(Piano & Harp, Ethnic Jazz, Jazz Fusion) [CD] Hiromi & Edmar Castaneda - Live in Montreal - 2017, FLAC (tracks+.cue), lossless

Hiromi & Edmar Castaneda / Live in Montreal Жанр: Harp & Piano, Ethnic Jazz, Jazz Fusion Носитель: CD Страна-производитель диска (релиза): USA Год издания: 2017 Издатель (лейбл): Telarc Страна исполнителя (группы): Colombia | Japan Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 01:12:11 Источник (релизер): isra Наличие сканов в содержимом раздачи: даТреклист: 1. A Harp In New York 2. For Jaco 3. Moonlight Sunshine 4. Cantina Band 5. The Elements: Air 6. The Elements: Earth 7. The Elements: Water 8. The Elements: Fire 9. LibertangoДискография Эдмара Кастанеды: Edmar Castaneda (ft Gonzalo Rubalcaba, Miguel Zenon, Hamilton de Holanda) - Double Portion (2012) [FLAC] Edmar Castaneda (ft Marshall Gilkes, Dave Silliman, John Scofield, Joe Locke, Samuel Torres, Andrea Tierra) - Entre Cuerdas (2009) [FLAC] Edmar Castaneda (ft Paquito D'Rivera, Ari Hoenig, Oscar Staganaro, Marshall Gilkes, Dave Silliman ect) - Cuarto De Colores (2005) [FLAC]Дискография Хироми: Hiromi Uehara (ft. Chick Corea, Akiko Yano, Anthony Jackson, Simon Phillips; Hiromi’s Sonicbloom, The Trio Project, Stanley Clarke Trio) · дискография (13 релизов, 2003–2016), MP3, 320 kbpsДоп. информация: http://www.edmarcastaneda.com/ http://hiromimusic.com/  Лог создания рипа X Lossless Decoder version 20170729 (150.3)XLD extraction logfile from 2017-09-22 164:35:09 PM +0900Hiromi Uehara / Live In MontrealUsed drive : Optiarc DVD RW AD-7560A (revision DX09)Media type : Pressed CDRipper mode : XLD Secure RipperDisable audio cache : OK for the drive with a cache less than 1375KiBMake use of C2 pointers : NORead offset correction : 6Max retry count : 100Gap status : Analyzed, Appended (except HTOA)TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 00:00:00 | 08:39:20 | 0 | 38944 2 | 08:39:20 | 11:41:03 | 38945 | 91522 3 | 20:20:23 | 08:24:60 | 91523 | 129382 4 | 28:45:08 | 05:05:42 | 129383 | 152299 5 | 33:50:50 | 06:52:10 | 152300 | 183209 6 | 40:42:60 | 07:22:40 | 183210 | 216399 7 | 48:05:25 | 07:41:24 | 216400 | 250998 8 | 55:46:49 | 09:14:10 | 250999 | 292558 9 | 65:00:59 | 07:13:06 | 292559 | 325039AccurateRip Summary Disc not found in AccurateRip DB.All Tracks Album gain : -3.75 dB Peak : 0.944824 Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 5 Damaged sector count : 0Track 01 Filename : /Volumes/闇/ Files/ What.CD rips/Hiromi Uehara - 2017 - Live In Montreal [Apple Lossless]/01 A Harp In New York.m4a /Volumes/闇/ Files/ What.CD rips/Hiromi Uehara - 2017 - Live In Montreal [CBR 320K]/01 A Harp In New York.mp3 /Volumes/闇/ Files/ What.CD rips/Hiromi Uehara - 2017 - Live In Montreal [V0]/01 A Harp In New York.mp3 /Volumes/闇/ Files/ What.CD rips/Hiromi Uehara - 2017 - Live In Montreal [FLAC]/01 A Harp In New York.flac Pre-gap length : 00:02:00 Track gain : -3.41 dB Peak : 0.944672 CRC32 hash (test run) : 7C38CD84 CRC32 hash : 7C38CD84 CRC32 hash (skip zero) : 9C160AAA AccurateRip v1 signature : 9A8C8A2A AccurateRip v2 signature : BC6AED16 ->Track not present in AccurateRip database. 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Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0No errors occurredEnd of status report-----BEGIN XLD SIGNATURE-----zFEJvS42nyvSB_Bz0.xiViY4tg0reatZ_8jA_kLoSMR9mIfdyONHBNleouB.yhZ5KU0t4Dryo2ECt9Cloaqvghm2bZWYGr9omeRUwd0-----END XLD SIGNATURE-----  Содержание индексной карты (.CUE) TITLE "Live In Montreal"PERFORMER "Hiromi Uehara"CATALOG 0888072037090REM GENRE "Jazz"REM DATE "2017"REM DISCNUMBER 1REM TOTALDISCS 1REM DISCID 7010ED09REM REPLAYGAIN_ALBUM_GAIN -3.75 dBREM REPLAYGAIN_ALBUM_PEAK 0.944824FILE "01 A Harp In New York.flac" WAVE TRACK 01 AUDIO TITLE "A Harp In New York" PERFORMER "Hiromi & Edmar Castaneda" SONGWRITER "Edmar Castaneda" ISRC USTE11700363 REM REPLAYGAIN_TRACK_GAIN -3.41 dB REM REPLAYGAIN_TRACK_PEAK 0.944672 INDEX 01 00:00:00FILE "02 For Jaco.flac" WAVE TRACK 02 AUDIO TITLE "For Jaco" PERFORMER "Hiromi & Edmar Castaneda" SONGWRITER "Edmar Castaneda" ISRC USTE11700364 REM REPLAYGAIN_TRACK_GAIN -3.79 dB REM REPLAYGAIN_TRACK_PEAK 0.944580 INDEX 01 00:00:00FILE "03 Moonlight Sunshine.flac" WAVE TRACK 03 AUDIO TITLE "Moonlight Sunshine" PERFORMER "Hiromi & Edmar Castaneda" SONGWRITER "Hiromi" ISRC USTE11700365 REM REPLAYGAIN_TRACK_GAIN -2.04 dB REM REPLAYGAIN_TRACK_PEAK 0.944519 INDEX 01 00:00:00FILE "04 Cantina Band.flac" WAVE TRACK 04 AUDIO TITLE "Cantina Band" PERFORMER "Hiromi & Edmar Castaneda" SONGWRITER "John Williams" ISRC USTE11700366 REM REPLAYGAIN_TRACK_GAIN -4.24 dB REM REPLAYGAIN_TRACK_PEAK 0.944824 INDEX 01 00:00:00FILE "05 The Elements - Air.flac" WAVE TRACK 05 AUDIO TITLE "The Elements - Air" PERFORMER "Hiromi & Edmar Castaneda" SONGWRITER "Hiromi" ISRC USTE11700367 REM REPLAYGAIN_TRACK_GAIN -4.48 dB REM REPLAYGAIN_TRACK_PEAK 0.944458 INDEX 01 00:00:00FILE "06 The Elements - Earth.flac" WAVE TRACK 06 AUDIO TITLE "The Elements - Earth" PERFORMER "Hiromi & Edmar Castaneda" SONGWRITER "Hiromi" ISRC USTE11700368 REM REPLAYGAIN_TRACK_GAIN -3.96 dB REM REPLAYGAIN_TRACK_PEAK 0.944397 INDEX 01 00:00:00FILE "07 The Elements - Water.flac" WAVE TRACK 07 AUDIO TITLE "The Elements - Water" PERFORMER "Hiromi & Edmar Castaneda" SONGWRITER "Hiromi" ISRC USTE11700369 REM REPLAYGAIN_TRACK_GAIN -2.17 dB REM REPLAYGAIN_TRACK_PEAK 0.943176 INDEX 01 00:00:00FILE "08 The Elements - Fire.flac" WAVE TRACK 08 AUDIO TITLE "The Elements - Fire" PERFORMER "Hiromi & Edmar Castaneda" SONGWRITER "Hiromi" ISRC USTE11700370 REM REPLAYGAIN_TRACK_GAIN -4.51 dB REM REPLAYGAIN_TRACK_PEAK 0.944489 INDEX 01 00:00:00FILE "09 Libertango.flac" WAVE TRACK 09 AUDIO TITLE "Libertango" PERFORMER "Hiromi & Edmar Castaneda" SONGWRITER "Astor Piazzolla" ISRC USTE11700371 REM REPLAYGAIN_TRACK_GAIN -3.02 dB REM REPLAYGAIN_TRACK_PEAK 0.944305 INDEX 01 00:00:00  Об исполнителях | About Artists Edmar Castaneda Colombian harpist was born in 1978, in the city of Bogotá, Colombia. Since his move to the United States in 1994, Edmar has quite literally taken New York and the world stage by storm with the sheer force of his virtuosic command of the harp—revolutionizing the way audiences and critics alike consider an instrument commonly relegated to the “unusual category”.A master at realizing beautiful complexities of time, while skillfully drawing out lush colors and dynamic spirit, The legendary Paquito D’Rivera, Edmar’s frequent collaborator, has remarked:Edmar is…an enormous talent, he has the versatility and the enchanting charisma of a musician who has taken his harp out of the shadow to become one of the most original musicians from the Big Apple.Even now, on stages across the globe, one notes how Edmar’s body seemingly engulfs his Colombian harp as he crafts almost unbelievable feats of cross-rhythms, layered with chordal nuances rivaling the most celebrated flamenco guitarist’s efforts.In addition to his acclaimed performing career as an instrumentalist, which has included features at D’Rivera’s Carnegie Hall tribute, Jazz at Lincoln Center, The John F. Kennedy Center for the Performing, he has also play with Wynton Marsalis and the Jazz at Lincoln Center Orchestra, John Scofield, Marcus Miller, Gonzalo Rubalcaba, John Patitucci, Hiromi and many more. "The Colombian plays the harp like hardly anyone else on earth. His hands, seemingly powered by two different people, produce a totally unique, symphonic fullness of sound, a rapid-fire of chords, balance of melodic figures and drive, served with euphoric Latin American rhythms, and the improvisatory freedom of a trained jazz musician...captivating virtuosity, but in no way only virtuosity for its own sake." - Frankfurter Allgemeine Zeitunghttps://www.edmarcastaneda.com/bio ____________________________________ "I don't want to put a name on my music. Other people can put a name on what I do. It's just the union of what I've been listening to and what I've been learning. It has some elements of classical music, it has some rock, it has some jazz, but I don't want to give it a name." – HiromiJapan has produced an impressive assemblage of jazz pianists, from Toshiko Akiyoshi and Makoto Ozone to Junko Onishi. And now, well into the change of the 21st century, the pianist/composer Hiromi Uehara is the latest in that line of amazing musicians. Ever since the 2003 release of her debut Telarc CD, Another Mind, Hiromi has electrified audiences and critics east and west, with a creative energy that encompasses and eclipses the boundaries of jazz, classical and pop parameters, taking improvisation and composition to new heights of complexity and sophistication. Her new CD, Alive, her ninth as a leader, features her critically-acclaimed Trio Project, consisting of contrabass guitarist Anthony Jackson (Steely Dan, Paul Simon, Michel Camilo, The O'Jays and Chick Corea) and drummer Simon Phillips (Toto, The Who, Judas Priest, David Gilmour, and Jack Bruce).Born in Hamamatsu, Shizuoka, Japan on March 26, 1979, Hiromi's piano lessons started when she was six, and she performed her first recital at that age. Her first teacher, Noriko Hikida, encouraged her to access both the intuitive and technical aspects of music. "Her energy was always so high, and she was so emotional," Hiromi says of Hikida. "When she wanted me to play with a certain kind of dynamics, she wouldn't say it with technical terms. If the piece was something passionate, she would say, 'Play red.' Or if it was something mellow, she would say, 'Play blue.' I could really play from my heart that way, and not just from my ears."Hikida also exposed Hiromi to jazz and introduced her to the great pianists Erroll Garner and Oscar Peterson. She enrolled in the Yamaha School of Music at age six and started to write music at that time.Hiromi moved to the United States in 1999, and she matriculated at the Berklee College of Music in Boston, which extended her artistic sensibilities. "It expanded so much the way I see music," she says. "Some people dig jazz, some people dig classical music, some people dig rock. Everyone is so concerned about who they like. They always say, 'This guy is the best,' 'No, this guy is the best.' But I think everyone is great. I really don't have barriers to any type of music. I could listen to everything from metal to classical music to anything else."Among her mentors at Berklee was the veteran jazz bassist/arranger Richard Evans, who teaches arranging and orchestration. It was Evans who took Hiromi's demo tape to his friend and collaborator: the legendary pianist/bandleader Ahmad Jamal. "[Professor Evans] really liked how I played," Hiromi fondly recalled. "And Ahmad loved the demo – I couldn't believe it! He's been very encouraging and supportive. He's an amazing human being."Evans co-produced her debut CD, Another Mind, with Jamal, who has also taken a personal interest in Hiromi's artistic development. "She is nothing short of amazing," says Jamal. "Her music, together with her overwhelming charm and spirit, causes her to soar to unimaginable musical heights." Another Mind was a critical success in North America and in her native Japan, where the album shipped gold (100,000 units) and received the Recording Industry Association of Japan's (RIAJ) Jazz Album of the Year Award. Hiromi's astonishing debut was but a forecast of the shape of jazz to come.Her second release, Brain, won the Horizon Award at the 2004 Surround Music Awards,Swing Journal's New Star Award, Jazz Life's Gold Album, HMV Japan's Best Japanese Jazz Album and the Japan Music Pen Club's Japanese Artist Award (the JMPC is a classical/jazz journalists club). Brain was also named Album of the Year in Swing Journal's 2005 Readers Poll. In 2006, Hiromi won Best Jazz Act at the Boston Music Awards and the Guinness Jazz Festival's Rising Star Award. She also claimed Jazzman of the Year, Pianist of the Year and Album of the Year in Swing Journal's Readers Poll for her 2006 release, Spiral. Hiromi's winning streak continued with the release of Time Control in 2007 and Beyond Standard in 2008. Both releases featured Sonicbloom: her hand-picked group that included guitarist Dave "Fuze" Fiuczynski, bassist Tony Grey and drummer Martin Valihora.Hiromi achieved a number of milestones in 2009. She recorded with pianist Chick Corea – who she met in Japan when she was seventeen on Duet, a two-disc live recording of their transcendent, transgenerational and transcultural duo concert in Tokyo. She also appeared on bassist Stanley Clarke's Heads Up International release, Jazz in the Garden, which also featured former Chick Corea bandmate, drummer Lenny White.In June of that same year, Hiromi simultaneously released two concert DVDs, both recorded in Tokyo: Hiromi Live in Concert (recorded in December 2005) and Hiromi's Sonicbloom Live in Concert (recorded in December 2007). The former features the rhythm section of Grey and Valihora, while the latter includes Fiuczynski's incendiary fretwork.In 2010, Hiromi released A Place to Be, an impressive and intimate solo piano CD; her evocative aural travelogue of the many places and spaces she visited around the world. "I wanted to record the sound of my twenties for archival purposes," she says. "I felt like the people whom I met on the road during my twenties really helped me develop and mature as a musician and as a person. So in addition to making a record that represented all of these places that have inspired my music, I also wanted it to be a thank-you to those people."She followed up A Place to Be with a DVD, Hiromi Solo Live at Blue Note New York. Recorded on August 20 and 21, 2010, at the Blue Note in New York City, the video includes 11 originals and a special bonus feature with interview clips and performance footage from some of Hiromi's favorite cities around the world.On her 2011 album, Voice, Hiromi's goal was to capture people's "inner voices" to create what she called a "three-dimensional sound." On that album, she assembled a trio that included herself and two veteran players: contrabass guitarist Anthony Jackson and drummer Simon Phillips. While Hiromi had played with Jackson prior to recording Voice, she had never recorded an entire album with either him or Phillips, the latter who had been recommended to her by legendary bassist Stanley Clarke, a mutual acquaintance.Also in 2011, The Stanley Clarke Band CD featuring Hiromi won the GRAMMY® Award for Best Contemporary Jazz Album.While on the road, Hiromi started writing music for the follow-up CD, Move, released in 2013. "Because I had been playing with Anthony and Simon for quite a bit, I just started to understand their characteristics, and I could find a hidden gem in their playing," she explains. "There's so much more to their playing. As a composer, I really wanted to write the songs especially for them, and I wanted to extract the unique beauty of their playing."Move, like Voice, had an overriding theme, which Hiromi describes as "time in one day." "You wake up and go to work and then hang out," she says. "The album is like a soundtrack for a day." That same year, she had several impressive placements inDownBeat magazine's 61st Annual International Critics Poll, in the Jazz Artist, Piano, Keyboard and Rising Star: Piano categories. Also, in 2013, she performed at George Wein's Newport Jazz Festival and will perform there for the festival's sixtieth anniversary in 2014.Alive is the latest chapter in Hiromi's ever-evolving musical life. "I'm hungry to learn," she told DownBeat magazine, "so I'll always keep my big ears open fully, ready to learn every single minute that I play."http://www.concordmusicgroup.com/artists/hiromi/ http://www.hiromiuehara.com/en/profile/  Об альбоме | About AlbumLike all creative artists, Hiromi is expanding her horizons and one such way is by touring with Edmar Castenada, an extremely talented and unique harpist. This project captured an incredible performance at the Montreal Jazz Festival in June 2017 that needs to be heard to be believed. Ever since the 2003 release of her debut Telarc CD, 'Another Mind', Hiromi has electrified audiences and critics east and west, with a creative energy that encompasses and eclipses the boundaries of jazz, classical and pop parameters, taking improvisation and composition to new heights of complexity and sophistication. Most recently, she has had a string of successful albums with the trio of Anthony Jackson on bass and Simon Phillips on drums.  Состав | ArtistsEdmar Castaneda - Harp Hiromi - Piano Дуэт двух звёзд современной джазовой сцены – колумбийского арфиста Эдмара Кастанеды и японской пианистки Хироми Уэхара. Живое выступление в июне 2017 года на Международном джазовом фестивале в Монреале.  Пару слов об Эдмаре Кастанеде и ХиромиЭдмар Кастанеда (род. 31 марта 1978 г. в Боготе, Колумбия) – один из лучших джазовых арфистов современности, в музыке которого плавно переплетаются различные стили и направления. Кастанеда создал новый музыкальный язык, объединяющий иберийскую музыку XVIII века, вальс, танго, фламенко и традиционные колумбийские, венесуэльские, аргентинские, бразильские, африканские гармонии и ритмы. После переезда в США в 1994 году Эдмар буквально покорил Нью-Йорк и мировую сцену виртуозной игрой на арфе, где джаз и этника сосуществуют на равных.Хироми (род. 26 марта 1979 г. в Хамамацу, Япония) – джазовый композитор и пианистка. С 14 лет она играла в Чешском филармоническом оркестре. В 17 лет, услышав её игру, Чик Кориа пригласил девочку сыграть в рамках своего выступления в Токио. Позже закончила Музыкальный колледж Беркли в Бостоне, штат Массачусетс, где её наставником был Ахмад Джамал. Известна своей виртуозной техникой, энергичными живыми выступлениями и смешением в своих композициях различных музыкальных жанров, таких как пост-боп, прогрессивный рок, классика и джаз.