM COMMENT "ExactAudioCopy v0.95b4" CATALOG 0042284964821 PERFORMER "John Abercrombie" TITLE "Speak of the Devil" FILE "John Abercrombie - Speak of the Devil.wav" WAVE TRACK 01 AUDIO TITLE "Angel Food" PERFORMER "John Abercrombie" ISRC DEB339351101 INDEX 00 00:00:00 INDEX 01 00:00:32 TRACK 02 AUDIO TITLE "Now and Again" PERFORMER "John Abercrombie" ISRC DEB339351102 INDEX 00 07:52:62 INDEX 01 07:56:07 TRACK 03 AUDIO TITLE "Mahat" PERFORMER "John Abercrombie" ISRC DEB339351103 INDEX 00 14:10:02 INDEX 01 14:12:57 TRACK 04 AUDIO TITLE "Chorale" PERFORMER "John Abercrombie" ISRC DEB339351104 INDEX 00 22:36:60 INDEX 01 22:40:52 TRACK 05 AUDIO TITLE "Farewell" PERFORMER "John Abercrombie" ISRC DEB339351105 INDEX 00 31:00:27 INDEX 01 31:02:00 TRACK 06 AUDIO TITLE "BT-U" PERFORMER "John Abercrombie" ISRC DEB339351106 INDEX 00 37:17:07 INDEX 01 37:18:07 TRACK 07 AUDIO TITLE "Early to Bed" PERFORMER "John Abercrombie" ISRC DEB339351107 INDEX 00 43:38:32 INDEX 01 43:40:27 TRACK 08 AUDIO TITLE "Dreamland" PERFORMER "John Abercrombie" ISRC DEB339351108 INDEX 00 51:57:67 INDEX 01 52:00:40 TRACK 09 AUDIO TITLE "Hell's Gate" PERFORMER "John Abercrombie" ISRC DEB339351109 INDEX 00 61:09:30 INDEX 01 61:13:15     Лог проверки качества auCDtect: CD records authenticity detector, version 0.8.2 Copyright (c) 2004 Oleg Berngardt. All rights reserved. Copyright (c) 2004 Alexander Djourik. All rights reserved. ------------------------------------------------------------ Processing file: [John Abercrombie - Speak of the Devil.wav] Detected average hi-boundary frequency: 2.042965e+004 Hz Detected average lo-boundary frequency: 1.264735e+004 Hz Detected average hi-cut frequency: 2.177760e+004 Hz Detected average lo-cut frequency: 1.595890e+004 Hz Maximum probablis boundary frequency: 2.189100e+004 Hz Coefficient of nonlinearity of a phase: 1.213505e-001 First order smothness: 3.911208e-001 Second order smothness: 7.967271e-001 ------------------------------------------------------------ This track looks like CDDA with probability 100%     Отчет CUETools [CUETools log; Date: 04.12.2012 2:58:36; Version: 2.1.4] Pregap length 00:00:32. [CTDB TOCID: ZQGE_UxOm95zochLMZ.KMhZ347c-] found. 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Track Peak [ CRC32 ] [W/O NULL] -- 96,8 [910A0456] [19CC9B20] 01 92,5 [7C66B753] [36A049E0] 02 49,7 [C1639E70] [7C829144] 03 96,8 [A2F926FA] [4DF91818] 04 85,8 [1B075D49] [3BC86D10] 05 49,9 [BE91D886] [2ED9A5C0] 06 91,5 [3C973B00] [79A00B8D] 07 79,5 [04B04AA2] [DD2BDD01] 08 85,7 [AAEB672A] [4957FBC0] 09 87,3 [1F88AD01] [59F265BC]     Review by Michael G. Nastos The follow-up to While We're Young has a less melodic, more loosely structured feel, as if it were all kinetically inspired and freely improvised within various structures. The intuition or trust level of electric guitarist John Abercrombie, organist Dan Wall, and drummer Adam Nussbaum is clearly evident: They are listening, reacting, and responding to each other from measure to measure, and that is the basis for their music making. It's a fusion of feelings, and those moods -- many times dark -- lie beneath the surface only to rise at their behest. The snarly, stealth, and swirling sound is evident on the introductory cut "Angel Food," courtesy of Abercrombie, Wall, and Nussbaum, respectively, going to a tick-tock beat that is positively blackened on the closer "Hell's Gate." In between you get two free, seemingly unstructured pieces: the unhurried "Now & Again" and the more reverent but interactive "Farewell." "Dreamland" is like "Angel Food" in attitude, while the collective improvisation "Mahat" has hopping 2/4 tom tom beats from Nussbaum moving into full drum kit swing. The melodies are either nonexistent or harder to grasp; Abercrombie's searing or lilting guitar sound requires close attention. Skating around a melody for "Chorale," you actually get the impression the leader is building disparate, multiple, chameleonic changes within a more definite swing. A true melodic motif, albeit slight, informs "BT-U" in a more rock/R&B beat, while the waltz "Early to Bed" suggests a lovely, extrapolated Bill Evans line, perhaps from "Very Early." Though "While We're Young" was a definitive recording for Abercrombie's vaunted trio, this CD simply offers a different slant. It's the sign of a group either in transition of evolution, and whatever the case, it's an intriguing step for these three uncanny sonic explorers.
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