(Neo-classical, Piano Solo, Jazz, Minimalism) [WEB] Michiel Borstlap - Velvet - 2017, FLAC (tracks), lossless

Michiel Borstlap / Velvet Жанр: Neo-classical, Piano Solo, Jazz, Minimalism Носитель: WEB Страна-производитель диска (релиза): Netherlands Год издания: 2017 Издатель (лейбл): Gramercy Park Music Страна исполнителя (группы): Netherlands Аудиокодек: FLAC (*.flac) Тип рипа: tracks Битрейт аудио: lossless Продолжительность: 01:07:10 Источник (релизер): 7digital Наличие сканов в содержимом раздачи: front Треклист: 01 Velvet (4:56) 02 Blue Ballet (7:36) 03 Cinq Ans (2:23) 04 Prelude in D minor (5:35) 05 La Commedia (4:21) 06 Piri Reis (3:59) 07 Muse in B minor (2:30) 08 Homerun (4:34) 09 Rimzi the Robin (5:38) 10 Rainflowers (3:29) 11 Rialto (4:29) 12 Voyage (3:59) 13 Hallelujah (4:22) 14 Ode aan Johan in C (6:09) 15 Open Boogie (3:03) Michiel Borstlap - Коллекция - 1992-2016 (19 альбомов), MP3, V2-320 kbps Доп. информация: https://www.michielborstlap.com/   Audiochecker log AUDIOCHECKER v2.0 beta (build 457) - by Dester - opdester@freemail.hu ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ -=== DO NOT EDIT THIS FILE! ===- Path: ...\Michiel Borstlap - Velvet (2017) [FLAC] 01 -=- 01 - Velvet.flac -=- CDDA (100%) 02 -=- 02 - Blue Ballet.flac -=- CDDA (62%) 03 -=- 03 - Cinq Ans.flac -=- CDDA (76%) 04 -=- 04 - Prelude in D minor.flac -=- CDDA (43%) 05 -=- 05 - La Commedia.flac -=- CDDA (100%) 06 -=- 06 - Piri Reis.flac -=- CDDA (58%) 07 -=- 07 - Muse in B minor.flac -=- CDDA (85%) 08 -=- 08 - Homerun.flac -=- CDDA (42%) 09 -=- 09 - Rimzi the Robin.flac -=- CDDA (100%) 10 -=- 10 - Rainflowers.flac -=- CDDA (94%) 11 -=- 11 - Rialto.flac -=- CDDA (62%) 12 -=- 12 - Voyage.flac -=- CDDA (100%) 13 -=- 13 - Hallelujah.flac -=- CDDA (92%) 14 -=- 14 - Ode aan Johan in C.flac -=- CDDA (43%) 15 -=- 15 - Open Boogie.flac -=- CDDA (99%) Summary 77,07% CDDA 106477636     Об исполнителе (рус.) | About Artist (ru) Михил Борстлап – голландский пианист и композитор, феномен в мире современного джаза. Он известен в первую очередь как пианист, сочетающий в своей манере возвышенное и земное, традиции и эксперимент, мощь и лирику. К тому же, он еще обозреватель журнала Esquire и замечательный композитор, пишущий для кино и сочинивший первую арабскую оперу «Авиценна» по заказу эмира Катара (в 2006 году вышла его книга Opera in Qatar об этом удивительном приключении). Занятый творчеством музыкант находит время и для того, чтобы участвовать в борьбе против детской нищеты в странах третьего мира, против диабета и рака. Играть Борстлап начал в 4 года, с детства слушал записи импровизаций Оскара Питерсона и симфоний Густава Малера – его родители горячо любили музыку. До сих пор его неизменные герои – это Питерсон и Малер, но еще Гленн Гульд, и Святослав Рихтер, и Джо Завинул. Его способность электризовать зал не имеет себе равных. Но сам Борстлап признает, что в джазе важны не только адреналиновые атаки и риск. В джазе куда важнее ощущение абсолютной свободы. Для Борстлапа джаз и свобода – синонимы. С выходом в 2014 году альбома Frames в творчестве Михила Борстлапа стало всё явственней проступать влияние неоклассики. Последовавшие за этим альбомы – Blue Seasons: Winter (2015), Arena (2016), Velvet (2017) и Georg (2018) – подтвердили постепенный отход Борстлапа от сугубо джазовых интерпретаций в сторону минимализма и современной классической музыки. Во время радиоинтервью с журналистом Френком ван дер Линденом Михил так высказался об избранном им новом направлении: «Тень между двумя нотами – это то место, в котором я очень хотел бы быть». Сотрудничество Herbie Hancock, Wayne Shorter, Bill Bruford, Gino Vannelli, Pat Metheny, Assala Nasri, Jimmy Haslip, Les Paul, Lori Lieberman, Han Bennink, George Duke, Ludovico Einaudi, Scapino Ballet, Lavinia Meijer, Alain Clark, Carel Krayenhof, Billy Cobham, Trijntje Oosterhuis, Carole Samaha, Edsilia Rombley, Metropole Orkest, Holland Symfonia, Nederlands Blazers Ensemble, Kiev Soloist, Sherry Dyanne, Hans Dulfer, Jeff Tain Watts, Hans Teeuwen, Ronald Molendijk, Peter Erskine, Paul Haenen, Nick Mason, Chris Jagger, Rasha Rizk, Sibel Kose, Eric Vloeimans, Ruud Breuls, Peter Guidi, Benjamin Herman, Leonardo Amuedo, Jesse van Ruller, Leonie Meijer, Werner Herbers, Martin Bril, JW Roy, Tony Lakatos, Igor Butman, Till Bronner, Toumani Diabate, Stefano Bollani, Janine Jansen, Diggy Dex etc.     Об исполнителе (англ.) | About Artist (en) Michiel Borstlap (born 5 August 1966 in The Hague) is a Dutch pianist and composer. Michiel Borstlap was in his early years a piano prodigy. He started to play the piano at the age of 4. And after years of classical training he found his first jazz teacher, Hans Heinhuis. During his early years he played in local bars and pubs, and formed a quartet with fellow youngsters Bart Suer and Peter Bergman ao. In 1992 Borstlap completed his studies with highest honors at the Conservatory in Hilversum, where he received piano lessons from Dutch masters like Henk Elkerbout and Rob Madna. He won the first prize as soloist at the Europe Jazz Contest in Brussels, and also received the first prize with the band Meeting Point at the same contest. Two years later he gave his first concert at the North Sea Jazz Festival. In 1996 he received for his composition "Memory of Enchantment", the prestigious American Thelonious Monk / BMI Composers Award. Herbie Hancock and Wayne Shorter recorded this song for their album 1+1, and it also formed an integral part of the repertoire during their various world tours. A year later, the pianist signed an exclusive recording contract with Verve. In 2003 he was commissioned by the Emir of Qatar invited to compose the Arab opera Avicenna, and wrote the book 'Opera in Qatar', which was published by Uitgeverij van Oorschot. Michiel wrote the book in Palermo - Sicily, Italy, where he resided for a month. In 2007 Michiel teamed up with Canadian singer Gino Vannelli and played together in Montreal, Moscow, a series of concerts in Italy, in Sweden, and the Netherlands. In 2008 he performed with his project Eldorado Concert & Club, and did extensive tours with fame Brit drummer Bill Bruford. That year he received the prestigious Gouden Kalf for his music in the film Tiramisu , directed by Paula van der Oest. Michiel Borstlap won with the jazz formation BBG (Bennink-Borstlap-Glerum) the Edison Jazz Award 2009. The solo albums he released from 2010 onwards marked a turning point in the career of the pianist. In 2010 he released SOLO 2010 and in the 2011 album Blue (Songs from Father to Daughter). On this album, which is entirely dedicated to the birth of his daughter Blue, appears the composition "Levantine". In 2012 he signed an exclusive contract with BMG. In 2013 Michiel toured with his solo album Reflective. This album appeared in a piano book. Michiel performed a selection of his works during the commemoration of Prince Friso of Orange-Nassau, at the Oude Kerk (Delft, the Netherlands). In 2014 was released his album Frames. He toured with this album in the Netherlands, and in 2015 this album played a central role in cooperation with the Scapino Ballet Rotterdam. This collaboration will continue in 2019. In 2016 Michiel Borstlap released a live album, recorded at the Amsterdam ArenA. The album Arena includes both a CD and a DVD. In 2017 Velvet was released, an album played on his first upright piano. The album 'Velvet' received an Edison Publieksprijs 2017 nomination. An extensive tour for the Velvet project took place in 2017, bringing Michiel to more than 35 venues, including Paradiso Amsterdam. A pianobook of this album was published, also in 2017. During an extensive radio interview (Kunststof) with journalist Frénk van der Linden Michiel expressed his turn in music as follows: 'The shadow between two notes is a place in which I'd like to be very much'. An extensive 2017 Volkskrant interview revealed more of his music as well as private life which had a relevant impact on his music. Museum de Fundatie in Zwolle The Netherlands acquired his sound-sculpture 'Audire et Videre I', which is now in the permanent collection of the Museum, and is heard in the atrium of the building. Throughout the years Michiel has been ambassador for Swiss watchmaker IWC and German grandpiano maker Steinway & Sons ao. Michiel Borstlap performed in 83 countries, in all the continents, he lives in The Netherlands and is father of Blue. Collaborations Michiel Borstlap worked with many musicians, including Herbie Hancock, Wayne Shorter, Bill Bruford, Gino Vannelli, Pat Metheny, Assala Nasri, Jimmy Haslip, Les Paul, Lori Lieberman, Han Bennink, George Duke, Ludovico Einaudi, Scapino Ballet, Lavinia Meijer, Alain Clark, Carel Krayenhof, Billy Cobham, Trijntje Oosterhuis, Carole Samaha, Edsilia Rombley, Metropole Orkest, Holland Symfonia, Nederlands Blazers Ensemble, Kiev Soloist, Sherry Dyanne, Hans Dulfer, Jeff Tain Watts, Hans Teeuwen, Ronald Molendijk, Peter Erskine, Paul Haenen, Nick Mason, Chris Jagger, Rasha Rizk, Sibel Kose, Eric Vloeimans, Ruud Breuls, Peter Guidi, Benjamin Herman, Leonardo Amuedo, Jesse van Ruller, Leonie Meijer, Werner Herbers, Martin Bril, JW Roy, Tony Lakatos, Igor Butman, Till Bronner, Toumani Diabate, Stefano Bollani, Janine Jansen, Diggy Dex ao. https://en.wikipedia.org/wiki/Michiel_Borstlap     Об альбоме (англ.) | About Album (en) In 2017 Velvet was released, an album played on his first upright piano. The album 'Velvet' received an Edison Publieksprijs 2017 nomination. An extensive tour for the Velvet project took place in 2017, bringing Michiel to more than 35 venues, including Paradiso Amsterdam. A pianobook of this album was published, also in 2017. During an extensive radio interview (Kunststof) with journalist Frénk van der Linden Michiel expressed his turn in music as follows: 'The shadow between two notes is a place in which I'd like to be very much'. https://en.wikipedia.org/wiki/Michiel_Borstlap     Состав | Artists Michiel Borstlap - piano solo С выходом в 2014 году альбома Frames в творчестве голландского джазового пианиста и композитора Михила Борстлапа стало всё явственней проступать влияние неоклассики. Последовавшие за этим альбомы – Blue Seasons: Winter (2015), Arena (2016), Velvet (2017) и Georg (2018) – подтвердили постепенный отход Борстлапа от сугубо джазовых интерпретаций в сторону минимализма и современной классической музыки. Во время одного из интервью Михил так высказался об избранном им новом направлении: «Тень между двумя нотами – это то место, в котором я очень хотел бы быть».