(Post-Bop) [CD] Freddie Hubbard - Breaking Point! - 1964 (1991), FLAC (tracks+.cue), lossless

Freddie Hubbard - Breaking Point! Жанр: Post-Bop Носитель: CD Страна-производитель диска: США Год издания: 1991 Издатель (лейбл): Blue Note Records Номер по каталогу: CDP 7 84172 2 Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 46:54 Источник (релизер): jeraldoguru (what) Наличие сканов в содержимом раздачи: сетевые Треклист: 01. Breaking Point (Hubbard) - 10:19 02. Far Away (Hubbard) - 10:58 03. Blue Frenzy (Hubbard) - 6:24 04. Blue Frenzy (alternate take) (Hubbard) - 3:18 05. D Minor Mint (Hubbard) - 6:25 06. Mirrors (Chambers) - 6:08 07. Mirrors (alternate take) (Chambers) - 3:22 Состав: Freddie Hubbard - trumpet James Spaulding - alto saxophone, flute Ronnie Mathews - piano Eddie Khan - bass Joe Chambers - drums Recorded at the Van Gelder Studio, Englewood Cliffs, NJ on May 7, 1964. Digital transfers by Ron McMaster.   Лог создания рипа Exact Audio Copy V0.99 prebeta 5 from 4. May 2009 EAC extraction logfile from 29. October 2009, 13:52 Freddie Hubbard / Breaking Point Used drive : Optiarc DVD RW AD-7170S Adapter: 4 ID: 2 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 48 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 128 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe Additional command line options : -V -8 -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %s TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 10:19.17 | 0 | 46441 2 | 10:19.17 | 10:58.25 | 46442 | 95816 3 | 21:17.42 | 6:24.13 | 95817 | 124629 4 | 27:41.55 | 3:18.35 | 124630 | 139514 5 | 31:00.15 | 6:25.30 | 139515 | 168419 6 | 37:25.45 | 6:08.07 | 168420 | 196026 7 | 43:33.52 | 3:21.50 | 196027 | 211151 Track 1 Filename C:\EACRips\Freddie Hubbard - 1964 - Breaking Point [FLAC]\01 - Breaking Point.wav Pre-gap length 0:00:02.00 Peak level 100.0 % Track quality 100.0 % Test CRC D86B8A90 Copy CRC D86B8A90 Accurately ripped (confidence 4) [973BE0F8] Copy OK Track 2 Filename C:\EACRips\Freddie Hubbard - 1964 - Breaking Point [FLAC]\02 - Far Away.wav Pre-gap length 0:00:02.66 Peak level 84.7 % Track quality 100.0 % Test CRC F1783EF7 Copy CRC F1783EF7 Accurately ripped (confidence 4) [3A125422] Copy OK Track 3 Filename C:\EACRips\Freddie Hubbard - 1964 - Breaking Point [FLAC]\03 - Blue Frenzy.wav Pre-gap length 0:00:01.49 Peak level 100.0 % Track quality 99.9 % Test CRC 3DFD4C74 Copy CRC 3DFD4C74 Accurately ripped (confidence 4) [B65FE20D] Copy OK Track 4 Filename C:\EACRips\Freddie Hubbard - 1964 - Breaking Point [FLAC]\04 - Blue Frenzy [alternate take].wav Pre-gap length 0:00:00.04 Peak level 90.4 % Track quality 100.0 % Test CRC 57996454 Copy CRC 57996454 Accurately ripped (confidence 4) [40614458] Copy OK Track 5 Filename C:\EACRips\Freddie Hubbard - 1964 - Breaking Point [FLAC]\05 - D Minor Mint.wav Pre-gap length 0:00:02.20 Peak level 100.0 % Track quality 100.0 % Test CRC 5BCDAA55 Copy CRC 5BCDAA55 Accurately ripped (confidence 4) [2F1C2EF6] Copy OK Track 6 Filename C:\EACRips\Freddie Hubbard - 1964 - Breaking Point [FLAC]\06 - Mirrors.wav Pre-gap length 0:00:02.06 Peak level 66.2 % Track quality 100.0 % Test CRC 993D320A Copy CRC 993D320A Accurately ripped (confidence 4) [1930BFE3] Copy OK Track 7 Filename C:\EACRips\Freddie Hubbard - 1964 - Breaking Point [FLAC]\07 - Mirrors [alternate take].wav Pre-gap length 0:00:02.20 Peak level 62.9 % Track quality 100.0 % Test CRC 8EC70302 Copy CRC 8EC70302 Accurately ripped (confidence 3) [9A5D54E1] Copy OK All tracks accurately ripped No errors occurred End of status report     Содержание индексной карты (.CUE) REM GENRE Jazz REM DATE 1964 REM DISCID 5C0AFF07 REM COMMENT "ExactAudioCopy v0.99pb5" PERFORMER "Freddie Hubbard" TITLE "Breaking Point!" FILE "01 - Breaking Point.wav" WAVE TRACK 01 AUDIO TITLE "Breaking Point" PERFORMER "Freddie Hubbard" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Far Away" PERFORMER "Freddie Hubbard" INDEX 00 10:16:42 FILE "02 - Far Away.wav" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "Blue Frenzy" PERFORMER "Freddie Hubbard" INDEX 00 10:56:63 FILE "03 - Blue Frenzy.wav" WAVE INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "Blue Frenzy (alternate take)" PERFORMER "Freddie Hubbard" INDEX 00 06:24:10 FILE "04 - Blue Frenzy (alternate take).wav" WAVE INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "D Minor Mint" PERFORMER "Freddie Hubbard" INDEX 00 03:16:20 FILE "05 - D Minor Mint.wav" WAVE INDEX 01 00:00:00 TRACK 06 AUDIO TITLE "Mirrors" PERFORMER "Freddie Hubbard" INDEX 00 06:23:25 FILE "06 - Mirrors.wav" WAVE INDEX 01 00:00:00 TRACK 07 AUDIO TITLE "Mirrors (alternate take)" PERFORMER "Freddie Hubbard" INDEX 00 06:05:67 FILE "07 - Mirrors (alternate take).wav" WAVE INDEX 01 00:00:00     Отчет CUETools [CUETools log; Date: 11.09.2014 0:02:42; Version: 2.1.5] [CTDB TOCID: nr8WG7bz0qqEZkf0XVYnje8feAk-] found. Track | CTDB Status 1 | (5/5) Accurately ripped 2 | (5/5) Accurately ripped 3 | (5/5) Accurately ripped 4 | (5/5) Accurately ripped 5 | (5/5) Accurately ripped 6 | (5/5) Accurately ripped 7 | (5/5) Accurately ripped [AccurateRip ID: 000efbf3-00562fe4-5c0aff07] found. Track [ CRC | V2 ] Status 01 [973be0f8|8072238c] (08+14/32) Accurately ripped 02 [3a125422|54c79cbd] (08+14/32) Accurately ripped 03 [b65fe20d|360e02a6] (08+14/32) Accurately ripped 04 [40614458|a62d7958] (08+13/31) Accurately ripped 05 [2f1c2ef6|12dcd8a6] (08+14/31) Accurately ripped 06 [1930bfe3|83c94612] (08+13/31) Accurately ripped 07 [9a5d54e1|fcd0f824] (06+12/28) Accurately ripped Offsetted by -935: 01 [37d63098] (06/32) Accurately ripped 02 [8bfd7a82] (06/32) Accurately ripped 03 [d69dfcf7] (06/32) Accurately ripped 04 [06851ee6] (06/31) Accurately ripped 05 [73cda1bf] (06/31) Accurately ripped 06 [553f85b4] (06/31) Accurately ripped 07 [2e792b7d] (06/28) Accurately ripped Track Peak [ CRC32 ] [W/O NULL] [ LOG ] -- 100,0 [371D0FC8] [B9C3C8E3] 01 100,0 [D86B8A90] [D6CBE5DB] CRC32 02 84,7 [F1783EF7] [DD73A4E9] CRC32 03 100,0 [3DFD4C74] [BDABD522] CRC32 04 90,4 [57996454] [76F0E1B6] CRC32 05 100,0 [5BCDAA55] [151B762B] CRC32 06 66,2 [993D320A] [79C2FD29] CRC32 07 62,9 [8EC70302] [C0509DC6] CRC32     Review by Michael G. Nastos Immediately after leaving Art Blakey's Jazz Messengers, trumpeter Freddie Hubbard formed his own quintet and set the modern jazz world on its collective ear with this incredible album. Beyond hard bop and into early creative territory, Hubbard explored a sonic deliverance based on his fiery personality and a refusal to stand still or be satisfied with standardized phrasings and nomenclature. His effective teaming with the unique alto saxophonist James Spaulding and pianist Ronnie Mathews is particularly telling, as this set of Hubbard originals and one from drummer Joe Chambers constitutes some of the most powerful jazz music of this time period. The expansive style of Andrew Hill is identifiable especially during the title track, with the piano of Mathews leading a startling charge of several short and swift mini-theme clarion bursts, moving into calypso. This is one of the more astonishing pieces ever conceived in modern music. "Blue Frenzy" and "D Minor Mint" both display uncanny original themes within mainstream frameworks, bearing the stamp of Hubbard's fierce approach to post-Dizzy Gillespie-type trumpet. The former piece is an easy 24-bar blues activated into cool constraints via the style of Horace Silver but fired up by the antics of Mathews, while the latter track sports a chatty melody, humorously cackling onward. "Far Away" is the most intriguing piece rhythmically and sonically, moving from 6/4 and 3/4 to 12/6, again similar to Andrew Hill's harmonic concept with Spaulding's piquant flute accenting a hip, agile melody. The pure energy Hubbard injected into this ensemble, and the sheer originality of this music beyond peers like Miles Davis and Lee Morgan, identified Hubbard as the newest of new voices on his instrument. Breaking Point has stood the test of time as a recording far ahead of mid-'60s post-bop, and is an essential item for all listeners of incendiary progressive jazz. [Some reissues offer alternate takes of "Blue Frenzy" and the pretty Joe Chambers composition "Mirrors," wavering via Spaulding's flute, a reaching-for-the-stars ballad that has become a standard.]