(Post-Bop) James Carter - Gardenias for Lady Day - 2003, WavPack (image+.cue) lossless

James Carter / Gardenias for Lady Day Жанр: Post-Bop Год издания диска: 2003 Издатель (лейбл): Columbia Номер по каталогу: 514879 6 Аудио кодек: WavPack (*.wv) Тип рипа: image+.cue Битрейт аудио: lossless Продолжительность: 65:05 Источник (релизер): ffsf (hqshare) Наличие сканов в содержимом раздачи: нет Треклист: 01. Gloria 02. Sunset 03. (I Wonder) Where Our Love Has Gone 04. I'm in a Low Down Groove 05. Strange Fruit 06. A Flower Is a Lovesome Thing 07. Indian Summer 08. More Than You Know 09. Lil' Hat's Odyssey 10. You're a Lucky Guy   Лог создания рипа Exact Audio Copy V0.99 prebeta 5 from 4. May 2009 EAC extraction logfile from 28. December 2009, 13:22 James Carter / Gardenias For A Lady Used drive : MATSHITADVD-ROM SR-8588 Adapter: 1 ID: 1 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 103 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Installed external ASPI interface Used output format : Internal WAV Routines Sample format : 44.100 Hz; 16 Bit; Stereo TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 6:01.72 | 0 | 27146 2 | 6:01.72 | 5:24.58 | 27147 | 51504 3 | 11:26.55 | 6:22.02 | 51505 | 80156 4 | 17:48.57 | 4:39.30 | 80157 | 101111 5 | 22:28.12 | 4:20.43 | 101112 | 120654 6 | 26:48.55 | 5:54.32 | 120655 | 147236 7 | 32:43.12 | 6:52.45 | 147237 | 178181 8 | 39:35.57 | 11:37.25 | 178182 | 230481 9 | 51:13.07 | 5:53.38 | 230482 | 256994 10 | 57:06.45 | 7:58.62 | 256995 | 292906 Range status and errors Selected range Filename C:\EAC\James Carter - Gardenias For A Lady.wav Peak level 100.0 % Range quality 99.9 % Test CRC 0B64C974 Copy CRC 0B64C974 Copy OK No errors occurred AccurateRip summary Track 1 accurately ripped (confidence 5) [3F19AC9D] Track 2 accurately ripped (confidence 5) [13483D97] Track 3 accurately ripped (confidence 5) [D79DB3D4] Track 4 accurately ripped (confidence 5) [428DCEF0] Track 5 accurately ripped (confidence 5) [BA3BBAD7] Track 6 accurately ripped (confidence 5) [7E5FDFB6] Track 7 accurately ripped (confidence 5) [62BEEA5A] Track 8 accurately ripped (confidence 5) [0733DB5A] Track 9 accurately ripped (confidence 5) [51885AD2] Track 10 accurately ripped (confidence 5) [F2994FD3] All tracks accurately ripped End of status report     Об альбоме (сборнике) The jazz tribute album is a funny thing. It can either be a revisionist reinterpretation (think of Paul Motian's Bill Evans homage or Anthony Braxton's reconfiguring of Charlie Parker) or, more often, a respectful, low risk enterprise. It's quite a handy tool for those players who'd like to see themselves as part of the same tradition (this kind of stuff's important to American jazzers) or simply for those who may have temporarily run out of ideas. Billie Holiday's been the subject of a few tribute albums of varying quality (step forward, Diana Ross), and on the face of it this album by the undeniably gifted saxophonist James Carter looks a grim prospect. Taking tunes associated with the singer and placing them alongside songs she didn't sing but might have liked to doesn't really hold together as a concept either. In fact, this album is as much about the Ellingtonian tradition and players like Don Byas, Harry Carney or Johnny Hodges as it is about Ms Holiday, though filtered through a seductive combination of Carter's kaleidoscopic talent and Greg Cohens' imaginative arrangements. It's best to think of this as an album of standards, and a bloody good one at that. This is the first time Carter's recorded with strings. It's still an area that's treated with indifference in the jazz mainstream, most arrangers seeming content to retread the kind of syrupy confections trotted out by Nelson Riddle. Cohen (also bassist with John Zorn and others) isn't scared of being lush, but there's a rhythmic punch and a faint whiff of exotica to his and Cassius Richmond's arrangements that transcends the commonplace. Though Miche Braden turns up on a few tracks to add her warm, agile vocals to proceedings (more Betty Carter or Cassandra Wilson than Billie),unsuprisingly it's Carter's voice that dominates. He's a brash, domineering presence, though the obvious flash of earlier outings seems tempered by a gruff romanticism; the kind of 'tough but tender' approach of Ben Webster or Coleman Hawkins. Whether handling tenor, soprano or baritone, Carter seems to reference almost every point in saxophonic history simultaneously. He also gets into more esoteric horns (bass clarinet and the mysterious F mezzo sax) and even manages to trade licks with himself on occasion. It takes guts to cover "Strange Fruit". Carter's solution is to take the rug out from under the listener with an overwhelming free jazz blast (worthy of Pharoah Sanders or Peter Brotzmann) that arrives like a rogue asteroid halfway through, blasting the whole thing to smithereens with posessed fury. It shouldn't work, but it does. A valuable and quietly inventive record from a talent still worth watching. --Peter Marsh     Состав James Carter - saxophones and clarinets John Hicks - piano Peter Washington - bass Victor Lewis - drums String arrangements by Greg Cohen & Cassius Richmond Вариант диска http://rutracker.org/forum/viewtopic.php?t=622127