(Post-Bop, African Jazz) [CD] Randy Weston - Blue Moses - 1972 (2013 Japan Edition), FLAC (tracks+.cue), lossless

Randy Weston - Blue Moses Жанр: Post-Bop, African Jazz Носитель: CD Страна-производитель диска: Япония Год издания: 2013 Издатель (лейбл): CTI/King Records Номер по каталогу: KICJ-2335 Страна: США Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 36:53 Источник (релизер): magritte66 (what) Наличие сканов в содержимом раздачи: нетТреклист: 01. Ifrane (Weston) - 5:16 02. Ganawa (Blue Moses) (Trad.) - 12:30 03. Night in Medina - 6:50 04. Marrakesh Blues - 12:17Состав: Randy Weston - piano, electric piano Freddie Hubbard - trumpet Bill Cobham - drums Ron Carter, Bill Wood (#3) - bass Phil Kraus, Airto Moreira, Azzedin Weston - percussion Grover Washington , Jr. - tenor saxophone Hubert Laws - flute, alto flute, bass flute, electric flute, piccolo Romeo Penque - oboe, English horn, clarinet, flute, alto flute, bass flute, piccolo George Marge - English horn, clarinet, flute, alto flute, bass flute David Horowitz - Moog John Frosk, Alan Rubin, Marvin Stamm - trumpet, flugelhorn James Buffington, Brooks Tillotson - French horn Wayne Andre - trombone, baritone horn Garnett Brown, Warren Covington - trombone Paul Faulise - trombone, bass trombone Madame Meddah - vocal (youh youh) Don Sebesky - arrangerRecorded at Van Gelder Studios, Englewood Cliffs, NJ in March-April, 1972.  Лог создания рипа X Lossless Decoder version 20140504 (147.0)XLD extraction logfile from 2014-08-11 18:32:51 -0400Various Artists / Blue MosesUsed drive : HL-DT-ST DVDRW GS23N (revision SB03)Media type : Pressed CDRipper mode : XLD Secure RipperDisable audio cache : OK for the drive with a cache less than 1375KiBMake use of C2 pointers : NORead offset correction : 667Max retry count : 100Gap status : Analyzed, AppendedTOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 00:00:00 | 05:16:35 | 0 | 23734 2 | 05:16:35 | 12:30:16 | 23735 | 80000 3 | 17:46:51 | 06:50:02 | 80001 | 110752 4 | 24:36:53 | 12:17:31 | 110753 | 166058AccurateRip Summary Disc not found in AccurateRip DB.All Tracks Album gain : -4.31 dB Peak : 1.000000 Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0Track 01 Filename : /whatcd/Compilations-Blue Moses (2011) (FLAC)/01 Ifrane.flac Pre-gap length : 00:02:00 Track gain : -4.96 dB Peak : 0.999969 CRC32 hash (test run) : F66CCBF4 CRC32 hash : F66CCBF4 CRC32 hash (skip zero) : 355CE03A AccurateRip v1 signature : 5C2AD1D5 AccurateRip v2 signature : E401232D ->Track not present in AccurateRip database. Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0Track 02 Filename : /whatcd/Compilations-Blue Moses (2011) (FLAC)/02 Ganawa (Blue Moses).flac Pre-gap length : 00:01:22 Track gain : -5.16 dB Peak : 1.000000 CRC32 hash (test run) : 38E24AE6 CRC32 hash : 38E24AE6 CRC32 hash (skip zero) : B8A3418B AccurateRip v1 signature : 4051ECBE AccurateRip v2 signature : F634B058 ->Track not present in AccurateRip database. Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0Track 03 Filename : /whatcd/Compilations-Blue Moses (2011) (FLAC)/03 Night In Medina.flac Track gain : -2.25 dB Peak : 0.951477 CRC32 hash (test run) : 669E049A CRC32 hash : 669E049A CRC32 hash (skip zero) : 26F27C11 AccurateRip v1 signature : E53DBE06 AccurateRip v2 signature : A388B54E ->Track not present in AccurateRip database. Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0Track 04 Filename : /whatcd/Compilations-Blue Moses (2011) (FLAC)/04 Marrakesh Blues.flac Pre-gap length : 00:01:64 Track gain : -2.36 dB Peak : 1.000000 CRC32 hash (test run) : 81BEB071 CRC32 hash : 81BEB071 CRC32 hash (skip zero) : 3268D748 AccurateRip v1 signature : 2A9BDDB2 AccurateRip v2 signature : F8C1BAFD ->Track not present in AccurateRip database. Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0No errors occurredEnd of status report  Содержание индексной карты (.CUE) TITLE "Blue Moses"PERFORMER "Randy Weston"REM GENRE "Jazz"REM DATE "1972"REM DISCID 3108A604REM REPLAYGAIN_ALBUM_GAIN -4.31 dBREM REPLAYGAIN_ALBUM_PEAK 1.000000REM COMPILATION TRUEFILE "01 - Ifrane.flac" WAVE TRACK 01 AUDIO TITLE "Ifrane" REM REPLAYGAIN_TRACK_GAIN -4.96 dB REM REPLAYGAIN_TRACK_PEAK 0.999969 INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Ganawa (Blue Moses)" REM REPLAYGAIN_TRACK_GAIN -5.16 dB REM REPLAYGAIN_TRACK_PEAK 1.000000 INDEX 00 05:15:13FILE "02 - Ganawa (Blue Moses).flac" WAVE INDEX 01 00:00:00FILE "03 - Night in Medina.flac" WAVE TRACK 03 AUDIO TITLE "Night in Medina" REM REPLAYGAIN_TRACK_GAIN -2.25 dB REM REPLAYGAIN_TRACK_PEAK 0.951477 INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "Marrakesh Blues" REM REPLAYGAIN_TRACK_GAIN -2.36 dB REM REPLAYGAIN_TRACK_PEAK 1.000000 INDEX 00 06:48:13FILE "04 - Marrakesh Blues.flac" WAVE INDEX 01 00:00:00  Лог проверки качества -----------------------DON'T MODIFY THIS FILE-----------------------PERFORMER: auCDtect Task Manager, ver. 1.6.0 RC1 build 1.6.0.1Copyright (c) 2008-2010 y-soft. All rights reservedhttp://y-soft.orgANALYZER: auCDtect: CD records authenticity detector, version 0.8.2Copyright (c) 2004 Oleg Berngardt. All rights reserved.Copyright (c) 2004 Alexander Djourik. All rights reserved.FILE: 04 - Marrakesh Blues.flac Size: 72719212 Hash: 7D963CF4B7415A7901DAE42CA77DCC9B Accuracy: -m0 Conclusion: CDDA 100% Signature: 62E72B1759F785881AB871E5DE1F6C15A699D1C1FILE: 03 - Night in Medina.flac Size: 40203239 Hash: BBE7F9B7C0EE773117BF08C47C043958 Accuracy: -m0 Conclusion: CDDA 99% Signature: 1BC19AE62861C4E124B779059A2FBAB26C882DE3FILE: 02 - Ganawa (Blue Moses).flac Size: 82546083 Hash: 2C202E2E5F3F6E49FCC343460E19C1E1 Accuracy: -m0 Conclusion: CDDA 100% Signature: 08F044D75D3B05FCFD75548A5DB18F6B1AE7FB4AFILE: 01 - Ifrane.flac Size: 36987480 Hash: 8A7639626A359483BB9BA04BEC43648E Accuracy: -m0 Conclusion: CDDA 100% Signature: F82BD6EBABF0B1B33270C8706BC41B6AA533B6B9  Review by Thom JurekRecorded in 1972, Blue Moses, the most commercially successful album in pianist/composer Randy Weston's catalog remains one of his most controversial due to his conflicted feelings about the final product, which he feels is too polished and too far from his original intent for the project. Indeed, appearing on Creed Taylor's CTI imprint was an almost certain guarantee of polished production. Weston plays both acoustic and Rhodes piano here; he was backed by a band of CTI's star-studded stable: trumpeter Freddie Hubbard, tenor saxophonist Grover Washington, flutists Hubert Laws and Romeo Penque, drummer Billy Cobham, alternate bassists Ron Carter and Bill Wood, and percussionists Phil Kraus, Airto Moreira, and Weston's son Azzedin. This group was backed by a punchy Don Sebesky-arranged horn section. Blue Moses, consists of four compositions; it was an attempt by Weston to showcase the influence "Ganawa" music from Morocco had on him as a composer. "Ganawa (Blues Moses)," with its frenetic, minor-key piano lines, knotty, Middle Eastern Eastern-sounding charts, and skittering North African rhythms push the listener into a new space, one that stands outside of CTI's usual frame in, and into, the exotic. The brass is aggressive, and while that might overshadow some recordings of lesser substance, Sebesky knew what he had in Weston's tunes, and reigned his players in just enough to keep the dynamics fresh, open, and full of engaged call-and- response playing between Weston, Hubbard, and Laws. So too, album closer "Marrakesh Blues," with wordless backing vocals by Madame Meddah, twinned trumpet and flute lines, gorgeous electric piano solos, and a deep, strolling bassline. It's an Eastern modal blues with the sound of a horn section to boost its drama."Night in the Media" is a labyrinthine, more abstract piece, but utterly atmospheric and colorful in its arrangement, with exciting interplay between Weston's enormous chords and Washington's swinging, soulful saxophone and percussion instruments that create a lithe, spiritual jazz groove. No matter how Weston ultimately feels about Blue Moses, this date succeeds on all levels. Creating a commercially viable recording from the elements presented must not have been easy, but Taylor rose to the occasion and delivered a grooving beauty of an album without compromising Weston's genius.