(Modern Jazz, Contemporary Jazz) [CD] Charles Lloyd & The Marvels - I Long to See You - 2016, FLAC (tracks+.cue), lossless

Charles Lloyd & The Marvels - I Long to See You Жанр: Modern Jazz, Contemporary Jazz Носитель: CD Страна-производитель диска (релиза): EU Год издания: 2016 Издатель (лейбл): Blue Note Номер по каталогу: 0602547652577 Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 67:49 Источник (релизер): jlgt Наличие сканов в содержимом раздачи: да Треклист: 01. Masters of War (Dylan) - 8:05 02. Of Course, Of Course (Lloyd) - 6:04 03. La Llorona (Trad., arr. Lloyd) - 6:02 04. Shenandoah (Trad., arr. Lloyd) - 6:23 05. Sombrero Sam (Lloyd) - 7:31 06. All My Trials (Trad., arr. Lloyd) - 5:02 07. Last Night, I Had the Strangest Dream (McCurdy) - 4:49 08. Abide with Me (Trad., arr. Lloyd) - 1:22 09. You Are So Beautiful (Preston-Fisher) - 6:05 10. Barche Lamsel (Lloyd) - 16:26 Состав: Charles Lloyd - tenor saxophone, alto flute Bill Frisell - guitar Reuben Rogers - bass Eric Harland - drums Greg Leisz - steel guitar Willie Nelson - vocals, guitar (#7) Norah Jones - vocals (#9) Recorded at Santa Barbara Sound Design on April 27-28, 2015, except #5 recorded at the Lobero Theatre on April 28, 2015.   Лог создания рипа Exact Audio Copy V1.0 beta 3 from 29. August 2011 EAC extraction logfile from 4. March 2016, 21:44 Charles Lloyd & The Marvels / I Long to See You Used drive : PLEXTOR DVDR PX-L890SA Adapter: 5 ID: 1 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 128 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TOTALTRACKS=%numtracks%" -T "GENRE=%genre%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM ARTIST=%albumartist%" -T "COMMENT=EAC Secure Mode, Test & Copy, AccurateRip, FLAC -8" %source% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 8:05.18 | 0 | 36392 2 | 8:05.18 | 6:03.58 | 36393 | 63675 3 | 14:09.01 | 6:02.04 | 63676 | 90829 4 | 20:11.05 | 6:23.09 | 90830 | 119563 5 | 26:34.14 | 7:31.34 | 119564 | 153422 6 | 34:05.48 | 5:02.35 | 153423 | 176107 7 | 39:08.08 | 4:48.46 | 176108 | 197753 8 | 43:56.54 | 1:22.25 | 197754 | 203928 9 | 45:19.04 | 6:05.07 | 203929 | 231310 10 | 51:24.11 | 16:25.42 | 231311 | 305227 Track 1 Filename E:\01 - Masters of War.wav Pre-gap length 0:00:02.00 Peak level 100.0 % Extraction speed 4.4 X Track quality 100.0 % Test CRC 85EC63E5 Copy CRC 85EC63E5 Accurately ripped (confidence 3) [D41130EE] (AR v2) Copy OK Track 2 Filename E:\02 - Of Course, Of Course.wav Pre-gap length 0:00:02.25 Peak level 100.0 % Extraction speed 4.9 X Track quality 100.0 % Test CRC 54A13D91 Copy CRC 54A13D91 Accurately ripped (confidence 3) [975C116F] (AR v2) Copy OK Track 3 Filename E:\03 - La Llorona.wav Pre-gap length 0:00:01.50 Peak level 100.0 % Extraction speed 5.4 X Track quality 100.0 % Test CRC C9A79798 Copy CRC C9A79798 Accurately ripped (confidence 3) [1F091F27] (AR v2) Copy OK Track 4 Filename E:\04 - Shenandoah.wav Pre-gap length 0:00:02.00 Peak level 100.0 % Extraction speed 5.0 X Track quality 99.9 % Test CRC 64C18A4C Copy CRC 64C18A4C Accurately ripped (confidence 3) [29C4E31D] (AR v2) Copy OK Track 5 Filename E:\05 - Sombrero Sam.wav Pre-gap length 0:00:01.65 Peak level 100.0 % Extraction speed 6.3 X Track quality 100.0 % Test CRC 1616A686 Copy CRC 1616A686 Accurately ripped (confidence 3) [42B85457] (AR v2) Copy OK Track 6 Filename E:\06 - All My Trials.wav Pre-gap length 0:00:02.10 Peak level 99.2 % Extraction speed 5.4 X Track quality 99.9 % Test CRC 0EB84DE2 Copy CRC 0EB84DE2 Accurately ripped (confidence 3) [8687B38A] (AR v2) Copy OK Track 7 Filename E:\07 - Last Night, I Had the Strangest Dream (feat. Willie Nelson).wav Pre-gap length 0:00:01.65 Peak level 100.0 % Extraction speed 6.8 X Track quality 100.0 % Test CRC 272A8DDF Copy CRC 272A8DDF Accurately ripped (confidence 3) [59CD45D6] (AR v2) Copy OK Track 8 Filename E:\08 - Abide With Me.wav Pre-gap length 0:00:00.20 Peak level 69.1 % Extraction speed 3.3 X Track quality 99.8 % Test CRC 6E32728B Copy CRC 6E32728B Accurately ripped (confidence 3) [9CFAFE95] (AR v2) Copy OK Track 9 Filename E:\09 - You Are So Beautiful (feat. Norah Jones).wav Peak level 83.7 % Extraction speed 7.3 X Track quality 100.0 % Test CRC B4476DFE Copy CRC B4476DFE Accurately ripped (confidence 3) [AB93EB4D] (AR v2) Copy OK Track 10 Filename E:\10 - Barche Lamsel.wav Pre-gap length 0:00:02.25 Peak level 100.0 % Extraction speed 8.3 X Track quality 100.0 % Test CRC 9F2A3677 Copy CRC 9F2A3677 Accurately ripped (confidence 3) [FDFA4712] (AR v2) Copy OK All tracks accurately ripped No errors occurred End of status report ==== Log checksum 51D4BC8365F8F52EE08243935CBCC0CA0F1EEB8B25ABC8C0C645CE0293728C48 ====     Содержание индексной карты (.CUE) REM GENRE Jazz REM DATE 2016 REM DISCID 860FE50A REM COMMENT "ExactAudioCopy v1.0b3" PERFORMER "Charles Lloyd & The Marvels" TITLE "I Long to See You" FILE "01 - Masters of War.wav" WAVE TRACK 01 AUDIO TITLE "Masters of War" PERFORMER "Charles Lloyd & The Marvels" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Of Course, Of Course" PERFORMER "Charles Lloyd & The Marvels" INDEX 00 08:02:68 FILE "02 - Of Course, Of Course.wav" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "La Llorona" PERFORMER "Charles Lloyd & The Marvels" INDEX 00 06:02:08 FILE "03 - La Llorona.wav" WAVE INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "Shenandoah" PERFORMER "Charles Lloyd & The Marvels" INDEX 00 06:00:04 FILE "04 - Shenandoah.wav" WAVE INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "Sombrero Sam" PERFORMER "Charles Lloyd & The Marvels" INDEX 00 06:21:19 FILE "05 - Sombrero Sam.wav" WAVE INDEX 01 00:00:00 TRACK 06 AUDIO TITLE "All My Trials" PERFORMER "Charles Lloyd & The Marvels" INDEX 00 07:29:24 FILE "06 - All My Trials.wav" WAVE INDEX 01 00:00:00 TRACK 07 AUDIO TITLE "Last Night, I Had the Strangest Dream (feat. Willie Nelson)" PERFORMER "Charles Lloyd & The Marvels" INDEX 00 05:00:45 FILE "07 - Last Night, I Had the Strangest Dream (feat. Willie Nelson).wav" WAVE INDEX 01 00:00:00 TRACK 08 AUDIO TITLE "Abide with Me" PERFORMER "Charles Lloyd & The Marvels" INDEX 00 04:48:26 FILE "08 - Abide with Me.wav" WAVE INDEX 01 00:00:00 FILE "09 - You Are So Beautiful (feat. Norah Jones).wav" WAVE TRACK 09 AUDIO TITLE "You Are So Beautiful (feat. Norah Jones)" PERFORMER "Charles Lloyd & The Marvels" INDEX 01 00:00:00 TRACK 10 AUDIO TITLE "Barche Lamsel" PERFORMER "Charles Lloyd & The Marvels" INDEX 00 06:02:57 FILE "10 - Barche Lamsel.wav" WAVE INDEX 01 00:00:00     Отчет CUETools [CUETools log; Date: 06.03.2016 2:10:11; Version: 2.1.5] [CTDB TOCID: v49tZHx5R0RI4iYOvjA0plu5zx4-] found. 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On I Long to See You, he (with his stellar rhythm section -- bassist Reuben Rogers and drummer Eric Harland) renews that relationship with two gifted players: Bill Frisell and Greg Leisz (the latter on lap and pedal steel). This program yields folk and spiritual songs, re-recordings of Lloyd's own tunes, a pop nugget, and a new original. In what feels like the input from the label, there are two guest vocal appearances to boot: Willie Nelson beautifully delivers Ed McCurdy's antiwar classic "Last Night I Had the Strangest Dream," and Norah Jones offers a slow, dreamy reading of "You Are So Beautiful." I Long to See You feels more like a collaboration between Lloyd and Frisell than a leader date, which is sometimes problematic: these men can be overly deferential to one another. The album starts promisingly with a brooding read of Bob Dylan's "Masters of War" that threatens to explode at any moment. Frisell and Leisz (who have worked together a lot) take it through deep winding blues, building tension before Lloyd enters and carries it toward the outside before returning to blues, while Harland's circular drumming becomes somberly hypnotic. Lloyd plays flute on "Of Course, of Course" (originally recorded for an album of the same name for Columbia in 1964). Like its predecessor, it's tough, swinging post-bop with colorful slide guitar work and rim-shot syncopations. "La Llorona," from Lloyd's ECM years, is a standout: it captures his open, mournful, Spanish-tinged wail, fleshed out by elegant, timbral guitars, a sad bassline, and Harland's magical timekeeping. "Shenandoah" (which Frisell has recorded before), "All My Trials," and "Abide with Me" are all melodically attractive, but they lack the undercurrent of passion Lloyd has imbued traditional material with in the past. He and Frisell appear so seduced by their melodies, they treat them as fragile objects, not songs whose meanings need to be further explored. Frisell's speculative solo intro on "Sombrero Sam" is overly long; Lloyd's rhythmic sweeping flute doesn't enter until five minutes in, and slips out too quickly. The lone new tune, "Barche Lamsel," more than compensates. Over 16 minutes in length, it's easily the most exploratory thing here. It commences slowly but starts cooking five minutes in. Lloyd and the rhythm section are at their modal improvisational best, moving through folk, funk, blues, Eastern modes, and post-bop. Frisell and Leisz lend fine solos as well as layered textural and atmospheric support. The tune is a journey that ends in a question mark. I Long to See You is well worth investigating even if, at times, it is overly tentative.