(Modern Creative) Harris Eisenstadt, Ellery Eskelin, Angelica Sanchez - September Trio - 2011, WEB, FLAC (tracks), lossless

HARRIS EISENSTADT ELLERRY ESKELIN ANGELICA SANCHEZ SEPTEMBER TRIO Жанр: Modern Creative Год издания: 2011 Издатель (лейбл): Clean Feed Аудиокодек: FLAC (*.flac) Тип рипа: tracks Битрейт аудио: lossless Продолжительность: 48:35 Наличие сканов в содержимом раздачи: front Источник (релизер): WEB (я)Треклист: 1. September 1 2. September 2 3. September 3 4. September 4 5. September 5 6. September 6 7. September 7 Harris Eisenstadt - drums Ellery Eskelin - tenor saxophone Angelica Sanchez - piano  Лог Audiochecker AUDIOCHECKER v2.0 beta (build 457) - by Dester - opdester@freemail.hu~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~Started at: воскресенье, 15. 04. 2012. - 21:55.377 files found1 -===- C:\Users\пользователь\DoctorWeb\Desktop\Harris Eisenstadt - September Trio (2011)\01 - September 1.flac Extracted successfully Conclusion: this track is CDDA with probability 100% Tempfile successfully deleted.2 -===- C:\Users\пользователь\DoctorWeb\Desktop\Harris Eisenstadt - September Trio (2011)\02 - September 2.flac Extracted successfully Conclusion: this track is CDDA with probability 100% Tempfile successfully deleted.3 -===- C:\Users\пользователь\DoctorWeb\Desktop\Harris Eisenstadt - September Trio (2011)\03 - September 3.flac Extracted successfully Conclusion: this track is CDDA with probability 100% Tempfile successfully deleted.4 -===- C:\Users\пользователь\DoctorWeb\Desktop\Harris Eisenstadt - September Trio (2011)\04 - September 4.flac Extracted successfully Conclusion: this track is CDDA with probability 100% Tempfile successfully deleted.5 -===- C:\Users\пользователь\DoctorWeb\Desktop\Harris Eisenstadt - September Trio (2011)\05 - September 5.flac Extracted successfully Conclusion: this track is CDDA with probability 100% Tempfile successfully deleted.6 -===- C:\Users\пользователь\DoctorWeb\Desktop\Harris Eisenstadt - September Trio (2011)\06 - September 6.flac Extracted successfully Conclusion: this track is CDDA with probability 100% Tempfile successfully deleted.7 -===- C:\Users\пользователь\DoctorWeb\Desktop\Harris Eisenstadt - September Trio (2011)\07 - September 7.flac Extracted successfully Conclusion: this track is CDDA with probability 100% Tempfile successfully deleted.Finished at: воскресенье, 15. 04. 2012. - 22:00.01 (operation time: 0:04.23)  Reviews  Clean FeedWith the jazz drumming tradition well assimilated, a first-hand knowledge of West African rhythms (he studied with local masters from Gambia, Ghana and Senegal) and a compositional vision of his own going as far as the contemporary classical field, Harris Eisenstadt has turned very rapidly into one of the most interesting, and in demand, musicians of the present international scene. Capable of making the most complex structure sound as if it was simple, and to forge intricate and crazy polyrhythmic patterns as if it were easy, here we have a clear case of someone who escapes the conventional divisions between the mainstream and the avant-garde – his music is innovative, but rooted in history. September Trio is Eisenstadt's new project with tenor saxophonist Ellery Eskelin and pianist Angelica Sanchez, the first already an established and notable figure in the creative jazz field, the other a rising talent from whom we expect much. Together they propose us a music full of detail and energy, corresponding to a solid concept. The future is in the making here.  jazz.about.comHarris Eisenstadt’s September Trio, with pianist Angelica Sanchez and tenor saxophonist Ellery Eskelin, play an improbably free-floating and poignant music on their first Clean Feed release as a trio (September Trio). The album’s texture is more sparse than even the unorthodox instrumentation would suggest. For a start, the word “fragile” comes to mind. It’s an album played almost entirely out of metered time with long and uncharted collective improvisations that seem like they could fall apart at any time. But the confidence with which these musicians spin their webs of intertwining melodies projects not fragility but poise. The music is delicate, but it is also robust, finding a firm foundation in the over-flowing lyricism that is weaved into the fabric of the music.Drummer and composer Eisenstadt’s music sets up skeletal phrases that are then given life through out-of-time, free improvisations. Each piece sets up a framework that serves as a point of departure. “September 1”, the first of seven compositions on the album, features Eskelin playing a simple melody, but with an expansive and emotive sensibility, stretching just a few notes into a more detailed portrait than the source material would suggest.Eisenstadt, who is one of the most timbrally sensitive drummers around, provides an open-ended accompaniment that leaves plenty of space, with deftly placed drum textures coming in and out of silence. Sanchez’s opening arpeggios seem like they might provide a constant, rhythmic presence, but she lets them spin away into a new idea by the end of the first phrase of the melody. It is the kind of playing that might seem flighty in a different setting, but here it is a fitting compliment to Eskelin’s long lines, as if the constant movement of ideas actually grounds the music, rather than unsettling it.September Trio achieves a rare and special balance. For music that is so gentle and unstructured, it still maintains a vital energy through every twist and turn. The secret is in the layered, complex sentiment at work. The beautiful timbres created by all three players, lush as they are generally, are here and there interrupted by sounds that are harder to categorize, but the music keeps on turning, like a mobile set gently in motion. The pieces could easily be given romantic names, but instead are titled “September 1,” “September 2,” and so on, through “September 7.”Like the titles of these pieces, the music has no predetermined meaning. Instead, the trio is free to abstract from the ballad-like melodies, letting their own inventions work in complement, and sometimes in conflict with each other. The September Trio makes its impact through the subtlety and richness of expression within the framework of this somber collection of pieces, and September Trio will surely be among 2011’s best. ~ Douglas Detrick  By StefTo review music in July by a band called September Trio may sound a bit premature, yet nature already seems to be in that season now, with cold winds, dark clouds, heavy rains and mushrooms sprouting everywhere, birds hesitating to migrate and thick spiders looking for safer places indoors.So allow me not to wait till September to review it, if only because it's a strong album that does not accept a late review.The trio is Harris Eisenstadt on drums, Ellery Eskelin on sax and Angelica Sanchez on piano. As I mentioned several times before, Eisenstadt is a great artist, re-inventing himself with each album, not shying away from complexity, but actually looking it up, rhythmically, harmonically, and to his credit, always with the objective to create a great listening experience. The music on this album is not comparable to his modern "Canada Day" band, neither with his superb genre-bending "Woodblock Prints" or with his African rhythm fest "Guewel".No, September Trio brings you into an incredibly sad, almost moaning atmosphere, slow to mid-tempo, with Eskelin's tremendous tenor offering the lead voice, with tremor in his voice, deep sorrow welling up from deep inside him. His warm sound is recognizable from far and possibly one of the most beautiful around.Eisenstadt's compositions are rooted in blues and traditional jazz, but of a sophisticated structural refinement and complexity that is highly modern, with interweaving melodies and rhythms, subtly handled by the piano, which offers the music's backbone, depth and contrast to the tenor's phrases. Eisenstadt himself is an excellent drummer, adding polyrhythmic effects and subtle accents, driving the music forward in its elegant dynamics.Although the album could be the right atmospheric musical backdrop for a lazy and rainy September evening, it will equally please the attentive listener, with its beautiful playing and creative angle and interesting themes and subtle sensitivity.