(Modern Creative Jazz / Free Jazz / Contemporary Jazz) Charlie Haden with Liberation Music Orchestra ( Joe Lovano / Ray Anderson / Geri Allen / Paul Motian etc ) - The Montreal Tapes - 1999, FLAC (tracks+.cue), lossless

Charlie Haden with Liberation Music Orchestra - The Montreal Tapes Жанр: Modern Creative Jazz / Free Jazz / Contemporary Jazz Год выпуска диска: 1999 Производитель диска: Verve (527 469-2) Аудио кодек: FLAC Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 00:59:41 Трэклист: 01 - La Passionaria (24:00) 02 - Silence (06:24) 03 - Sandino (08:37) 04 - We Shall Overcome (37:20) The Players: * Charlie Haden - bass * Tom Harrell - trumpet * Stanton Davis - Trumpet * Ken McIntyre - alto saxophone * Ernie Watts - tenor saxophone * Joe Lovano - tenor saxophone * Ray Anderson - trombone * Sharon Freeman - french horn * Joe Daley - tuba * Mick Goodrick - guitar * Geri Allen - piano * Paul Motian - drums The Recording: Recorded live on July 8, 1989 at the Montral International Jazz Festival by La chaine culturelle de Radio-Canada. Produced by Charlie Haden and Ruth Cameron and for CBC by Daniel Vachon Доп. информация: Рип: найдено на Аvaxhome .. thanks! / спасибо, GatoMedio From the liner notes:   скрытый текст The Montreal Tapes: Liberation Music Orchestra The fact that this is a concert-recording, a live performance, has bearing on this--the eighth and last evening of the Montreal Festival, devoted to the work of the bassist and leader, came as a conclusion, an apotheosis, to the carte blanche invitation that Haden used to take every orchestral liberty in crossing the web of his memories and affinities. The huis clos of a studio would never have permitted We Shall Overcome to swell to proportions (more than thirty seven minutes) of a jam session, a procession of soloists over a blues background like a sort of modern Jazz At The Philharmonic exploring all phrases and history of jazz, from archaic mutings and growls to widely varying contemporary colours, via polyphonic stops bristling trebles and harmonics, whilst the Haden pulse, the bass, maintains a kind of fever around the collective discourse is forged.... And here more than ever, the word is liberty, freedom, libertad, becuase here, there and elsewhere, what it designates is in danger. -- from the liner notes by Phillipe Carles, Editor-in-Chief Jazz Magazine AMG     скрытый текст This is number four in the series chronicling the week of concerts with different line-ups the Festival International de Jazz de Montreal devoted to the great bassist in 1989. Which means this version of the Liberation Music Orchestra may be even more star-studded than usual and creates the "problem" of giving everybody enough solo space without taking away from the ensemble interaction. The Montreal Tapes doesn't really resolve the dilemma -- it sidesteps it by setting up two long pieces as blowing vehicles to showcase soloists and two shorter ones to spotlight the full ensemble. Mick Goodrick's unaccompanied guitar triggers Joe Lovano's muscular statement of the Spanish-tinged theme of "La Pasionaria." The saxophonist then takes a long, strong solo backed by only Haden and drummer Paul Motian before handing off halfway through to Geri Allen's stabbing piano trio statement. Only then does Haden's solo take it to the closing band statement. "Silence" is a brass section feature before Haden's beautiful, sad closing solo over Allen's spare chordal backing and the sprightly, uptempo "Sandino" is for the entire orchestra with a trumpet solo from Tom Harrell (probably) and ensemble voicings behind the bass solo. Then there's "We Shall Overcome," the civil rights anthem that perfectly reflects the somber, inspirational dignity of the political themes that Haden explores with this unit. In theory, anyway, because after a minute-long stating the theme, this "We Shall Overcome" settles down into a basic blues and Ray Anderson's trombone solo just rips any semblance of solemnity right out of it. His irreverent whoops, growls and comic snorts rouses the rabble, riles the ever-discreet Motian into bashing out some big-time blues bombs, and just plain liberates the Orchestra to become a big band juggernaut. Ernie Watts' suave eloquence on tenor gets gospel church shout-outs of encouragement from the musician congregation, Allen goes deep barrelhouse with her solo and if you ever wondered what Charlie Haden would have sounded like as the walking blues anchor of Count Basie's orchestra... Too bad the Liberation Music Orchestra is such a sporadic project for Haden or there'd undoubtedly be more transcendent moments like that. Can't say this is the pick of the group's discs or even of Haden's The Montreal Tapes series, but the musicians play up to the occasion (Geri Allen, in particular, shines) and man, that version of "We Shall Overcome..." ” ~ All Music Guide EAC Log     скрытый текст Exact Audio Copy V0.99 prebeta 4 from 23. January 2008 EAC extraction logfile from 28. May 2009, 19:27 Charlie Haden, Liberation Music Orchestra / The Montreal Tapes Used drive : HL-DT-STDVD-RAM GSA-H55N Adapter: 0 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : No Make use of C2 pointers : No Read offset correction : 102 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : No Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Not detected, thus appended to previous track Used output format : User Defined Encoder Selected bitrate : 640 kBit/s Quality : High Add ID3 tag : Yes Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe Additional command line options : -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" -5 %s TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 24:02.57 | 0 | 108206 2 | 24:02.57 | 6:30.53 | 108207 | 137509 3 | 30:33.35 | 8:37.67 | 137510 | 176351 4 | 39:11.27 | 20:30.45 | 176352 | 268646 Track 1 Filename D:\Music myMusic\myUploads\Montreal Tapes 7 - LMO\ 01 - La Pasionaria.wav Peak level 97.5 % Track quality 99.9 % Test CRC E7FD92DB Copy CRC E7FD92DB Cannot be verified as accurate (confidence 3) [EED64425], AccurateRip returned [24197A13] Copy OK Track 2 Filename D:\Music myMusic\myUploads\Montreal Tapes 7 - LMO\ 02 - Silence.wav Peak level 97.5 % Track quality 100.0 % Test CRC C3BFB2B2 Copy CRC C3BFB2B2 Cannot be verified as accurate (confidence 3) [50C32C96], AccurateRip returned [1EF9D1B1] Copy OK Track 3 Filename D:\Music myMusic\myUploads\Montreal Tapes 7 - LMO\ 03 - Sandino.wav Peak level 100.0 % Track quality 100.0 % Test CRC 03C3B2A7 Copy CRC 03C3B2A7 Cannot be verified as accurate (confidence 3) [DA27CF9E], AccurateRip returned [C846D7F4] Copy OK Track 4 Filename D:\Music myMusic\myUploads\Montreal Tapes 7 - LMO\ 04 - We Shall Overcome.wav Peak level 90.6 % Track quality 100.0 % Test CRC 2CE900BB Copy CRC 2CE900BB Cannot be verified as accurate (confidence 3) [B5C56630], AccurateRip returned [FB88F361] Copy OK No tracks could be verified as accurate You may have a different pressing from the one(s) in the database No errors occurred End of status report CUE     скрытый текст REM GENRE Jazz REM DATE 1999 REM DISCID 2D0DFD04 REM COMMENT "ExactAudioCopy v0.99pb4" PERFORMER "Charlie Haden, Liberation Music Orchestra" TITLE "The Montreal Tapes" FILE " 01 - La Pasionaria.wav" WAVE TRACK 01 AUDIO TITLE "La Pasionaria" PERFORMER "Charlie Haden, Liberation Music Orchestra" INDEX 01 00:00:00 FILE " 02 - Silence.wav" WAVE TRACK 02 AUDIO TITLE "Silence" PERFORMER "Charlie Haden, Liberation Music Orchestra" INDEX 01 00:00:00 FILE " 03 - Sandino.wav" WAVE TRACK 03 AUDIO TITLE "Sandino" PERFORMER "Charlie Haden, Liberation Music Orchestra" INDEX 01 00:00:00 FILE " 04 - We Shall Overcome.wav" WAVE TRACK 04 AUDIO TITLE "We Shall Overcome" PERFORMER "Charlie Haden, Liberation Music Orchestra" INDEX 01 00:00:00