(Modern Creative, Contemporary Jazz) [CD] Wolfgang Muthspiel - Where the River Goes - 2018 (ECM 2610), FLAC (tracks+.cue), lossless

Wolfgang Muthspiel - Where the River Goes Жанр: Modern Creative, Contemporary Jazz Носитель: CD Страна-производитель диска (релиза): Германия Год издания: 2018 Издатель (лейбл): ECM Records Номер по каталогу: ECM 2610 Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 48:16 Источник (релизер): redacted Наличие сканов в содержимом раздачи: да Треклист: 01. Where the River Goes (Muthspiel) - 7:43 02. For Django (Muthspiel) - 7:16 03. Descendants (Muthspiel) - 5:33 04. Clearing (Muthspiel-Mehldau-Akinmusire-Grenadier-Harland) - 7:26 05. Buenos Aires (Muthspiel) - 3:38 06. One Day My Prince Was Gone (Muthspiel) - 5:31 07. Blueshead (Mehldau) - 7:41 08. Panorama (Muthspiel) - 3:28 Состав: Wolfgang Muthspiel - guitar Ambrose Akinmusire - trumpet Brad Mehldau - piano Larry Grenadier - double bass Eric Harland - drums Recorded at Studios La Buissonne, Pernes-les-Fontaines in February 2018.   Лог создания рипа Exact Audio Copy V1.3 from 2. September 2016 EAC extraction logfile from 2. December 2018, 15:46 Wolfgang Muthspiel / Where The River Goes [ECM 2610] Used drive : ASUS DRW-24F1ST a Adapter: 1 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 128 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TOTALTRACKS=%numtracks%" -T "GENRE=%genre%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM ARTIST=%albumartist%" -T "COMMENT=EAC Secure Mode, Test & Copy, AccurateRip, FLAC -8" %source% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 7:42.41 | 0 | 34690 2 | 7:42.41 | 7:15.47 | 34691 | 67362 3 | 14:58.13 | 5:32.53 | 67363 | 92315 4 | 20:30.66 | 7:26.15 | 92316 | 125780 5 | 27:57.06 | 3:37.53 | 125781 | 142108 6 | 31:34.59 | 5:31.29 | 142109 | 166962 7 | 37:06.13 | 7:41.07 | 166963 | 201544 8 | 44:47.20 | 3:27.56 | 201545 | 217125 Track 1 Filename L:\EAC\01 - Where The River Goes.wav Pre-gap length 0:00:02.02 Peak level 94.9 % Extraction speed 4.8 X Track quality 100.0 % Test CRC 7A405384 Copy CRC 7A405384 Accurately ripped (confidence 4) [38D11CB6] (AR v2) Copy OK Track 2 Filename L:\EAC\02 - For Django.wav Peak level 95.3 % Extraction speed 5.6 X Track quality 100.0 % Test CRC 31E5E4C4 Copy CRC 31E5E4C4 Accurately ripped (confidence 4) [1FB10542] (AR v2) Copy OK Track 3 Filename L:\EAC\03 - Descendants.wav Peak level 95.8 % Extraction speed 6.1 X Track quality 100.0 % Test CRC A93614C4 Copy CRC A93614C4 Accurately ripped (confidence 4) [D12D0FC2] (AR v2) Copy OK Track 4 Filename L:\EAC\04 - Clearing.wav Peak level 94.8 % Extraction speed 6.2 X Track quality 99.9 % Test CRC 3947E09B Copy CRC 3947E09B Accurately ripped (confidence 4) [3F32DDE3] (AR v2) Copy OK Track 5 Filename L:\EAC\05 - Buenos Aires.wav Peak level 93.8 % Extraction speed 6.6 X Track quality 100.0 % Test CRC 2007DDBC Copy CRC 2007DDBC Accurately ripped (confidence 4) [78DC885E] (AR v2) Copy OK Track 6 Filename L:\EAC\06 - One Day My Prince Was Gone.wav Peak level 94.5 % Extraction speed 7.2 X Track quality 100.0 % Test CRC C7F167BE Copy CRC C7F167BE Accurately ripped (confidence 4) [4546278E] (AR v2) Copy OK Track 7 Filename L:\EAC\07 - Blueshead.wav Peak level 95.5 % Extraction speed 7.8 X Track quality 100.0 % Test CRC 7FCF519B Copy CRC 7FCF519B Accurately ripped (confidence 4) [2A405665] (AR v2) Copy OK Track 8 Filename L:\EAC\08 - Panorama.wav Peak level 58.2 % Extraction speed 7.5 X Track quality 100.0 % Test CRC 93D41981 Copy CRC 93D41981 Accurately ripped (confidence 4) [7EB8323E] (AR v2) Copy OK All tracks accurately ripped No errors occurred End of status report ==== Log checksum EB8FB32983BCC62FBA1757AEFDF00ADE2721E0036B81C7DE920166F865C3C6CD ====     Содержание индексной карты (.CUE) REM GENRE Jazz REM DATE 2018 REM DISCID 770B4F08 REM COMMENT "ExactAudioCopy v1.3" PERFORMER "Wolfgang Muthspiel" TITLE "Where the River Goes" FILE "01 - Where the River Goes.wav" WAVE TRACK 01 AUDIO TITLE "Where the River Goes" PERFORMER "Wolfgang Muthspiel" PREGAP 00:00:02 INDEX 01 00:00:00 FILE "02 - For Django.wav" WAVE TRACK 02 AUDIO TITLE "For Django" PERFORMER "Wolfgang Muthspiel" INDEX 01 00:00:00 FILE "03 - Descendants.wav" WAVE TRACK 03 AUDIO TITLE "Descendants" PERFORMER "Wolfgang Muthspiel" INDEX 01 00:00:00 FILE "04 - Clearing.wav" WAVE TRACK 04 AUDIO TITLE "Clearing" PERFORMER "Wolfgang Muthspiel" INDEX 01 00:00:00 FILE "05 - Buenos Aires.wav" WAVE TRACK 05 AUDIO TITLE "Buenos Aires" PERFORMER "Wolfgang Muthspiel" INDEX 01 00:00:00 FILE "06 - One Day My Prince Was Gone.wav" WAVE TRACK 06 AUDIO TITLE "One Day My Prince Was Gone" PERFORMER "Wolfgang Muthspiel" INDEX 01 00:00:00 FILE "07 - Blueshead.wav" WAVE TRACK 07 AUDIO TITLE "Blueshead" PERFORMER "Wolfgang Muthspiel" INDEX 01 00:00:00 FILE "08 - Panorama.wav" WAVE TRACK 08 AUDIO TITLE "Panorama" PERFORMER "Wolfgang Muthspiel" INDEX 01 00:00:00     Отчет CUETools [CUETools log; Date: 02.12.2018 22:40:12; Version: 2.1.6] Pregap length 00:00:02. 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Track [ CRC | V2 ] Status 01 [69b37fbb|38d11cb6] (0+4/4) Accurately ripped 02 [a5fded5c|1fb10542] (0+4/4) Accurately ripped 03 [bb584857|d12d0fc2] (0+4/4) Accurately ripped 04 [975f5f48|3f32dde3] (0+4/4) Accurately ripped 05 [6c21b460|78dc885e] (0+4/4) Accurately ripped 06 [e38f2e0e|4546278e] (0+4/4) Accurately ripped 07 [925dba05|2a405665] (0+4/4) Accurately ripped 08 [982f6fd4|7eb8323e] (0+4/4) Accurately ripped Track Peak [ CRC32 ] [W/O NULL] [ LOG ] -- 95,8 [7740F7BF] [9D4C7ACB] 01 94,9 [7A405384] [7C6EDAE5] CRC32 02 95,3 [31E5E4C4] [46B6F30D] CRC32 03 95,8 [A93614C4] [F0C1D339] CRC32 04 94,8 [3947E09B] [FFAA01DE] CRC32 05 93,8 [2007DDBC] [159CBF23] CRC32 06 94,5 [C7F167BE] [4845157F] CRC32 07 95,5 [7FCF519B] [2B624BE9] CRC32 08 58,2 [93D41981] [9547CD3D] CRC32     AllMusic Review by Thom Jurek In 2016, Austrian guitarist and composer Wolfgang Muthspiel released the widely celebrated quintet offering Rising Grace as his sophomore effort for ECM. Its meditative -- and sometimes oblique -- compositions were riven with smooth, percolating grooves and an intelligent, canny conversation among the players, thanks in no small part to the musicians recording live in the same room. Muthspiel returns to the same French studio with three of those sidemen -- pianist Brad Mehldau, trumpeter Ambrose Akinmusire, and bassist Larry Grenadier -- with Eric Harland replacing Brian Blade on drums. Just as on Rising Grace, Muthspiel penned all but one of these eight tunes, with "Blueshead" composed by Mehldau. The guitarist uses electric and acoustic instruments in tunes that reveal the conversational m.o. of this band. The opening title cut is introduced by Muthspiel's electric with sparse fingerpicking before pulsing a chord pattern to introduce Mehldau, who in turn articulates the lyric in elliptical tones. Grenadier enters, adding weight and increasing the tempo before Harland and Akinmusire approach, adding force, color, and texture as the melodic body ascends to a euphoric plateau. Muthspiel's solo winds above and through his bandmates' dialogue, framing the proceedings with scalar single-note queries and chordal accents. In "For Django," the band offers the head in unison before Mehldau and Muthspiel turn around one another in widening circles while Akinmusire finds choice moments to underscore their contrapuntal inquiries. "Clearing" is a group improv piece fueled by Harland's breaks and syncopated trap beats. The groove remains deep even as Mehldau takes it outside, pushing off from the vamp to go deeper. Akinmusire employs a rainbow of tonalities in his solo before paring the entire proceeding down for Muthspiel to carry it out. The guitarist plays solo acoustic on the lovely "Buenos Aires," a three-and-a-half-minute exercise in harmonic inquiry inside a ballad. "One Day My Prince Was Gone" is a vehicle for Akinmusire and Mehldau. The former makes use of his immense creativity and technical skills to embrace everything from New Orleans jazz to Miles' modalism to vanguard exposition in ever increasing modes of tension, while the latter and Grenadier frame his statements and the guitarist offers tight, single-string leads as ballast for the labyrinthine trumpet lines. By contrast, Mehldau's "Blueshead" is a muscular exercise in fingerpopping post-bop. All five members showcase their soloing chops. Muthspiel in particular is notable for his fleet, spidery arpeggios that swing like mad. Mehldau sits out the brief closer, "Panorama," as the guitarist and the rhythm section stretch Brazilian rhythmic interpolations to meet elements of classical and even flamenco musics. Where the River Goes is more speculative than its predecessor, but it's so kinetic in its group engagement, it doesn't feel that way. Its seemingly effortless conversation sets a new bar for this group going forward.