(Post-Bop, Cool) Bill Perkins - On Stage The Bill Perkins Octet - 1956, FLAC (tracks+.cue), lossless

Bill Perkins - On Stage The Bill Perkins Octet (1956)Жанр: Post-Bop, Cool Дата записи: Music Box Theatre in Los Angeles on February 9 (1-4, 9) and February 16 (5-8), 1956. Дата выпуска оригинала: 1956 Дата выпуска переиздания: 1998 Производитель диска, номер, страна: Paсific Jazz cdp 7243 4 93163 2 4Аудио кодек: FLAC Тип рипа: (tracks + .cue) Битрейт аудио: lossless Включает: Full artwork Продолжительность: 93:12 Источник: torrent Риппер: weejieТрэклист: 1. SONG OF THE ISLANDS (5:24) (Charles King) 2. ONE HUNDRED YEARS FROM TODAY (4:50) (V. Young-N. Washington) 3. ZING! ZANG! (6:53) (Bill Perkins) 4. LET ME SEE (3:35) (И. Edison-C. Ваsie) 5. FOR DANCERS ONLY (5:55) (Oliver-Schoen-Raye) 6. JUST A CHILD (4:59) (Johnny Mandel) 7. AS THEY REVELED (3:52) (Bill Holman) 8. WHEN YOU'RE SMILING (5:07) (Shay- Fisher-Goodwin) 9. LET ME SEE (ALT TK) (2:37) (H. Edison-C. Basie)Mastered by Ron McMaster using 20-bit Super Bit Mapping All selections are mono. ARRANGED BY BILL PERKINS (4,5,6,9), BILL HOLMAN (1,7), LENNIE NIEHAUS (2,8) and JOHNNY MANDEL (6).Состав: BUD SHANK, alto saxophone; BILL PERKINS, tenor saxophone; JACK NIMITZ, bass clarinet, baritone saxophone; STU WILLIAMSON, trumpet, valve trombone; CARL FONTANA, trombone; RUSS FREEMAN, piano; RED MITCHELL, bass; MEL LEWIS, drums.Издания: 1998 CD Blue Note 93163 CD Toshiba EMI 6888  Несколько слов на английскомWilliam Reese Perkins, the tow-headed, serious young tenor saxophonist who makes his debut as a leader of his own group in this album, "has the best sound in jazz today." That all-encompassing tribute comes from another top flight young jazz man and Perkins' section mate for a year on the Woody Herman band, tenor Jerry Coker. It is also typical of the reaction of musicians and fans throughout the jazz world. Two years ago Stan Getz (And if Prez is president, surely Stanley is Secretary of State) flatly told me, "Perkins is blowing more than any of us." Compliments are coming Perkins' way frequently these days. He was voted New Star in the Down Beat Critics' Poll last year and received a similar honor from Metronome. Critics have been unanimous in praising his work with the Woody Herman and Stan Kenton bands. During the Kenton tour of England in the spring of 1956, Perkins was hailed as the "most beautifully relaxed, eloquent, emotionally moving tenor we have heard in Europe since Prez' last visit" by critic Mike Butcher of The New Musical Express. And what does this praise do to Perkins? It makes him hang his head bashfully and talk about how great Stan and Brew and Prez and a host of other tenor players are and how dissatisfied he is with his own efforts. Such modesty is rare in any field, but especially rare in jazz. And yet, it has always been Perkins' trademark ever since he first appeared on the jazz scene as a member of the sax section of the Woody Herman Third Herd. Perkins, who joined Woody in 19S1 after a short spell with Jerry Wald's band in Los Angeles (Woody had fired a tenor right after a radio broadcast and put in a hurry call for replacement. Wald sent over Perkins who sat down and stayed for two years), left to stay at home with his family a while, played with Maynard Ferguson's great little band, and then re-joined Herman in 1954 and toured Europe and the U.S. with him and since then has been one of Kenton's stars. Bill Perkins (nicknamed "Phineas" by his fellow musicians on the Herman band) was born in San Francisco, July 22, 1924. He went to high school in Santa Barbara and attended the California Institute of Technology, Stanford University and the University of California. Originally he had planned to be an engineer. All his immediate family (male, that is) were engineers and it seemed natural for him to follow in their footsteps. He had played clarinet and sax with high school groups in Santa Barbara and while he was at Stanford taking his master's degree, he studied tenor with Chuck Travis, who had played with Tommy and Jimmy Dorsey. Eventually the attractions of music proved too great and Bill decided to make it his career. He then enrolled in Westlake College of Music in Hollywood and after study there, played with Dan Terry, Shorty Rogers (he recorded "The Wild One" EP with Rogers), Jerry Wald and Desi Arnez. Today Perkins plays an imposing array of reed instruments, including the tenor, flute (he has been working on this consistently for the past few years), bass clarinet, alto sax, clarinet and oboe. He also arranges and some sparkling examples of his ability in that department will be found in this album. Perkins is a great admirer of "the old" Lester Young and of Stan Getz, and lists among his other favorites Bob Brookmeyer, Lee Konitz, Al Cohn and Forrest Westbrook. And his hobbies, aside from music, are sailing and electronics. If there were but two words to describe Perkins' tenor sax sound, you would have to say "disciplined emotion." He is a thorough musician, never satisfied with any level he reaches, and is his own severest critic. Even on the road with a band, Perkins is famous for being on the job early and practicing. The sound he gets on the tenor is a distillation of the sounds that have gone before, melded into a beautifully controlled lyric projection of his own musical ideas. Perkins is rhythmic, as a good tenor should be (witness his solo in "Song Of The Islands") and he is romantic, too (witness the beauty of his solo on "Just A Child.") When he was with Woody Herman it was his fate to have to take the Getz solo on "Early Autumn," a nightly request. It is to his credit, and a tribute to the high quality of his musicianship, that he never played it with the Getzian ghost peering obviously over his shoulder. He stood there and blew it as though it had never been blown before. Each time was the first time, and for that he won the everlasting respect of his fellow musicians, including Woody Herman who has heard not a few tenors in that specific situation in the past decade. If these words sound like an unadulterated paean of praise, I have been successful. That is exactly what I would likе to write about Bill Perkins. I don't know of any musician I have ever encountered who has earned my unequivocal respect to the extent that Bill Perkins has. I think that he is well on his way to becoming one of the greatest tenor men in jazz. And furthermore, he is indicative of the new look in jazz players: a musician, a gentleman and a credit to his art. For this album, Perkins has joined with four other former Herman Herdsmen: Red Mitchell, Carl Fontana, Jack Nimitz and Stu Williamson. Mitchell is already acclaimed as one of the top jazz bass players. Fontana, who has been in comparative obscurity with the band of Hal Mclntyre following his service with Herman, is now earning belated praise for his work with Stan Kenton. Jack Nimitz, who was anchor man in the sax section most of the time Perkins was in the Herman band, has recently been performing the same duties with the Kenton orchestra. Stu Williamson, another graduate of the Kenton and Herman bands, has possibly never been heard in such good form as on this album. The other men are Bud Shank, one of the best known and respected alto sax men in jazz; Russ Freeman, a continually improving pianist, who is very impressive on these sides, and Mel Lewis, Kenton's current drummer, who provides a tastefully swinging foundation. As to the tunes on this album, I would like particularly to direct your attention to the two numbers from the old Basie band, "Song Of The Islands" and "Let Me See," both of which utilize the original Lester Young tenor solos for ensemble playing; Perkins' work on "One Hundred Years From Today," with its lovely ending; the trombone and tenor interplay on "Zing! Zang!;" and the reflective, romantic playing of Perkins on "Just A Child" and Stu Williamson's muted horn on the same tune.—Ralph Gleason (original liner notes)  Cue REM DISCID 6B0A2F09REM COMMENT "ExactAudioCopy v0.95b4"CATALOG 0724349316204PERFORMER "Bill Perkins"TITLE "On Stage: The Bill Perkins Octet"FILE "01 - Song Of The Islands.wav" WAVE TRACK 01 AUDIO TITLE "Song Of The Islands" PERFORMER "Bill Perkins" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "One Hundred Years From Today" PERFORMER "Bill Perkins" INDEX 00 05:24:10FILE "02 - One Hundred Years From Today.wav" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "Zing! Zang!" PERFORMER "Bill Perkins" INDEX 00 04:50:45FILE "03 - Zing! Zang!.wav" WAVE INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "Let Me See" PERFORMER "Bill Perkins" INDEX 00 06:53:35FILE "04 - Let Me See.wav" WAVE INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "For Dancers Only" PERFORMER "Bill Perkins" INDEX 00 03:35:05FILE "05 - For Dancers Only.wav" WAVE INDEX 01 00:00:00 TRACK 06 AUDIO TITLE "Just A Child" PERFORMER "Bill Perkins" INDEX 00 05:55:63FILE "06 - Just A Child.wav" WAVE INDEX 01 00:00:00 TRACK 07 AUDIO TITLE "As They Reveled" PERFORMER "Bill Perkins" INDEX 00 04:59:55FILE "07 - As They Reveled.wav" WAVE INDEX 01 00:00:00 TRACK 08 AUDIO TITLE "When You're Smiling" PERFORMER "Bill Perkins" INDEX 00 03:52:37FILE "08 - When You're Smiling.wav" WAVE INDEX 01 00:00:00 TRACK 09 AUDIO TITLE "Let Me See (Alt Take)" PERFORMER "Bill Perkins" INDEX 00 05:07:47FILE "09 - Let Me See (Alt Take).wav" WAVE INDEX 01 00:00:00  EAC log EAC extraction logfile from 28. January 2008, 20:26 for CDBill Perkins / On Stage: The Bill Perkins OctetUsed drive : HL-DT-STCDRW/DVD GCC4482 Adapter: 1 ID: 0Read mode : Secure with NO C2, accurate stream, disable cacheRead offset correction : 6Overread into Lead-In and Lead-Out : NoUsed output format : C:\Eac\Codecs\flac.exe (User Defined Encoder) 320 kBit/s Additional command line options : -8 -V -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" -T "comment=EAC Flac 1.1.2 -8" %sOther options : Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Installed external ASPI interfaceTrack 1 Filename C:\Documents and Settings\perkins\01 - Song Of The Islands.wav Pre-gap length 0:00:02.00 Peak level 85.2 % Track quality 100.0 % Test CRC 52E92C6E Copy CRC 52E92C6E Copy OKTrack 2 Filename C:\Documents and Settings\perkins\02 - One Hundred Years From Today.wav Pre-gap length 0:00:01.53 Peak level 70.3 % Track quality 100.0 % Test CRC 00903858 Copy CRC 00903858 Copy OKTrack 3 Filename C:\Documents and Settings\perkins\03 - Zing! Zang!.wav Pre-gap length 0:00:01.53 Peak level 82.2 % Track quality 100.0 % Test CRC D370E3D7 Copy CRC D370E3D7 Copy OKTrack 4 Filename C:\Documents and Settings\perkins\04 - Let Me See.wav Pre-gap length 0:00:01.76 Peak level 97.6 % Track quality 100.0 % Test CRC 2DF6D791 Copy CRC 2DF6D791 Copy OKTrack 5 Filename C:\Documents and Settings\perkins\05 - For Dancers Only.wav Pre-gap length 0:00:02.66 Peak level 79.6 % Track quality 99.9 % Test CRC 4AD12A89 Copy CRC 4AD12A89 Copy OKTrack 6 Filename C:\Documents and Settings\perkins\06 - Just A Child.wav Pre-gap length 0:00:00.42 Peak level 52.6 % Track quality 100.0 % Test CRC EF8F1A4A Copy CRC EF8F1A4A Copy OKTrack 7 Filename C:\Documents and Settings\perkins\07 - As They Reveled.wav Pre-gap length 0:00:01.17 Peak level 82.9 % Track quality 100.0 % Test CRC 27366DF9 Copy CRC 27366DF9 Copy OKTrack 8 Filename C:\Documents and Settings\perkins\08 - When You're Smiling.wav Pre-gap length 0:00:01.04 Peak level 99.9 % Track quality 100.0 % Test CRC 567252F9 Copy CRC 567252F9 Copy OKTrack 9 Filename C:\Documents and Settings\perkins\09 - Let Me See (Alt Take).wav Pre-gap length 0:00:01.33 Peak level 99.2 % Track quality 100.0 % Test CRC C1FEA096 Copy CRC C1FEA096 Copy OKNo errors occuredEnd of status report  auCDtect log684097761 57447644 01 - Song Of The Islands.wav 3993434589 51532364 02 - One Hundred Years From Today.wav 4031116556 73246028 03 - Zing! Zang!.wav 3525018111 38408204 04 - Let Me See.wav 1508174283 62845484 05 - For Dancers Only.wav 198495286 53079980 06 - Just A Child.wav 3435982352 41195324 07 - As They Reveled.wav 2753774302 54500588 08 - When You're Smiling.wav 1360225090 27788924 09 - Let Me See (Alt Take).wavauCDtect: CD records authenticity detector, version 0.8.2 Copyright (c) 2004 Oleg Berngardt. All rights reserved. Copyright (c) 2004 Alexander Djourik. All rights reserved. ------------------------------------------------------------ Processing file: [01 - Song Of The Islands.wav]------------------------------------------------------------ This track looks like CDDA with probability 100%------------------------------------------------------------ Processing file: [02 - One Hundred Years From Today.wav]------------------------------------------------------------ This track looks like CDDA with probability 100%------------------------------------------------------------ Processing file: [03 - Zing! Zang!.wav]------------------------------------------------------------ This track looks like CDDA with probability 100%------------------------------------------------------------ Processing file: [04 - Let Me See.wav]------------------------------------------------------------ This track looks like CDDA with probability 100%------------------------------------------------------------ Processing file: [05 - For Dancers Only.wav]------------------------------------------------------------ This track looks like CDDA with probability 100%------------------------------------------------------------ Processing file: [06 - Just A Child.wav]------------------------------------------------------------ This track looks like CDDA with probability 100%------------------------------------------------------------ Processing file: [07 - As They Reveled.wav]------------------------------------------------------------ This track looks like CDDA with probability 100%------------------------------------------------------------ Processing file: [08 - When You're Smiling.wav]------------------------------------------------------------ This track looks like CDDA with probability 100%------------------------------------------------------------ Processing file: [09 - Let Me See (Alt Take).wav]------------------------------------------------------------ This track looks like CDDA with probability 100%------------------------------------------------------------ Final Conclusion: ------------------------------------------------------------ These tracks looks like CDDA with probability 100% Я не сидирую все свои раздачи подолгу, только новые (до 3х первых сидов) За своими раздачами не слежу, и старые топики не читаю - если нет сидов или раздача находится вархиве, пришлите письмо, и я вернусьПредлагаю скачавшим максимально долго оставаться на раздаче - весь рейтинг будет ваш. Заботьтесь о своем рейтинге - конвертируйте в мп3 и выкладывайте в соответствующем разделе