(Post-Bop) [CD] Kenny Wheeler - Six for Six - 2013, FLAC (tracks+.cue), lossless

Kenny Wheeler - Six for Six Жанр: Post-Bop Носитель: CD Страна-производитель диска: Франция Год издания: 2013 Издатель (лейбл): Cam Jazz Номер по каталогу: CAMJ 7866-5 Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 58:01 Источник (релизер): tdelyon (what) Наличие сканов в содержимом раздачи: да Треклист: 01. Seven, Eight, Nine (Part 1) (Wheeler) - 8:19 02. Canter N. 6 (Wheeler) - 5:07 03. The Long Waiting (Wheeler) - 5:55 04. Four, Five, Six (Wheeler) - 8:07 05. Ballad N. 130 (Wheeler) - 7:24 06. Seven, Eight, Nine (Part 2) (Wheeler) - 5:34 07. The Imminent Immigrant (Wheeler) - 6:56 08. Upwards (Wheeler) - 10:39 Состав: Kenny Wheeler - trumpet, flugelhorn Stan Sulzmann - tenor saxophone, soprano saxophone Bobby Wellins - tenor saxophone John Taylor - piano Chris Laurence - bass Martin France - drums Recorded at Bauer Studios, Ludwigsburg on April 7-11, 2008.   Лог создания рипа Exact Audio Copy V1.0 beta 3 from 29. August 2011 EAC extraction logfile from 10. October 2013, 16:29 Kenny Wheeler / Six For Six Used drive : PHILIPS SPD3400CC Adapter: 3 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Installed external ASPI interface Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TOTALTRACKS=%numtracks%" -T "GENRE=%genre%" -T "ALBUM ARTIST=%albumartist%" -T "ALBUMARTIST=%albumartist%" -T "COMMENT=EAC V1.0 beta 3, Secure Mode, Test & Copy, AccurateRip, FLAC -8" %source% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 8:18.53 | 0 | 37402 2 | 8:18.53 | 5:06.61 | 37403 | 60413 3 | 13:25.39 | 5:55.19 | 60414 | 87057 4 | 19:20.58 | 8:06.46 | 87058 | 123553 5 | 27:27.29 | 7:24.06 | 123554 | 156859 6 | 34:51.35 | 5:34.14 | 156860 | 181923 7 | 40:25.49 | 6:56.20 | 181924 | 213143 8 | 47:21.69 | 10:38.49 | 213144 | 261042 Track 1 Filename C:\Rips\01 Seven, Eight, Nine (Part 1).wav Pre-gap length 0:00:02.00 Peak level 93.9 % Extraction speed 2.1 X Track quality 100.0 % Test CRC EF225224 Copy CRC EF225224 Track not present in AccurateRip database Copy OK Track 2 Filename C:\Rips\02 Canter N. 6.wav Pre-gap length 0:00:03.45 Peak level 93.9 % Extraction speed 2.4 X Track quality 100.0 % Test CRC F2E8B2A8 Copy CRC F2E8B2A8 Track not present in AccurateRip database Copy OK Track 3 Filename C:\Rips\03 The Long Waiting.wav Pre-gap length 0:00:02.28 Peak level 93.9 % Extraction speed 2.2 X Track quality 99.9 % Test CRC C3559D7D Copy CRC C3559D7D Track not present in AccurateRip database Copy OK Track 4 Filename C:\Rips\04 Four, Five, Six.wav Pre-gap length 0:00:03.07 Peak level 93.9 % Extraction speed 3.0 X Track quality 100.0 % Test CRC 043E3ADF Copy CRC 043E3ADF Track not present in AccurateRip database Copy OK Track 5 Filename C:\Rips\05 Ballad N. 130.wav Pre-gap length 0:00:03.41 Peak level 93.9 % Extraction speed 3.3 X Track quality 100.0 % Test CRC 24F42F49 Copy CRC 24F42F49 Track not present in AccurateRip database Copy OK Track 6 Filename C:\Rips\06 Seven, Eight, Nine (Part 2 ).wav Pre-gap length 0:00:02.64 Peak level 93.9 % Extraction speed 3.4 X Track quality 100.0 % Test CRC 68C38378 Copy CRC 68C38378 Track not present in AccurateRip database Copy OK Track 7 Filename C:\Rips\07 The Imminent Immigrant.wav Pre-gap length 0:00:03.35 Peak level 93.9 % Extraction speed 3.7 X Track quality 100.0 % Test CRC 77C71300 Copy CRC 77C71300 Track not present in AccurateRip database Copy OK Track 8 Filename C:\Rips\08 Upwards.wav Pre-gap length 0:00:02.56 Peak level 93.9 % Extraction speed 4.0 X Track quality 100.0 % Test CRC 67D81A4F Copy CRC 67D81A4F Track not present in AccurateRip database Copy OK None of the tracks are present in the AccurateRip database No errors occurred End of status report ==== Log checksum 229B4D7CC6D640EA0F8831774FD3D57CAB2091E68E5B2FFE43001A73230BA275 ====     Содержание индексной карты (.CUE) REM GENRE Jazz REM DATE 2013 REM DISCID 620D9808 REM COMMENT "ExactAudioCopy v1.0b3" PERFORMER "Kenny Wheeler" TITLE "Six for Six" FILE "01 - Seven, Eight, Nine (Part 1).wav" WAVE TRACK 01 AUDIO TITLE "Seven, Eight, Nine (Part 1)" PERFORMER "Kenny Wheeler" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Canter N. 6" PERFORMER "Kenny Wheeler" INDEX 00 08:15:08 FILE "02 - Canter N. 6.wav" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "The Long Waiting" PERFORMER "Kenny Wheeler" INDEX 00 05:04:33 FILE "03 - The Long Waiting.wav" WAVE INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "Four, Five, Six" PERFORMER "Kenny Wheeler" INDEX 00 05:52:12 FILE "04 - Four, Five, Six.wav" WAVE INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "Ballad N. 130" PERFORMER "Kenny Wheeler" INDEX 00 08:03:05 FILE "05 - Ballad N. 130.wav" WAVE INDEX 01 00:00:00 TRACK 06 AUDIO TITLE "Seven, Eight, Nine (Part 2)" PERFORMER "Kenny Wheeler" INDEX 00 07:21:17 FILE "06 - Seven, Eight, Nine (Part 2).wav" WAVE INDEX 01 00:00:00 TRACK 07 AUDIO TITLE "The Imminent Immigrant" PERFORMER "Kenny Wheeler" INDEX 00 05:30:54 FILE "07 - The Imminent Immigrant.wav" WAVE INDEX 01 00:00:00 TRACK 08 AUDIO TITLE "Upwards" PERFORMER "Kenny Wheeler" INDEX 00 06:53:39 FILE "08 - Upwards.wav" WAVE INDEX 01 00:00:00     Отчет CUETools [CUETools log; Date: 16.11.2014 2:42:27; Version: 2.1.5] [CTDB TOCID: KJT3VpXfc1RFegAoTOsJzJ6NWms-] found. Track | CTDB Status 1 | (1/1) Accurately ripped 2 | (1/1) Accurately ripped 3 | (1/1) Accurately ripped 4 | (1/1) Accurately ripped 5 | (1/1) Accurately ripped 6 | (1/1) Accurately ripped 7 | (1/1) Accurately ripped 8 | (1/1) Accurately ripped [AccurateRip ID: 00111c78-00724e92-620d9808] found. Track [ CRC | V2 ] Status 01 [2dc15b4c|4c3c8786] (0+3/5) Accurately ripped 02 [8b8de2af|334b35ba] (0+3/5) Accurately ripped 03 [5a783681|a81e8666] (0+3/6) Accurately ripped 04 [4de3beb1|986ac69f] (0+3/6) Accurately ripped 05 [413719a3|431ee2e7] (0+3/6) Accurately ripped 06 [a62b1025|aca42d41] (0+3/5) Accurately ripped 07 [bf800f4f|98e2094b] (0+3/5) Accurately ripped 08 [3ff7669d|87f7becd] (0+3/5) Accurately ripped Offsetted by -48: 01 [e8ca9fa2] (0/5) No match (V2 was not tested) 02 [93bb43bc] (0/5) No match (V2 was not tested) 03 [ea5fb938] (0/6) No match (V2 was not tested) 04 [23b36cf4] (0/6) No match (V2 was not tested) 05 [172dfd33] (0/6) No match (V2 was not tested) 06 [635b68f7] (0/5) No match (V2 was not tested) 07 [b85aa1cd] (0/5) No match (V2 was not tested) 08 [47e24bfd] (0/5) No match (V2 was not tested) Track Peak [ CRC32 ] [W/O NULL] [ LOG ] -- 93,9 [391C5D29] [EA593D6B] 01 93,9 [EF225224] [FE44A69E] CRC32 02 93,9 [F2E8B2A8] [8F8F7EFC] CRC32 03 93,9 [C3559D7D] [FA461278] CRC32 04 93,9 [043E3ADF] [5A1F7B8D] CRC32 05 93,9 [24F42F49] [7776E51E] CRC32 06 93,9 [68C38378] [FFE6BEDF] CRC32 07 93,9 [77C71300] [F3B35922] CRC32 08 93,9 [67D81A4F] [285F5E7C] CRC32     Review by John Kelman When artists move into their eighties, every new album is a gift. It's difficult enough for any octogenarian musician to maintain his/her game, but especially horn players, for whom embouchure and breath are so essential to tone and reach. Six for Six is, however, a curious gift from expat Canadian trumpeter Kenny Wheeler, who's made Britain his home since the mid-'50s. Recorded in 2008, it's his first sextet recording since 2003's Dream Sequence—and even that album only featured one piece for all six players. What that really means, then, is that Six for Six is Wheeler's first real sextet date since 1980's Around 6, and his very first with a lineup consisting, in addition to his inimitable horn work, of two saxophones, piano, bass and drums. It's a curious program: a full six of its eight tracks were heard just last year on Wheeler's superb big band outing, The Long Waiting (Cam Jazz, 2012), but they couldn't be more different, demonstrating just how malleable Wheeler's charts can be. Recorded in 2011, The Long Waiting, "Seven, Eight, Nine" was a relatively concise, mid-tempo swinger that featured just one solo (Wheeler); here, it's broken into two parts spread across the record. The album-opening "Part 1" opens with a powerful a cappella intro from drummer Martin France that sets the tone for an album that's Wheeler's most flat-out incendiary since Double, Double You (ECM, 1984). Unlike The Long Waiting's mixed meter reading of 7/8, 6/8 and 4/4, "Part 1" here sticks with a constant 4/4, but at a much brighter clip—and with plenty more solo space for Wheeler, tenor saxophonist Bobby Wellins and soprano saxophonist Stan Sulzmann. Excising the original's second theme for further extrapolation, "Seven, Eight, Nine (Part 2)," is taken at a slightly slower pace than "Part 1" (but still considerably brighter than the big band version) and, while significantly shorter, still leaves room for impressive solos from Sulzmann (this time on tenor), Taylor and Wheeler, with Laurence a firm but pliant anchor and France, once again, playing with fire and unfettered freedom throughout this bright 6/8 take. Wellins is the only new face here, with Sulzmann, pianist John Taylor and bassist Chris Laurence all longtime Wheeler collaborators; and, although France only made his first recorded appearance with Wheeler on The Long Waiting, he's been gigging with the trumpeter for some time, and has been a member of Taylor's trio since the pianist's superb Angel of the Presence (Cam Jazz, 2006). Still, with Wellins an alumnus of British luminaries like Stan Tracey and Tubby Hayes, it's unlikely that this is the first time he and Wheeler have broken musical bread together. On the flip side to more powerful tracks like "Upwards," which more closely mirrors the energy of The Long Waiting's version, albeit with a significantly altered arrangement, Six for Six's fresh look at "The Long Waiting," with its spare duo intro from Wheeler and Taylor, is taken at a slower pace, while the more amiable pulse of the big band's "Four, Five Six" is deserted here for a shorter version that still manages to squeeze in another piano/trumpet intro, a fiery rubato exchange between Sulzmann and Wellins and, finally—and at a faster clip—space for concise but high octane solos from Wellins, Taylor, Wheeler and France. It's not just because, with the exception of The Long Waiting, Six for Six is Wheeler's first Cam Jazz recording to feature a drummer—though France certainly lights one heckuva fire underneath his band mates, while still proving capable of a gentler disposition on more subdued fare like "Ballad N. 130" and the brighter, but lighter-textured "The Imminent Immigrant," making its first appearance since Wheeler's quartet date All the More (Soul Note, 1997). In a career now approaching its sixth decade, Wheeler's writing has not lost any of the unmistakable lyricism that's been a defining touchstone since early recordings like the classic Gnu High (ECM, 1976), but even as he's passed the 83 mark this year, Wheeler's lost neither his tone nor his remarkable reach—his closing, stratospheric note at the end of "Four, Five, Six" being something to which many trumpeters half his age still aspire. Not since Double, Double You has Wheeler released an album as exhilarating as Six for Six. With a sextet capable of delivering both the firepower and the poetry, hopefully this won't be another of the one-shot deals that have defined the rest of Wheeler's nevertheless impressive discography.