(Post-Bop, Contemporary Jazz) [CD] Tom Harrell - First Impressions: Debussy and Ravel Project - 2015, FLAC (tracks+.cue), lossless

Tom Harrell - First Impressions: Debussy and Ravel Project Жанр: Post-Bop, Contemporary Jazz Носитель: CD Страна-производитель диска (релиза): США Год издания: 2015 Издатель (лейбл): HighNote Records Номер по каталогу: HCD 7276 Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 63:31 Источник (релизер): Hiro23 (what) Наличие сканов в содержимом раздачи: сетевые Треклист: 01. Sainte (Ravel) - 5:07 02. Voices (Vocalise-etude en forme de Habanera) (Ravel) - 8:15 03. Perspectives (Harrell) - 11:49 04. Beau Soir (Debussy) - 7:29 05. Reverie (Debussy) - 5:57 06. Passepied (Debussy) - 11:29 07. Sarabande (Debussy) - 6:26 08. Musique du Cafe (Harrell) - 6:59   Лог создания рипа Exact Audio Copy V1.1 from 23. June 2015 EAC extraction logfile from 25. August 2016, 11:42 Tom Harrell / First Impressions Used drive : PIONEER DVD-RW DVR-212 Adapter: 1 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 48 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : D:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%-- tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST= %albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 5:07.22 | 0 | 23046 2 | 5:07.22 | 8:14.70 | 23047 | 60166 3 | 13:22.17 | 11:49.12 | 60167 | 113353 4 | 25:11.29 | 7:28.57 | 113354 | 147010 5 | 32:40.11 | 5:56.65 | 147011 | 173775 6 | 38:37.01 | 11:29.32 | 173776 | 225482 7 | 50:06.33 | 6:26.28 | 225483 | 254460 8 | 56:32.61 | 6:58.64 | 254461 | 285874 Track 1 Filename D:\EAC Rips\Tom Harrell - 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Track | CTDB Status 1 | (9/9) Accurately ripped 2 | (9/9) Accurately ripped 3 | (9/9) Accurately ripped 4 | (9/9) Accurately ripped 5 | (9/9) Accurately ripped 6 | (9/9) Accurately ripped 7 | (9/9) Accurately ripped 8 | (8/9) Accurately ripped [AccurateRip ID: 00139466-0083e83b-630ee308] found. Track [ CRC | V2 ] Status 01 [80b976fb|919359f4] (0+8/8) Accurately ripped 02 [8edf9b48|91a191b5] (0+8/8) Accurately ripped 03 [62bf8ad0|62aa38ee] (0+8/8) Accurately ripped 04 [24a88f35|12dde665] (0+8/8) Accurately ripped 05 [18e3b061|c1039177] (0+8/8) Accurately ripped 06 [f1406ae8|c697d608] (0+8/8) Accurately ripped 07 [2959c23d|2f4d2854] (0+8/8) Accurately ripped 08 [b90dc2dd|bea97c00] (0+8/8) Accurately ripped Track Peak [ CRC32 ] [W/O NULL] [ LOG ] -- 96,0 [286399CE] [A78131C3] 01 95,8 [3852092B] [D7F004DE] CRC32 02 96,0 [1352BC8C] [8C759E5E] CRC32 03 95,8 [B28020A5] [DE8E39F1] CRC32 04 95,8 [91FA2D37] [A746EA8B] CRC32 05 95,8 [91423FBE] [DC29311C] CRC32 06 96,0 [736E3D6C] [31904B59] CRC32 07 95,8 [50A52D2D] [9447B7BA] CRC32 08 95,8 [3B845097] [8371F868] CRC32     Review by Bill Beuttler Tom Harrell is in a classical mood on his genre-blending First Impressions. This isn’t new for the brilliant trumpeter-composer. The six-part suite The Adventures of a Quixotic Character, off Harrell’s 2014 album Trip, had a classical feel to it, and this new album’s liner notes, by Robert Baird, trace Harrell’s blending of classical music and jazz in his earlier work. But the emphasis of that fusion is heightened on First Impressions, and the jazz/classical recipe is seasoned with tastes of other styles as well. The eight tracks here include Harrell arrangements of four pieces by Debussy (“Beau Soir,” “Reverie,” “Passepied,” “Sarabande”), two by Ravel (“Sainte,” “Voices”) and two new compositions of his own, “Perspectives” and “Musique du Cafe.” They’re performed by his crack working quintet with Wayne Escoffery on soprano and tenors saxophones, Danny Grissett on piano, Ugonna Okegwo on bass and Johnathan Blake on drums, augmented by flute, guitar, violin and cello. Latin influences—bossa, baião, hints of tango and flamenco—insinuate themselves here and there amid all the classical impressionism, as does a touch of hip-hop rhythm beneath the leader’s solo on “Sainte.” The quintet’s straight-ahead prowess is deployed too—Blake’s transitional solo on “Perspectives” and Grissett’s and Escoffery’s deft turns atop the Okegwo-fueled “Reverie” are among the other highlights. Harrell, of course, blows as beautifully as ever. More significant, the 69-year-old master makes clear that it isn’t just millennials who are currently embracing an eclectic approach to jazz composition. “I think all forms of music, even popular music, are close to jazz and classical music,” Harrell declares in Baird’s album notes. “There’s been a revolution in musical composition. Composers are utilizing pop elements, which would have been unheard of a short time ago, but now it’s really accepted.”     Состав Tom Harrell - trumpet, flugelhorn Wayne Escoffery - soprano saxophone, tenor saxophone Charles Pillow - flute, bass flute Danny Grissett - piano Rale Micic - guitar Meg Okura - violin Rubin Kodheli - cello Ugonna Okegwo - bass Johnathan Blake - drums Recorded at Avatar Studios, New York on April 8, 2013 except #7 recorded at Water Music Recording Studios, Hoboken, NJ on May 13, 2013.