(Modern Creative, Avant-Garde Jazz, Post-Bop) Dave Douglas - Convergence - 1998, APE (image+.cue) lossless

Dave Douglas - Convergence Жанр: Modern Creative, Avant-Garde Jazz, Post-Bop Страна-производитель диска: Италия Год издания диска: 1998 Издатель (лейбл): Soul Note Номер по каталогу: 121316-2 Аудио кодек: APE (*.ape) Тип рипа: image+.cue Битрейт аудио: lossless Продолжительность: 71:51 Источник (релизер): dreadbull (hqshare) Наличие сканов в содержимом раздачи: даТреклист: 01. Chit Kyoo Thwe Tog Nyin Hmar Lar (Traditional Burmese) 02. Joe's Auto Glass (Douglas) 03. Tzotzil Maya (Douglas) 04. Meeting at Infinity (Douglas) 05. Desseins Eternels (Messiaen) 06. Bilbao Song (Weill) 07. Border Stories: The Story (Douglas) 08. Border Stories: The Elaboration (Douglas) 09. Border Stories: The Exaggeration (Douglas) 10. Border Stories: Apocrypha (Douglas) 11. Collateral Damages (Douglas) 12. Goodbye Tony (Douglas) 13. Nothing Like You (Dorough-Landesman)Состав: Dave Douglas – trumpet Mark Feldman – violin Erik Friedlander – cello Drew Gress – bass Michael Sarin – drumsRecorded at Sound on Sound, New York City on January 22 and 23, 1998.  Лог создания рипа EAC extraction logfile from 8. February 2011, 17:47 for CDDave Douglas / ConvergenceUsed drive : ASUS DRW-22B2L Adapter: 0 ID: 1Read mode : Secure with NO C2, accurate stream, disable cacheRead offset correction : 6Overread into Lead-In and Lead-Out : NoUsed output format : Internal WAV Routines 44.100 Hz; 16 Bit; StereoOther options : Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Installed external ASPI interfaceRange status and errorsSelected range Filename D:\Donkey Files\Dave Douglas - Convergence (1998, Soul Note) [eac-ape-scans] byDrBull\CDImage.wav Peak level 99.9 % Range quality 100.0 % CRC C78BBA8A Copy OKNo errors occuredEnd of status report  Содержание индексной карты (.CUE) PERFORMER "Dave Douglas"TITLE "Convergence"FILE "Dave Douglas - Convergence.wav" WAVE TRACK 01 AUDIO TITLE "Chit Kyoo Thwe Tog Nyin Hmar Lar" PERFORMER "Dave Douglas" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Joe's Auto Glass" PERFORMER "Dave Douglas" INDEX 01 01:18:22 TRACK 03 AUDIO TITLE "Tzotzil Maya" PERFORMER "Dave Douglas" INDEX 01 07:50:25 TRACK 04 AUDIO TITLE "Meeting at Infinity" PERFORMER "Dave Douglas" INDEX 01 15:37:37 TRACK 05 AUDIO TITLE "Desseins Eternels" PERFORMER "Dave Douglas" INDEX 01 31:28:02 TRACK 06 AUDIO TITLE "Bilbao Song" PERFORMER "Dave Douglas" INDEX 01 35:38:25 TRACK 07 AUDIO TITLE "Border Songs: The Story" PERFORMER "Dave Douglas" INDEX 01 44:10:57 TRACK 08 AUDIO TITLE "Border Songs: The Elaboration" PERFORMER "Dave Douglas" INDEX 01 44:40:15 TRACK 09 AUDIO TITLE "Border Songs: The Exaggeration" PERFORMER "Dave Douglas" INDEX 01 45:35:00 TRACK 10 AUDIO TITLE "Border Songs: Apocrypha" PERFORMER "Dave Douglas" INDEX 01 46:15:62 TRACK 11 AUDIO TITLE "Collateral Damages" PERFORMER "Dave Douglas" INDEX 01 46:57:42 TRACK 12 AUDIO TITLE "Goodbye Tony" PERFORMER "Dave Douglas" INDEX 01 53:56:45 TRACK 13 AUDIO TITLE "Nothing Like You" PERFORMER "Dave Douglas" INDEX 01 67:36:55  Review by Alex HendersonTo hear many hard bop hard-liners tell it, all avant-garde jazz is nothing more than atonal screaming. The problem with such sweeping generalizations is that some avant-garde jazz is, in fact, quite musical. A perfect example is Dave Douglas' Convergence, an experimental, adventurous outing that incorporates everything from classical and chamber music to Jewish, Middle Eastern, and East European music. Joined by violinist Mark Feldman, cellist Erik Friedlander, bassist Drew Gress, and drummer Michael Sarin, the New York-based trumpeter doesn't shy away from the eccentric and the unorthodox, but he also provides his share of discernible, substantial melodies. The inside/outside approach works impressively well on pieces ranging from Douglas' "Goodbye Tony" (a passionate ode to the late drummer Tony Williams), his Miles Davis-influenced "Tzotzil Maya," and his probing "Meeting at Infinity" to the traditional Burmese song "Chit Kyoo Thwe Tog Nyin Hmar Lar" (to which he brings a strong Jewish element). You can hear a variety of influences in Douglas' playing -- everyone from Lester Bowie and Don Cherry to Miles Davis and Booker Little -- but Convergence leaves no doubt that he is very much an original himself.