(Post-Bop) [CD] Oliver Nelson - Black, Brown and Beautiful - 1970 (2017 Japan Edition), FLAC (tracks+.cue), lossless

Oliver Nelson - Black, Brown and Beautiful Жанр: Post-Bop Носитель: CD Страна-производитель диска (релиза): Япония Год издания: 2017 Издатель (лейбл): Solid Records Номер по каталогу: CDSOL-45715 Страна исполнителя (группы): США Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 37:21 Источник (релизер): canary Наличие сканов в содержимом раздачи: нет Треклист: 01. Aftermath (Nelson) - 5:31 02. Requiem (Nelson) - 7:08 03. Lamb of God (Nelson) - 2:34 04. Martin Was a Man, a Real Man (Nelson) - 4:15 05. Self-Help Is Needed (Nelson) - 4:11 06. I Hope in Time a Change Will Come (Nelson) - 2:38 07. 3, 2, 1, 0 (Nelson) - 3:30 08. Black, Brown and Beautiful (Nelson) - 3:30 09. Requiem, Afterthoughts (Nelson) - 4:04 Состав: Oliver Nelson - piano, alto saxophone, soprano saxophone, conductor Bobby Bryant - trumpet Frank Strozier - alto saxophone John Gross, John Klemmer - tenor saxophone Pearl Kaufman, Roger Kellaway - piano Chuck Domanico - bass John Guerin, Roy Haynes - drums Stanley Wilson - conductor (#2,5-7,9) Recorded in Los Angeles, CA in October 1969.   Лог создания рипа Exact Audio Copy V1.3 from 2. September 2016 EAC extraction logfile from 18. December 2017, 19:37 Oliver Nelson / Black, Brown and Beautiful Used drive : ASUS DRW-24B1ST Adapter: 1 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files\FLAC 1.3.1\win64\flac.exe Additional command line options : -8 -e -p -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 5:31.34 | 0 | 24858 2 | 5:31.34 | 7:08.33 | 24859 | 56991 3 | 12:39.67 | 2:34.01 | 56992 | 68542 4 | 15:13.68 | 4:15.20 | 68543 | 87687 5 | 19:29.13 | 4:11.32 | 87688 | 106544 6 | 23:40.45 | 2:38.36 | 106545 | 118430 7 | 26:19.06 | 3:29.46 | 118431 | 134151 8 | 29:48.52 | 3:30.31 | 134152 | 149932 9 | 33:19.08 | 4:04.12 | 149933 | 168244 Track 1 Filename C:\EAC Rips\01 - Aftermath.wav Pre-gap length 0:00:02.00 Peak level 97.8 % Extraction speed 2.0 X Track quality 100.0 % Test CRC 2E0E4921 Copy CRC 2E0E4921 Track not present in AccurateRip database Copy OK Track 2 Filename C:\EAC Rips\02 - Requiem.wav Peak level 97.8 % Extraction speed 2.4 X Track quality 100.0 % Test CRC 7390667C Copy CRC 7390667C Track not present in AccurateRip database Copy OK Track 3 Filename C:\EAC Rips\03 - Lamb of God.wav Peak level 97.8 % Extraction speed 1.5 X Track quality 99.9 % Test CRC DE2FBBF0 Copy CRC DE2FBBF0 Track not present in AccurateRip database Copy OK Track 4 Filename C:\EAC Rips\04 - Martin Was a Man, a Real Man.wav Peak level 97.8 % Extraction speed 1.9 X Track quality 99.9 % Test CRC F4F70079 Copy CRC F4F70079 Track not present in AccurateRip database Copy OK Track 5 Filename C:\EAC Rips\05 - Self-Help Is Needed.wav Peak level 97.8 % Extraction speed 2.7 X Track quality 100.0 % Test CRC 5D55B8A4 Copy CRC 5D55B8A4 Track not present in AccurateRip database Copy OK Track 6 Filename C:\EAC Rips\06 - I Hope in Time a Change Will Come.wav Peak level 97.8 % Extraction speed 2.6 X Track quality 100.0 % Test CRC 1F075CF0 Copy CRC 1F075CF0 Track not present in AccurateRip database Copy OK Track 7 Filename C:\EAC Rips\07 - 3, 2, 1, 0.wav Peak level 97.8 % Extraction speed 2.9 X Track quality 100.0 % Test CRC 2E5D99E5 Copy CRC 2E5D99E5 Track not present in AccurateRip database Copy OK Track 8 Filename C:\EAC Rips\08 - Black, Brown and Beautiful.wav Peak level 97.8 % Extraction speed 3.0 X Track quality 100.0 % Test CRC 409DE910 Copy CRC 409DE910 Track not present in AccurateRip database Copy OK Track 9 Filename C:\EAC Rips\09 - Requiem, Afterthoughts.wav Peak level 97.8 % Extraction speed 3.2 X Track quality 100.0 % Test CRC A1E40D8F Copy CRC A1E40D8F Track not present in AccurateRip database Copy OK None of the tracks are present in the AccurateRip database No errors occurred End of status report ---- CUETools DB Plugin V2.1.6 [CTDB TOCID: cuPTbPDzaGa7_AzeCV.CET84je0-] disk not present in database Submit result: cuPTbPDzaGa7_AzeCV.CET84je0- has been uploaded ==== Log checksum CCBBF0D532763216F487549E5F94DABAA04E91E30EB1BFEE6D30AC5E96CDA8C3 ====     Содержание индексной карты (.CUE) REM GENRE Jazz REM DATE 1970 REM DISCID 5E08C309 REM COMMENT "ExactAudioCopy v1.3" PERFORMER "Oliver Nelson" TITLE "Black, Brown and Beautiful" FILE "01 - Aftermath.wav" WAVE TRACK 01 AUDIO TITLE "Aftermath" PERFORMER "Oliver Nelson" INDEX 01 00:00:00 FILE "02 - Requiem.wav" WAVE TRACK 02 AUDIO TITLE "Requiem" PERFORMER "Oliver Nelson" INDEX 01 00:00:00 FILE "03 - Lamb of God.wav" WAVE TRACK 03 AUDIO TITLE "Lamb of God" PERFORMER "Oliver Nelson" INDEX 01 00:00:00 FILE "04 - Martin Was a Man, a Real Man.wav" WAVE TRACK 04 AUDIO TITLE "Martin Was a Man, a Real Man" PERFORMER "Oliver Nelson" INDEX 01 00:00:00 FILE "05 - Self-Help Is Needed.wav" WAVE TRACK 05 AUDIO TITLE "Self-Help Is Needed" PERFORMER "Oliver Nelson" INDEX 01 00:00:00 FILE "06 - I Hope in Time a Change Will Come.wav" WAVE TRACK 06 AUDIO TITLE "I Hope in Time a Change Will Come" PERFORMER "Oliver Nelson" INDEX 01 00:00:00 FILE "07 - 3, 2, 1, 0.wav" WAVE TRACK 07 AUDIO TITLE "3, 2, 1, 0" PERFORMER "Oliver Nelson" INDEX 01 00:00:00 FILE "08 - Black, Brown and Beautiful.wav" WAVE TRACK 08 AUDIO TITLE "Black, Brown and Beautiful" PERFORMER "Oliver Nelson" INDEX 01 00:00:00 FILE "09 - Requiem, Afterthoughts.wav" WAVE TRACK 09 AUDIO TITLE "Requiem, Afterthoughts" PERFORMER "Oliver Nelson" INDEX 01 00:00:00     Об альбоме (сборнике) At last! Oliver Nelson's signature album from his Flying Dutchman period is on CD, only 47 years after it's initial release on vinyl and cassette in 1970. The album was previously available as a compressed digital download, and certain tracks were released a couple years back by Ace Records as part of the compilation Liberation Music: Spiritual Jazz And The Art Of Protest On Flying Dutchman Records 1969-1974. Solid has issued the original tracklist with the original nude cover in a jewel case with obi, with the back of the leaf showing the original album back. The original, quite radical liner notes written by Nelson and interior photos are missing, however. Instead, the inside of the leaf has a tracklist in English, with liner notes in kanji. Not having any ability in Japanese, I cannot comment further on the new liner notes, save that they are credited to Kazunori Harada. Sound quality is clean and strong, but more forward with less presence than the vinyl. In all, what we've come to expect from reissues of this sort. Nelson had created a tribute to JFK in 1967, The Kennedy Dream, so it was not unexpected that the assassination of Martin Luther King in 1968 would provoke a response from this artist, who had ventured into interpreting the African-American experience previously in 1962's orchestral jazz album Afro American Sketches. Having made the jump with friend and producer Bob Thiele from Impulse! to Thiele's new label, Flying Dutchman (the first release ever was Nelson's second collaboration with Steve Allen, Soulful Brass 2), Nelson's first real album for the label was a labor of love and agony, recorded in 1969 when Nelson was only recently recovered from malaria. Eclectic in style, the album ranges from big band to classical to modern. Stanley Wilson (then director of music at Universal Studios) takes on arranging duties, an unheard-of event for Nelson, an arranger renowned perhaps beyond his abilities as a composer and saxophonist. His own arrangement of the title track would debut later in 1970 on Johnny Hodges' final album, 3 Shades of Blue. "Aftermath" begins with the sounds of riots, albeit recreated; this segues into film score-like material, that itself gives way to some modern jazz, overall very affecting. "Requiem" pits two lines against one another, one a ostinato akin to one from Ligeti, while the other will become the melody in the final track. "Lamb of God" is a dramatic orchestral piece, as is "Martin Was a Man, He Was a Real Man," originally written for a male voice like Paul Robeson, but Nelson couldn't get a lyricist in time. Both tracks cement the early running as "serious" work. What had been Side Two on the vinyl kicks off the jazz portion of the evening (IMHO, this is best played after dark) with a pair of topical big band numbers with Nelson on tenor and soprano sax respectively: "Self-Help Is Needed" and the melancholy "I Hope in Time a Change Will Come". "3,2,1,0" is the only "off topic" track, a stirring big band number, was written in honor of the moon landing, for the 1969 album 3-2-1-0 by Nabuo Hara and the Sharps and flats; it became their band theme for a while. The title track is one of Nelson's loveliest compositions, finally out on CD in the original version, with Nelson's tenor soaring over Wilson's arrangement. The finale harkens back not only to the second track, but all the way back to the 1963 album that Nelson arranged for Billy Taylor: Right Here, Right Now. One can hear Theodora Taylor's "Afterthoughts" lurking here; reinvented yet still recognizable. Great appreciation to Solid for getting this out on CD, as well as the Nelson-arranged Groove Holmes album 6 Million Dollar Man, also new to CD. -- J. Burns