(Nu Bossa-nova, Jazz, Abstract, Downtempo, Trip Hop) Arto Lindsay - Mundo Civilizado - 1996, FLAC (image+.cue), lossless

Arto Lindsay / Mundo Civilizado Жанр: Nu Bossa-nova, Jazz, Abstract, Downtempo, Trip Hop Страна-производитель диска: USA Год издания: 1996 Издатель (лейбл): Rykodisc Номер по каталогу: RCD 10410 Страна: USA Аудиокодек: FLAC (*.flac) Тип рипа: image+.cue Битрейт аудио: lossless Продолжительность: 40:23 Источник: собственный диск Наличие сканов в содержимом раздачи: даТреклист:01. Complicity [4:07] 02. Q Samba [3:28] 03. Simply Beautiful [4:00] 04. Mundo Civilizado [4:24] 05. Titled [3:20] 06. Horizontal [3:33] 07. Mar Da Gavea [2:43] 08. Imbassai [3:18] 09. Pleasure [2:38] 10. Erotic City [5:02] 11. Clown [3:50]  Лог создания рипа Exact Audio Copy V1.0 beta 2 from 29. April 2011EAC extraction logfile from 15. May 2012, 10:32Arto Lindsay / Mundo CivilizadoUsed drive : TSSTcorpCDDVDW SH-S203B Adapter: 3 ID: 0Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : NoRead offset correction : 6Overread into Lead-In and Lead-Out : NoFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : YesUsed interface : Native Win32 interface for Win NT & 2000Used output format : Internal WAV RoutinesSample format : 44.100 Hz; 16 Bit; StereoTOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 4:07.02 | 0 | 18526 2 | 4:07.02 | 3:27.48 | 18527 | 34099 3 | 7:34.50 | 3:59.55 | 34100 | 52079 4 | 11:34.30 | 4:24.07 | 52080 | 71886 5 | 15:58.37 | 3:19.70 | 71887 | 86881 6 | 19:18.32 | 3:32.53 | 86882 | 102834 7 | 22:51.10 | 2:43.27 | 102835 | 115086 8 | 25:34.37 | 3:18.08 | 115087 | 129944 9 | 28:52.45 | 2:38.05 | 129945 | 141799 10 | 31:30.50 | 5:02.15 | 141800 | 164464 11 | 36:32.65 | 3:50.35 | 164465 | 181749Range status and errorsSelected range Filename E:\Video\Arto Lindsay - Mundo Civilizado.wav Peak level 100.0 % Extraction speed 6.6 X Range quality 100.0 % Test CRC F938A7B9 Copy CRC F938A7B9 Copy OKNo errors occurredAccurateRip summaryTrack 1 accurately ripped (confidence 2) [190664FE] (AR v1)Track 2 accurately ripped (confidence 2) [1295EFFE] (AR v1)Track 3 accurately ripped (confidence 2) [E2CDDF6E] (AR v1)Track 4 accurately ripped (confidence 2) [E641C0A1] (AR v1)Track 5 accurately ripped (confidence 2) [EE91FBF2] (AR v1)Track 6 accurately ripped (confidence 2) [791F6F9E] (AR v1)Track 7 accurately ripped (confidence 2) [C27A70DF] (AR v1)Track 8 accurately ripped (confidence 2) [E220259A] (AR v1)Track 9 accurately ripped (confidence 2) [A23E5A0A] (AR v1)Track 10 accurately ripped (confidence 2) [08824131] (AR v1)Track 11 cannot be verified as accurate (confidence 6) [4CE97DFC], AccurateRip returned [0AEB4730] (AR v2)10 track(s) accurately ripped 1 track(s) could not be verified as accurateSome tracks could not be verified as accurateEnd of status report==== Log checksum 78E4C1A7D910C5B897F33E2D62380D867DC32A5259F398281848FBAE2301AAB6 ====  Содержание индексной карты (.CUE) REM GENRE Electronic, RockREM DATE 1996REM DISCID 9C09770BREM COMMENT ExactAudioCopy v1.0b2PERFORMER "Arto Lindsay"TITLE "Mundo Civilizado"FILE "Arto Lindsay - Mundo Civilizado.flac" WAVE TRACK 01 AUDIO TITLE "Complicity" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Q Samba" INDEX 00 04:06:40 INDEX 01 04:07:02 TRACK 03 AUDIO TITLE "Simply Beautiful" INDEX 01 07:34:50 TRACK 04 AUDIO TITLE "Mundo Civilizado" INDEX 00 11:33:30 INDEX 01 11:34:30 TRACK 05 AUDIO TITLE "Titled" INDEX 00 15:57:62 INDEX 01 15:58:37 TRACK 06 AUDIO TITLE "Horizontal" INDEX 00 19:17:07 INDEX 01 19:18:32 TRACK 07 AUDIO TITLE "Mar Da Gavea" INDEX 00 22:47:60 INDEX 01 22:51:10 TRACK 08 AUDIO TITLE "Imbassai" INDEX 01 25:34:37 TRACK 09 AUDIO TITLE "Pleasure" INDEX 00 28:50:57 INDEX 01 28:52:45 TRACK 10 AUDIO TITLE "Erotic City" INDEX 01 31:30:50 TRACK 11 AUDIO TITLE "Clown" INDEX 00 36:32:40 INDEX 01 36:32:65  Об исполнителеArto Lindsay has made a lifelong habit of crossing both geographical and musical borders. Born in the United States and raised in Brazil during the heyday of that country's pointedly eclectic Tropicália movement of the 1960s, the multi-faceted songwriter/producer/vocalist/guitarist has forged an international reputation as an artist whose work is as seductive as it is challenging. From his late ‘70s recordings of abrasive “no wave” through his acclaimed series of solo albums beginning in the late ‘90s, Lindsay has bonded rhythms and melodies from diverse cultures and genres in provocative new ways, crafting inimitable soundscapes whose impact can range from fragile pop pleasure to sheer sonic assault.It was the 1978 four-band sampler No New York (produced by Brian Eno) which brought an early taste of international (albeit underground) notoriety to Lindsay's first band, DNA. Critic Lester Bangs admiringly described the trio's screamed vocals and deliberately primitive, speaker-shredding guitar as “horrible noise.” Lindsay and his bandmates frequently inserted Portuguese phrases in their lyrics and even tried to appropriate Brazilian drumming techniques, “but nobody could really tell,” he now recalls. While the group only lasted a brief time, its influence can still be heard in the work of countless noise-rock experimentalists ever since.Lindsay remained a key figure in the downtown Manhattan scene throughout the 1980s, playing with early versions of the Lounge Lizards and the Golden Palominos, producing tracks for Laurie Anderson and David Byrne, collaborating with John Zorn, contributing lyric translations to compilations of Brazilian music on Byrne's label Luaka Bop, even popping up in the films Desperately Seeking Susan and Candy Mountain. With keyboardist Peter Scherer he founded the Ambitious Lovers, recording three albums (Envy, Greed, and Lust) which incorporated elements of Brazilian, experimental, funk, R&B, and soul styles.The 1990s launched an ongoing series of solo releases — O Corpo Sutil / The Subtle Body, Mundo Civilizado, Noon Chill and Prize. Lindsay's new album, Invoke, continues to explore samba, bossa nova and more recent Brazilian song structures on his own terms. Each of these albums has been followed by a disc of remixes by a diverse group of electronic music artists from around the world, making explicit the connections between Lindsay's aesthetic and such genres as drum-and-bass, illbient and underground hip-hop.Lindsay's critical reputation brought him back to Brazil to work as a producer on recordings by Caetano Veloso, Vinicius Cantuária, Gal Costa, and Carlinhos Brown, among others. A 1999 New York Times article on the legacy of the Tropicália movement hailed Lindsay's contributions to “the finest Brazilian pop albums of the past dozen years,” and he earned a Latin Grammy for “Best Brazilian Contemporary Pop Album” for his production work on the platinum-selling Marisa Monte album, Memórias, Crônicas e Declarações de Amor. Lindsay's longstanding association with Monte subsequently led to his producing the music for her recent live DVD.On yet another front, Lindsay has long been active in the field of sound art as both a curator and as an installation artist in his own right. Frequently working with sound designer /artist Ben Rubin, Arto has curated music and audio art for Brazil's Carlton Arts Festival, London's Barbican Centre and the nightclub Tonic in downtown New York. In the process, he has become one of the first musicians to use Dolby Digital 5.1 surround-sound in a live concert format. Lindsay's past collaborators include German theater director Heiner Muller, Japanese composer Ryuichi Sakamoto, American multidisciplinary artist Vito Acconci and British producer/conceptualist Brian Eno, and he has recently been commissioned by choreographer Richard Move, a mainstay of New York's legendary Jackie 60 nightclub, to compose music for a full-evening dance/theater piece for Mikhail Baryshnikov's White Oak Dance Company.Pop musician, audio provocateur, sought-after producer: regardless of the title, Arto Lindsay is an artist.