(Post-Bop, Cool) [WEB] Bjorn Alkes Kvartett - Bjorn Alkes Kvartett (Jazz i Sverige 1974) - 1974 (2014), FLAC (tracks), lossless

Bjorn Alkes Kvartett - Bjorn Alkes Kvartett (Jazz i Sverige 1974) Жанр: Post-Bop, Cool Носитель: WEB Страна-производитель диска (релиза): Швеция Год издания: 1974 (2014) Издатель (лейбл): Caprice Records Аудиокодек: FLAC (*.flac) Тип рипа: tracks Битрейт аудио: lossless Продолжительность: 00:40:11 Источник: shiftingstill Наличие сканов в содержимом раздачи: нет Треклист: 01. Klagosang till Bertil Zachrisson (Alke) - 1:14 02. Blues for Ann-Katrin (Fredriksson) - 5:36 03. Nepal (Bergsten) - 9:02 04. Elegie (Strandberg) - 3:00 05. Kitten on the Keys (Confrey) - 1:09 06. Intakt (Strandberg) - 7:22 07. Wienerkorven (Alke) - 0:54 08. Gun (Alke) - 6:37 09. Kommunisten (Bergsten) - 5:17 Состав: Bjorn Alke - bass, violin Gunnar Bergsten - sopranino saxophone, baritone saxophone, flute Goran Strandberg - piano, electric piano Fredrik Noren - percussion Recorded at Metronome Studio, Stockholm on April 16-17 and May 8, 1974.   Лог проверки качества ----------------------- DON'T MODIFY THIS FILE ----------------------- PERFORMER: auCDtect Task Manager, ver. 1.6.0 RC1 build 1.6.0.1 Copyright (c) 2008-2010 y-soft. All rights reserved http://y-soft.org ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2 Copyright (c) 2004 Oleg Berngardt. All rights reserved. Copyright (c) 2004 Alexander Djourik. All rights reserved. FILE: 09 - Kommunisten.flac Size: 31039699 Hash: 01E6EF5A62DD27DD10B5352E340E2F1D Accuracy: -m0 Conclusion: CDDA 100% Signature: E4CF8AC81EA0AE3A13315784F289D4453688994D FILE: 08 - Gun.flac Size: 30310422 Hash: 7E04FDE1DFA8C7BE53A1EA7CE5F36A2A Accuracy: -m0 Conclusion: CDDA 100% Signature: 91181568218241AB66F3E66469DED8297DED33C6 FILE: 07 - Wienerkorven.flac Size: 3121519 Hash: 5A5BA5F5233E12DC77C957FABB601369 Accuracy: -m0 Conclusion: CDDA 100% Signature: 5E7CE6CAE866D9F5D6CFB7A7FB99018BC0F3C3D4 FILE: 06 - Intakt.flac Size: 44677816 Hash: 861A2B5445C7E81A9025C737040279EB Accuracy: -m0 Conclusion: CDDA 100% Signature: 0BBF6F5424BCBDE618B708A3806B7C9BA1BFD0CB FILE: 05 - Kitten on the Keys.flac Size: 6152586 Hash: 9501B39E1782A6AB3A176EB051E58C37 Accuracy: -m0 Conclusion: CDDA 100% Signature: F9F53CA5B6B247A9B94295BA8805E88C8ED2BE71 FILE: 04 - Elegie.flac Size: 10939274 Hash: BD764B0D692E356862A9E78A6EE555BB Accuracy: -m0 Conclusion: CDDA 100% Signature: DA5FCA234CFDF3EC68FBA0CFC1472F80979DF4A8 FILE: 03 - Nepal.flac Size: 52649600 Hash: 06EB1E4196EE4590E3E4C0E966E49D09 Accuracy: -m0 Conclusion: CDDA 99% Signature: D9404BFE093BB712475F58A29A0BE5D3B990C1BA FILE: 02 - Blues for Ann-Katrin.flac Size: 34044195 Hash: 4A8DED4DDEC4250E54329A62438F76F3 Accuracy: -m0 Conclusion: CDDA 100% Signature: E0584F98B7CB59BEFAA9E3D2A561A4E02AFC8608 FILE: 01 - Klagosang till Bertil Zachrisson.flac Size: 4483152 Hash: 9232AE41BAEBD4597C0C4979B449C62F Accuracy: -m0 Conclusion: CDDA 99% Signature: 28B4AC10FC792655DC613A00B7B0E4B830A9D74F     Об альбоме (сборнике) Björn Alke’s Quartet was founded in 1973, and performed, from the very beginning, a highly personal music: intimate, coherent, and swinging chamber jazz, based on a repertoire largely composed by the musicians themselves. In the autumn of 1973, Björn Alke’s Quartet won the award “Jazz in Sweden” and got to release their debut album on Caprice Records in 1974. Björn Alke played the double bass and led the quartet, a versatile and active jazz group performing at concerts, festivals, and jazz clubs. The group also did a tour to daycare centers and schools across the country. Björn Alke (1938-2000) started playing the double bass in the mid 1950’s in Sundsvall, completely self-taught as his main instrument was the violin. And even though he initiated studies at the Royal College of Music in Stockholm, to become a classical violin soloist, the jazz music – and with it, the double bass – eventually took over, and his entrance on the Swedish jazz scene luckily coincided with the rapid and fundamental change in the role of the double bass in jazz music. It was no longer just an accompanying support for wind players and pianists, but an equal voice in the ensemble. This suited Alke like a glove, and he became something of a sensation: a powerful, ingenuous, and jerky accompanist and a playful, bold, and imaginative soloist.