(Post-Bop) [CD] Marshall Gilkes - Lost Words - 2008, FLAC (tracks+.cue), lossless

Marshall Gilkes - Lost Words Жанр: Post-Bop Носитель: CD Страна-производитель диска (релиза): США Год издания: 2008 Издатель (лейбл): Alternate Side Records Номер по каталогу: ASR003 Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 56:00 Источник (релизер): jozeluiz (what) Наличие сканов в содержимом раздачи: нет Треклист: 01. Crossover Intro (Gilkes) - 2:39 02. The Crossover (Gilkes) - 4:30 03. Late Arrival (Gilkes) - 8:52 04. Lost Words (Gilkes) - 7:42 05. Five Nights (Gilkes) - 9:07 06. Titeuf (Gilkes) - 6:58 07. What's Next (Gilkes) - 6:16 08. End in Sight (Gilkes) - 9:56 Состав: Marshall Gilkes - trombone Michael Rodriguez - trumpet, flugelhorn Jon Cowherd - piano Yasushi Nakamura - bass Clarence Penn - drums Recorded at Systems Two, Brooklyn, NY on December 13-14, 2007.   Лог создания рипа X Lossless Decoder version 20141129 (148.1) XLD extraction logfile from 2015-01-09 15:29:45 -0500 Marshall Gilkes / Lost Words Used drive : HL-DT-ST DVDRW GX30N (revision RP09) Media type : Pressed CD Ripper mode : XLD Secure Ripper Disable audio cache : OK for the drive with a cache less than 1375KiB Make use of C2 pointers : NO Read offset correction : 6 Max retry count : 100 Gap status : Analyzed, Appended TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 00:00:00 | 02:38:58 | 0 | 11907 2 | 02:38:58 | 04:30:15 | 11908 | 32172 3 | 07:08:73 | 08:52:20 | 32173 | 72092 4 | 16:01:18 | 07:42:12 | 72093 | 106754 5 | 23:43:30 | 09:06:71 | 106755 | 147775 6 | 32:50:26 | 06:58:29 | 147776 | 179154 7 | 39:48:55 | 06:16:06 | 179155 | 207360 8 | 46:04:61 | 09:55:70 | 207361 | 252055 AccurateRip Summary (DiscID: 000f667d-006af938-640d2008) Track 01 : OK (v1, confidence 4/4) Track 02 : OK (v1, confidence 4/4) Track 03 : OK (v1, confidence 4/4) Track 04 : OK (v1, confidence 4/4) Track 05 : OK (v1, confidence 4/4) Track 06 : OK (v1, confidence 4/4) Track 07 : OK (v1, confidence 4/4) Track 08 : OK (v1, confidence 4/4) ->All tracks accurately ripped. All Tracks Album gain : -4.86 dB Peak : 0.999969 Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0 Track 01 Filename : /Volumes/Daiki/Music/What.CD/uploads/Marshall Gilkes - Lost Words (2008) [FLAC]/01 Crossover Intro.flac Pre-gap length : 00:02:00 Track gain : -1.02 dB Peak : 0.977295 CRC32 hash (test run) : 5145AB7B CRC32 hash : 5145AB7B CRC32 hash (skip zero) : 665FF04B AccurateRip v1 signature : A35B3E9D AccurateRip v2 signature : C5D2D3A8 ->Accurately ripped (v1, confidence 4/4) Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0 Track 02 Filename : /Volumes/Daiki/Music/What.CD/uploads/Marshall Gilkes - Lost Words (2008) [FLAC]/02 The Crossover.flac Track gain : -5.67 dB Peak : 0.977478 CRC32 hash (test run) : 27DEE7A8 CRC32 hash : 27DEE7A8 CRC32 hash (skip zero) : EE264401 AccurateRip v1 signature : FCCF561A AccurateRip v2 signature : A7CE32E2 ->Accurately ripped (v1, confidence 4/4) Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0 Track 03 Filename : /Volumes/Daiki/Music/What.CD/uploads/Marshall Gilkes - Lost Words (2008) [FLAC]/03 Late Arrival.flac Pre-gap length : 00:02:00 Track gain : -5.14 dB Peak : 0.977478 CRC32 hash (test run) : 6EA8091A CRC32 hash : 6EA8091A CRC32 hash (skip zero) : A902B968 AccurateRip v1 signature : D2783236 AccurateRip v2 signature : 4DA72098 ->Accurately ripped (v1, confidence 4/4) Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0 Track 04 Filename : /Volumes/Daiki/Music/What.CD/uploads/Marshall Gilkes - Lost Words (2008) [FLAC]/04 Lost Words.flac Track gain : -4.78 dB Peak : 0.977386 CRC32 hash (test run) : 080F79BB CRC32 hash : 080F79BB CRC32 hash (skip zero) : 0F25BAEF AccurateRip v1 signature : 492B8243 AccurateRip v2 signature : 55480E38 ->Accurately ripped (v1, confidence 4/4) Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0 Track 05 Filename : /Volumes/Daiki/Music/What.CD/uploads/Marshall Gilkes - Lost Words (2008) [FLAC]/05 Five Nights.flac Track gain : -5.00 dB Peak : 0.999969 CRC32 hash (test run) : C2947BCB CRC32 hash : C2947BCB CRC32 hash (skip zero) : 7E24B657 AccurateRip v1 signature : EE7D799B AccurateRip v2 signature : 5B587012 ->Accurately ripped (v1, confidence 4/4) Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0 Track 06 Filename : /Volumes/Daiki/Music/What.CD/uploads/Marshall Gilkes - Lost Words (2008) [FLAC]/06 Titeuf.flac Track gain : -5.21 dB Peak : 0.984131 CRC32 hash (test run) : 823E9A9C CRC32 hash : 823E9A9C CRC32 hash (skip zero) : 5AEA2E30 AccurateRip v1 signature : D37A39F0 AccurateRip v2 signature : A13234B3 ->Accurately ripped (v1, confidence 4/4) Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0 Track 07 Filename : /Volumes/Daiki/Music/What.CD/uploads/Marshall Gilkes - Lost Words (2008) [FLAC]/07 What's Next.flac Track gain : -2.59 dB Peak : 0.977325 CRC32 hash (test run) : A8F60169 CRC32 hash : A8F60169 CRC32 hash (skip zero) : 5B9A7384 AccurateRip v1 signature : 872B078B AccurateRip v2 signature : 84FEC942 ->Accurately ripped (v1, confidence 4/4) Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0 Track 08 Filename : /Volumes/Daiki/Music/What.CD/uploads/Marshall Gilkes - Lost Words (2008) [FLAC]/08 End in Sight.flac Track gain : -4.91 dB Peak : 0.992035 CRC32 hash (test run) : 26B9CF34 CRC32 hash : 26B9CF34 CRC32 hash (skip zero) : F34D4DB4 AccurateRip v1 signature : 25186374 AccurateRip v2 signature : 5CB6E9B2 ->Accurately ripped (v1, confidence 4/4) Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0 No errors occurred End of status report -----BEGIN XLD SIGNATURE----- ojUZzzhRZznzFIGCubJMwJVXH6crMgCFwOfWXIeTEcMriHFPjIWLXHG9AQ6Es_MOCCKgCedKQrOdmaCVZ.WS1p98_ugXiJ_Ca5ovIoK -----END XLD SIGNATURE-----     Содержание индексной карты (.CUE) TITLE "Lost Words" PERFORMER "Marshall Gilkes" REM GENRE "Jazz" REM DATE "2008" REM DISCID 640D2008 REM REPLAYGAIN_ALBUM_GAIN -4.86 dB REM REPLAYGAIN_ALBUM_PEAK 0.999969 FILE "01 - Crossover Intro.flac" WAVE TRACK 01 AUDIO TITLE "Crossover Intro" REM REPLAYGAIN_TRACK_GAIN -1.02 dB REM REPLAYGAIN_TRACK_PEAK 0.977295 INDEX 01 00:00:00 FILE "02 - The Crossover.flac" WAVE TRACK 02 AUDIO TITLE "The Crossover" REM REPLAYGAIN_TRACK_GAIN -5.67 dB REM REPLAYGAIN_TRACK_PEAK 0.977478 INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "Late Arrival" REM REPLAYGAIN_TRACK_GAIN -5.14 dB REM REPLAYGAIN_TRACK_PEAK 0.977478 INDEX 00 04:28:15 FILE "03 - Late Arrival.flac" WAVE INDEX 01 00:00:00 FILE "04 - Lost Words.flac" WAVE TRACK 04 AUDIO TITLE "Lost Words" REM REPLAYGAIN_TRACK_GAIN -4.78 dB REM REPLAYGAIN_TRACK_PEAK 0.977386 INDEX 01 00:00:00 FILE "05 - Five Nights.flac" WAVE TRACK 05 AUDIO TITLE "Five Nights" REM REPLAYGAIN_TRACK_GAIN -5.00 dB REM REPLAYGAIN_TRACK_PEAK 0.999969 INDEX 01 00:00:00 FILE "06 - Titeuf.flac" WAVE TRACK 06 AUDIO TITLE "Titeuf" REM REPLAYGAIN_TRACK_GAIN -5.21 dB REM REPLAYGAIN_TRACK_PEAK 0.984131 INDEX 01 00:00:00 FILE "07 - What's Next.flac" WAVE TRACK 07 AUDIO TITLE "What's Next" REM REPLAYGAIN_TRACK_GAIN -2.59 dB REM REPLAYGAIN_TRACK_PEAK 0.977325 INDEX 01 00:00:00 FILE "08 - End in Sight.flac" WAVE TRACK 08 AUDIO TITLE "End in Sight" REM REPLAYGAIN_TRACK_GAIN -4.91 dB REM REPLAYGAIN_TRACK_PEAK 0.992035 INDEX 01 00:00:00     Review by David R. Adler One of the more refreshing jolts of 2004 was Edenderry, a debut album by a young trombonist named Marshall Gilkes (pronounced “jilks”). Not everyone can carry off a session with trombone as the sole horn. Gilkes’ eloquence and technical command, however, were apparent from Edenderry’s first notes. Pianist Jon Cowherd, bassist Matt Clohesy and drummer Johnathan Blake brought to the date an ideal mix of burning swing and sensitivity. By the album’s end it was clear that Gilkes was not only a strong player, but also an imaginative composer, with a fineear for mood, melody, texture and flow. Not surprisingly, the Brooklyn-based Gilkes has been scooped up by a wide variety of acclaimed bands, including veteran drummer Billy Cobham’s group, harpist Edmar Castaneda’s compact trio and two very different large ensembles: David Berger’s Sultans of Swing and the Grammy-winning Maria Schneider Orchestra. In the course of all this work, Gilkes has formed solid bonds with New York’s very best players, including the ones we hear on his second release, Lost Words. Cowherd, a mainstay of the Brian Blade Fellowship and a beautiful composer in his own right, remains in the piano chair. Trumpeter Michael Rodriguez, with credits including Charlie Haden and Gonzalo Rubalcaba, happened to appear alongside Gilkes in the small brass choir that graced Ryan Keberle’s Double Quartet CD (released by the Alternate Side label in 2007). By adding Rodriguez’s blistering horn to the frontline on Lost Words, Gilkes has expanded his options as an orchestrator, highlighting new colors and contrapuntal details. The rhythm section is equally vibrant. Bassist Yasushi Nakamura was a classmate of Gilkes’ in the Juilliard jazz program; the two have worked together in the Sultans, where Nakamura subbed for Dennis Irwin, now sadly departed. Drummer Clarence Penn, still in the thick of a long tenure with Dave Douglas, met Gilkes while working in Maria Schneider’s band. All of them bring chops and wide-ranging experience to Lost Words, but what Gilkes values the most is each player’s ability to project a big and authoritative sound. “Someone once told me you could have harmony, rhythm and all the other musical elements in place,” he recalls, “but if you don’t have a sound behind it, it doesn’t matter.” Gilkes’ new original pieces are elaborate in conception but direct in melodic appeal, with close attention paid to dynamic and rhythmic variation. His affinity for Latin jazz is evident in spots, though there are fewer explicitly clave-based rhythms than on Edenderry. Instead, we hear more of a classical tinge in Gilkes’ multipart writing and subtle through-composed themes. “Late Arrival” opens deftly with a successive layering of voices in 6/8 time before shifting to a lyrical theme in a relaxed straight-eighth feel. “The Crossover” is prefaced by a virtuosic solo trombone etude — “written out, not improvised,” Gilkes notes — which introduces the motifs underlying the body of the tune itself. The criss-crossing lines convey a sense not only of bracing difficulty, but also hard-swinging energy and fun. “Titeuf,” later in the program, also has a classical dimension. “It’s basically a fugue,” Gilkes says, explaining how he came to write it after playing a gig in La Rochelle, France. “I had lunch with this family and they had this little rabbit, Titeuf, who would just show up throughout day, hopping around.” Gilkes saw something musical in Titeuf’s locomotion, and began to hear the “subject” of this fugue, a tight fourway dialogue initiated by Nakamura on bass. Rodriguez solos over a straight-eighth vamp, but Gilkes signals a shift to deep swing for his ruminative choruses. “Five Nights” builds a different kind of rhythmic interest, with the meter shifting from 5/4 to 6/4 as the form and solos progress. Rodriguez seeks out dissonant pathways in a fierce trumpet solo, but just as remarkable is Cowherd’s ability to harmonize every move in the moment, which requires highly advanced ears. “I wrote this the week after playing with Maria Schneider for five nights at the Jazz Standard,” Gilkes reveals, and though the piece captures something of Schneider’s picturesque sound, it steers clear of imitation. “Lost Words” has a soaring quality as well, with a rhapsodic piano introduction and a recurring transition, courtesy of the agile Penn, to a breakbeat or drum-n-bass feel at the end of the form. “That influence comes from my brother Geoff, who programs a lot of electronic music,” says the trombonist. If some of Gilkes’ song titles suggest a pensive, anticipatory mood, it’s no accident: he was composing at a time when completion of school and the demands of gigging made for long and tiring days, tinged with hope but also questioning, as he puts it, “What’s this all for?” The ballad “What’s Next” taps into that sentiment, and though it’s far from obvious, there’s a subterranean gospel influence here. “I was trying in theoretical terms to explore the I-IV relationship that’s very typical of gospel,” Gilkes offers. “End in Sight,” another paean to moving on after a challenging period, combines samba rhythms and stretches of 7/8 time and inspires one of Gilkes’ most intense solos of the date. “This was originally written for three horns,” he observes, “so I used rich intervals to approximate the sound of a third voice, using two horns but getting as much sound out of them as I could.” And that’s just it: With this quintet, the whole is greater than the sum. The fullness of the sound is a function of the players’ skill, but also Gilkes’ intuition as to how to harness it. And so with Lost Words comes music of broad scope and high impact, an early indication of what Gilkes is reaching for as he continues his most promising career.