(Post-Bop, Big Band, Choir) [CD] Irvin Mayfield with the New Orleans Jazz Orchestra and the Dillard University Choir - Strange Fruit - 2005, FLAC (tracks+.cue), lossless

Irvin Mayfield with the New Orleans Jazz Orchestra and the Dillard University Choir - Strange Fruit Жанр: Post-Bop, Big Band, Choir Носитель: CD Страна-производитель диска: США Год издания: 2005 Издатель (лейбл): Basin Street Records Номер по каталогу: BSR 0404-2 Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 77:53 Источник (релизер): tylius (what) Наличие сканов в содержимом раздачи: сетевые Треклист: 01. Narration #1 (Mayfield) - 0:56 02. Intro/Opening Statements (Mayfield) - 6:10 03. The Beginning of the End (Mayfield) - 4:53 Movement II 04. Narration #2 (Mayfield) - 1:22 05. Oral Traditions of the South (Mayfield) - 4:03 06. The Elder Negro Speaks (Mayfield) - 4:03 Movement III 07. Narration #3 (Mayfield) - 2:09 08. Color Lines (Mayfield) - 5:43 Movement IV 09. Narration #4 (Mayfield) - 1:04 10. Ballad of the Hot Long Night (Mayfield) - 7:13 Movement V 11. Narration #5/Beat (Mayfield) - 9:09 Movement VI 12. Narration #6 (Mayfield) - 2:17 13. The Lynch Mob (You Better Run Boy Run) (Mayfield) - 4:52 14. Hoopin' and Hollerin (Mayfield) - 3:47 Movement VII 15. Narration #7 (Mayfield) - 2:18 16. The Prayer/Final Words (Mayfield) - 3:48 Movement VIII 17. Narration #8 (Mayfield) - 4:03 18. The Sacrifice/The Mourning (Mayfield) - 7:00 Movement IX 19. Narration #9/Falling Leaves Yet Growing Trees/Ah Yes the Blues (Mayfield) - 3:03   Лог создания рипа X Lossless Decoder version 20141109 (148.0) XLD extraction logfile from 2014-11-15 21:59:18 -0500 Irvin Mayfield with the New Orleans Jazz Orchestra and the Dillard University Choir / Strange Fruit Used drive : MATSHITA DVD-R UJ-8A8 (revision HA13) Media type : Pressed CD Ripper mode : XLD Secure Ripper Disable audio cache : OK for the drive with a cache less than 1375KiB Make use of C2 pointers : NO Read offset correction : 102 Max retry count : 20 Gap status : Analyzed, Appended (except HTOA) TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 00:00:00 | 00:56:25 | 0 | 4224 2 | 00:56:25 | 06:10:22 | 4225 | 31996 3 | 07:06:47 | 04:53:08 | 31997 | 53979 4 | 11:59:55 | 01:22:27 | 53980 | 60156 5 | 13:22:07 | 04:02:68 | 60157 | 78374 6 | 17:25:00 | 04:02:50 | 78375 | 96574 7 | 21:27:50 | 02:09:17 | 96575 | 106266 8 | 23:36:67 | 05:43:25 | 106267 | 132016 9 | 29:20:17 | 01:03:53 | 132017 | 136794 10 | 30:23:70 | 07:13:20 | 136795 | 169289 11 | 37:37:15 | 09:08:65 | 169290 | 210454 12 | 46:46:05 | 02:17:02 | 210455 | 220731 13 | 49:03:07 | 04:52:33 | 220732 | 242664 14 | 53:55:40 | 03:46:45 | 242665 | 259659 15 | 57:42:10 | 02:17:40 | 259660 | 269974 16 | 59:59:50 | 03:47:70 | 269975 | 287069 17 | 63:47:45 | 04:03:05 | 287070 | 305299 18 | 67:50:50 | 06:59:42 | 305300 | 336766 19 | 74:50:17 | 03:02:53 | 336767 | 350469 AccurateRip Summary (DiscID: 003328c4-02d9c518-1a124013) Track 01 : OK (v1+v2, confidence 4/4) Track 02 : OK (v1+v2, confidence 4/4) Track 03 : OK (v1+v2, confidence 4/4) Track 04 : OK (v1+v2, confidence 4/4) Track 05 : OK (v1+v2, confidence 4/4) Track 06 : OK (v1+v2, confidence 4/4) Track 07 : OK (v1+v2, confidence 4/4) Track 08 : OK (v1+v2, confidence 4/4) Track 09 : OK (v1+v2, confidence 4/4) Track 10 : OK (v1+v2, confidence 4/4) Track 11 : OK (v1+v2, confidence 4/4) Track 12 : OK (v1+v2, confidence 4/4) Track 13 : OK (v1+v2, confidence 4/4) Track 14 : OK (v1+v2, confidence 4/4) Track 15 : OK (v1+v2, confidence 4/4) Track 16 : OK (v1+v2, confidence 4/4) Track 17 : OK (v1+v2, confidence 4/4) Track 18 : OK (v1+v2, confidence 4/4) Track 19 : OK (v1+v2, confidence 4/4) ->All tracks accurately ripped. All Tracks Album gain : -7.10 dB Peak : 1.000000 Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0 Track 01 Filename : /Users/Craig/Music/Irvin Mayfield with the New Orleans Jazz Orchestra and the Dillard University Choir - Strange Fruit (2005) [FLAC]/01 Narration #1.flac Pre-gap length : 00:02:00 Track gain : 0.01 dB Peak : 0.827972 CRC32 hash (test run) : C3FF058A CRC32 hash : C3FF058A CRC32 hash (skip zero) : F6263C4F AccurateRip v1 signature : ACEB7FD1 AccurateRip v2 signature : 83104244 ->Accurately ripped (v1+v2, confidence 2+2/4) Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0 Track 02 Filename : /Users/Craig/Music/Irvin Mayfield with the New Orleans Jazz Orchestra and the Dillard University Choir - Strange Fruit (2005) [FLAC]/02 Opening Statements.flac Track gain : -7.62 dB Peak : 0.988556 CRC32 hash (test run) : 0A2DC805 CRC32 hash : 0A2DC805 CRC32 hash (skip zero) : FE41F708 AccurateRip v1 signature : 754CE741 AccurateRip v2 signature : F696DDC6 ->Accurately ripped (v1+v2, confidence 2+2/4) Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0 Track 03 Filename : /Users/Craig/Music/Irvin Mayfield with the New Orleans Jazz Orchestra and the Dillard University Choir - 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Strange Fruit (2005) [FLAC]/19 Ah Yes the Blues.flac Track gain : -6.89 dB Peak : 1.000000 CRC32 hash (test run) : 4AFE6CEA CRC32 hash : 4AFE6CEA CRC32 hash (skip zero) : E09B294B AccurateRip v1 signature : 7A788A59 AccurateRip v2 signature : 9A8D0257 ->Accurately ripped (v1+v2, confidence 2+2/4) Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0 No errors occurred End of status report -----BEGIN XLD SIGNATURE----- 6.dS7t7I2vPk_HqRujK38YGkAbNG5YPRNhN8cA0OIC9Pxvi.D6gc7S4w_.vPwuYAQjQSTJ1mqLIAeIAVweESQa4_poL3dYOHZlqouQS -----END XLD SIGNATURE-----     Содержание индексной карты (.CUE) TITLE "Strange Fruit" PERFORMER "Irvin Mayfield" REM GENRE "Jazz" REM DATE "2005" REM DISCID 1A124013 REM REPLAYGAIN_ALBUM_GAIN -7.10 dB REM REPLAYGAIN_ALBUM_PEAK 1.000000 FILE "01 - Narration #1.flac" WAVE TRACK 01 AUDIO TITLE "Narration #1" ISRC USBAS0500101 REM REPLAYGAIN_TRACK_GAIN 0.01 dB REM REPLAYGAIN_TRACK_PEAK 0.827972 INDEX 01 00:00:00 FILE "02 - 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Track | CTDB Status 1 | (1/1) Accurately ripped 2 | (1/1) Accurately ripped 3 | (1/1) Accurately ripped 4 | (1/1) Accurately ripped 5 | (1/1) Accurately ripped 6 | (1/1) Accurately ripped 7 | (1/1) Accurately ripped 8 | (1/1) Accurately ripped 9 | (1/1) Accurately ripped 10 | (1/1) Accurately ripped 11 | (1/1) Accurately ripped 12 | (1/1) Accurately ripped 13 | (1/1) Accurately ripped 14 | (1/1) Accurately ripped 15 | (1/1) Accurately ripped 16 | (1/1) Accurately ripped 17 | (1/1) Accurately ripped 18 | (1/1) Accurately ripped 19 | (1/1) Accurately ripped [AccurateRip ID: 003328c4-02d9c518-1a124013] found. 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Ginell The fuzzy black-and-white photo on the cover of the booklet says it all: a white woman, head down, standing beside a noose. In a sense, Irvin Mayfield has come up with an ambitious sequel to Wynton Marsalis' massive oratorio about slavery, "Blood on the Fields," whisking forward to the 1920s, when the Deep South had long since exchanged slavery for an apartheid culture. Unlike Marsalis' opus, the story line here is clear -- a young white woman, Mary Anne, falls in love with a black gardener, LeRoi, whom she's known since childhood, whereupon her white fiance Charles summons a lynch mob to take care of LeRoi. The work is divided into nine movements, mostly adhering to a pattern; the narrator inches the story onward at the beginning of each section, and Mayfield's score purportedly comments on the action for the remainder. From the pure, lazy Ellingtonian strains at the outset, Mayfield gradually applies a variation of the cross-pollination philosophy that he practices regularly in los Hombres Calientes, mixing in everything from gospel choir and straight-ahead big band charts to controlled displays of semi-riotous Dixieland jazz and one rather surprising outbreak of Afro-Cuban rhythms. However the disengagement of the music from the narrative has its weaknesses; you keep wanting to get on with the story, and it gets frustrating because the music doesn't advance the plot. The one time Mayfield does tie the story line directly into the music, the result is electrifying -- a call-and-response chant between a gospel singer and choir depicting the lynching ("The Lynch Mob (you better run boy run)"), as simple and repetitive as a chain-gang song and as compelling as any. And he finally underscores the last chapter of the narrative with music that develops into a slow, wild, contrapuntal bluesy wail to conclude the piece. Wendell Pierce was a great choice for the narration -- he has a rich, deep, charismatic Lou Rawls-like delivery that draws you in -- and along the way, Mayfield gets in some of his most impassioned trumpet solos on record. The whole thing was recorded live in the Lawless Chapel of New Orleans' Dillard University, a space that makes the choir sound dry but suits the 17-piece New Orleans Jazz Orchestra just fine. There are some impressive episodes within this piece, and at the very least, it holds together much better than Marsalis' sprawling opus.     Состав Irvin Mayfield - trumpet New Orleans Jazz Orchestra: Darryl Reeves, Aaron Fletcher - alto saxophone Brice Winston, Calvin Johnson - tenor saxophone Barney Floyd, Leonard Brown - trumpet Steven Walker, Troy "Trombone Shorty" Andrews - trombone Jonathan Batiste, Victor Atkins - piano Troy Davis - drums Dillard University Choir Mixed by Delfeayo Marsalis. Recorded at Artistic Studios and Lawless Chapel, Dillard University, New Orleans, LA in March 19-20, 2004.