(Modern Creative, Experimental) [WEB] Trondheim Jazz Orchestra, Kim Myhr, Jenny Hval - In the End His Voice Will Be the Sound of Paper - 2016, FLAC (tracks), lossless

TRONDHEIM JAZZ ORCHESTRA'KIM MYHR ' ' ' & ' ' ' JENNY HVAL'IN THE END HIS VOICE WILL BE THE SOUND OF PAPER Жанр: Modern Creative, Experimental Год издания: 2016 Издатель (лейбл): Hubro Номер по каталогу: HUBROCD2569 Страна исполнителя (группы): Norway Аудиокодек: FLAC (*.flac) Тип рипа: tracks Битрейт аудио: lossless Продолжительность: 45:02 Источник (релизер): WEB Наличие сканов: frontТреклист: 1. Seed 2. Something New 3. Me, You, Me, You 4. The Beak 5. Mass 6. Even The Vowels 7. Soft As Tongues 8. Silence A Beat  Лог проверки качества -----------------------DON'T MODIFY THIS FILE-----------------------PERFORMER: auCDtect Task Manager, ver. 1.6.0 RC1 build 1.6.0.1Copyright (c) 2008-2010 y-soft. All rights reservedhttp://y-soft.orgANALYZER: auCDtect: CD records authenticity detector, version 0.8.2Copyright (c) 2004 Oleg Berngardt. All rights reserved.Copyright (c) 2004 Alexander Djourik. All rights reserved.FILE: 08 - Silence A Beat.flac Size: 31854433 Hash: CB76D3267D4CBF01BF6C63C5C8CFAC9A Accuracy: -m0 Conclusion: CDDA 100% Signature: B72325AB337FA6C75289D861E213527910899FC2FILE: 07 - Soft As Tongues.flac Size: 36615865 Hash: 0B21E7BFAD2B574E867782C75BDF7C79 Accuracy: -m0 Conclusion: CDDA 100% Signature: A60872F93C42270D8144C8B920C0F6B6E37A3E6BFILE: 06 - Even The Vowels.flac Size: 26306680 Hash: 081B96A621FF63BD895DFB8E81FC8766 Accuracy: -m0 Conclusion: CDDA 100% Signature: 5A031C84C3D9DB94592BF5A485D77543D7BF5432FILE: 05 - Mass.flac Size: 54575156 Hash: 5FEA887C59958E4E9EECB513BB7A8395 Accuracy: -m0 Conclusion: CDDA 100% Signature: 67EE80242B2D08FAF80617242DD22FC092550A78FILE: 04 - The Beak.flac Size: 23584427 Hash: 72601245C5E59D91FC12CA358C45855A Accuracy: -m0 Conclusion: CDDA 100% Signature: B4489CB842941599EFC4EA843C1BA0CEF5D28554FILE: 03 - Me, You, Me, You.flac Size: 28276316 Hash: 912346982F68D20752725E988F6F38F4 Accuracy: -m0 Conclusion: CDDA 100% Signature: 37CAFFFFD8E1A86DF99C49E0ADB75314C4B8BD2EFILE: 02 - Something New.flac Size: 22045797 Hash: EC19958F58F47D1A5DDFD55E5FBDA102 Accuracy: -m0 Conclusion: CDDA 100% Signature: 10292642B778F2D5E99579642EA246335E7431DCFILE: 01 - Seed.flac Size: 16566796 Hash: 83BF44DA6575F153D8232659E55FE118 Accuracy: -m0 Conclusion: CDDA 100% Signature: 007FAF02EF1577A4E423E1B62EF031618AC2BB22  Об альбомеWhen guitarist, improviser and composer Kim Myhr had an opportunity to collaborate with the never-stagnant Trondheim Jazz Orchestra for the second time, he invited Jenny Hval to join him. He had known her for several years and had wanted for a long time to work together with her.Together, Kim and Jenny have created the music that became the work “In the End His Voice Will Be the Sound of Paper” – a title that materialised during a conversation about Bob Dylan’s aging voice. The work premiered at the Ultima Oslo Contemporary Music Festival in 2012, and was then described as a musical combination of improvisation, contemporary Feldmanian music, pop and the spoken word. The form of the music is fascinating – like a wind that suddenly arises and builds up a song before vanishing again just as swiftly and naturally. The album version was recorded at Rainbow Studio in Oslo in August 2014, and was later mixed at Amper Tone Studio with technician Jonny Skalleberg. This is powerful music that has the necessary backbone and is eloquently moving at the same time. This is music that richly rewards the listener who can focus keenly on it.Kim Myhr works a good deal with improvisation, a working method that also appeals to Jenny. “Kim gave me a lot of sketches and music, I wrote the melody and lyrics, and we improvised. This is a collaborative effort, even if it is mostly Kim’s music. It’s his artistic vision, and it was a great honour for me to be able to take part in it, because you can learn a lot by working with fantastic people,” she said in a recent interview. One goal that they shared was wanting the process to be quick and intuitive. Kim regards Jenny’s vocals and lyrics as an instrument, an element of the sonic texture like those produced by the others in the ensemble. For Kim it was exciting to “boil down” his own style to the bare essentials – only playing acoustic guitar – while Jenny’s expressed ambition was to try to accentuate the emotional aspects of the music.“Sometimes I feel that improvised and abstract music is trying desperately to avoid the emotional elements that can be inherent in the music. This was something I thought a lot about when we were going to work with this recording. That’s why I wanted to write romantic lyrics. There is a sense of longing in these lyrics. I wanted to combine something charming, in both the lyrics and the melody, something that wants to be loved, with this more abstract and fragmentary music. I’m interested in vulnerability; the music must have a kind of vulnerability at some level.”Kim Myhr has been one of the leading voices on the experimental scene in Norway in recent years, as both a composer and a guitarist. He tours frequently in Europe, Australia, Asia and North and South America. In March 2014 he released the critically acclaimed solo record “All Your Limbs Singing” (SOFA), which was reminiscent of both early Feldman and Ligeti’s sound masses, but which also had an energy and simplicity that could bring American folk music to mind. Myhr is an active composer, and writes for chamber ensembles, electroacoustic settings and various theatrical projects. He is also a member of the trio MURAL along with Jim Denley and Ingar Zach.On this occasion the unique Trondheim Jazz Orchestra is entirely acoustic, and is formed of 11 musicians with backgrounds in jazz, improvisational music and contemporary music who come from Norway, Wales and Australia, all of whom were hand-picked by Kim. Most of them also played on Kim’s previous work with the orchestra and vocalist Sidsel Endresen in 2009: “Stems and Cages”, a work that astounded both audiences and critics at its premiere in Molde Cathedral during the Molde Jazz Festival. A critic from Norwegian radio’s P2 called the concert “surprising, compelling” and “totally ground-breaking” (Jazznytt).  СоставComposed by – Jenny Hval, Kim Myhr Arrangements – Kim Myhr, Trondheim Jazz Orchestra Piano, Harmonium – Christian Wallumrød Tenor Saxophone – Espen Reinertsen Flute, Alto Saxophone – Jim Denley Trumpet – Eivind Lønning Tuba – Martin Taxt Clarinet – Klaus Holm 12-String Guitar – Kim Myhr Harp – Rhodri Davies Viola – Kari Rønnekleiv Voice, Lyrics – Jenny Hval, Kim Myhr (5) Bass – Michael Duch Drums – Tor Haugerud Percussion – Morten Olsen Recorded by – Jan Erik Kongshaug